So, the new winner of Spanish Bride by Georgette Heyer is:
Alessandra, if you could please send your contact details to historical_tapestry at hotmail dot com we will get your prize out to you as soon as we can.


Today's guest post is by Sassymonkey, who blogs about books at Sassymonkey Reads, and also at Blogher. Thanks Sassymonkey!
It was a chilly and rainy Sunday afternoon. My boyfriend was out running errands and going to church. I wandered around the new apartment determined to ignore the boxes waiting to be unpacked. It was reading time. I wanted to read something fun. Something light. Something that I knew would end well and make me laugh. I scanned the bookshelves (because of course the books are all unpacked). My eyes gravitated to the top row of the first bookcase. "Perfect," I said. I took down a book, made a pot of tea and retreated to my new sun-room with a blanket, a thick pair of socks and the cat. It was time to get lost in a Regency romance with Georgette Heyer.
About a year ago a friend asked me if I had read any of Georgette Heyer's novels. I told her that I hadn't but that I was vaguely familiar with them having seen one of two mentioned on book blogs. A few months later when I moved into a new apartment (yeah, yeah I move a lot) she send me a small selection of them as a house-warming gift. The very first one I read, my friend's favourite, was The Grand Sophy. I loved it. It was witty, had a strong-willed female protagonist and the main male character was no slouch either. It reminded me of Jane Austen but wasn't quite so serious as Austen. And unlike Austen it gave us a glimpse into the frequently amusing (at least as Heyer writes it) male mind and world.
I had some concerns because my friend said The Grand Sophy was her favourite. Would the others be as good? I picked up another one of the selections she sent me flew through it. And then another. And then I went online and ordered five more. It was official - I was nutty for Heyer. The best part about reading Heyer novels is that I know there are lots of them and that some selection of them is frequently available in libraries. And after years of being out of print they are being reissued so they are available with online booksellers and frequently at my local brick and mortar. The bad part is that I know there is a finite amount of Heyer's out there and while the existing ones will continue to be new to me, there will never be another brand spanking new Heyer.
After I started reading Heyer I started to see her pop up more frequently on book blogs thanks to those reissues I mentioned above. Fans of Jane Austen seem to particularly love Heyer's work. Vic at Jane Austen's World recently reviewed her Lady of Quality and discussed what lured her into Heyer's world.
I reveled in Georgette’s world filled with bored aristocratic gentlemen who, usually as they traveled by coach or horse to a country inn or walked the streets in London in the middle of the night, stumbled across an innocent and disarming chit who needed rescuing. This plot device was a popular one with the author. Another one of Georgette’s plots was that of the “older” beautiful, rich, and independent spinster (almost on the shelf, but not quite) who is determined to live her life as she likes it, and skirt convention when she can. Because she has independent means, she rules her roost and will brook no interference from any man.
It is true that many of Georgette Heyer's novels follow similar paths. The women and men are witty. There are daft/interfering/judgmental family members. Women often need "saving" although they also sometimes turn around and save the men. There may be a military plotline (after all, we are in the age of Napoleon here). For some the repetitiveness is part of the Heyer charm. Others, like Kim, would like to see a bit more variety. She reviewed Black Sheep at Good, Clean Reads and deducted a quarter star because it was too similar to the last Heyer she read.
Thanks to Heyer having been a prolific and popular writer in the twentieth century most libraries carry at least one Heyer book.
There are also books written about Georgette Heyer and her Regency world. One of the most recent books is by Jennifer Kloester, Georgette Heyer's Regency World. The Historical Romance UK blog snagged Ms. Kloester as a guest blogger of the month awhile back.
Now you must excuse me, I have a half finished Heyer novel calling my name.





That book was The Grand Sophy and it kick-started a major Heyer glom. I was incredibly lucky that my new-found obsession with Heyer coincided with Arrow re-releasing all her books - thank you Arrow! Yes, it took a while, but now I'm pretty sure that I'm the proud owner of every single book Heyer wrote - and that includes her mysteries and a biography. Her books have intricate plotting, fascinating characters, wonderful dialogue, and beautifully-drawn settings - what more could you ask for?
Frederica - I know, I know, it's an obvious one, but this is probably the first Heyer I recommend when someone asks for a humorous Heyer. The eldest of the Merrivale family, Frederica begs her distant cousin, the Marquis of Alverstoke, to sponsor her sister's coming-out.The growing relationship between the irrepressible Merrivale family members and the world-weary Marquis is depicted brilliantly, and the scene with the dog never fails to make me smile.IN THE SUMMER OF 1815, with Napolean Bonaparte marching down from the north, Brussels is a whirlwind of parties, balls and soirees. In the swirling social scene surrounding the Duke of Wellington and his noble aides de camp, no one attracts more attention than the beautiful, outrageous young widow Lady Barbara Childe. On their first meeting, dashing Colonel Charles Audley proposes to her, but even their betrothal doesn't calm her wild behavior. Finally, with the Battle of Waterloo raging just miles away, civilians fleeing and the wounded pouring back into the town, Lady Barbara discovers where her heart really lies, and like a true noblewoman, she rises to the occasion, and to the demands of love, life and war...
I've been a long time lurker here at Historical Tapestry - this is a blog that has introduced me to a lot of authors and increased the size of my "to be read" pile. I'm also a fan of Ana's other group blog - "Lights, Camera...History!", so I'm really pleased to do a guest post! Especially since I just read my first ever Georgette Heyer novel this month. This guest post is a review of that book - Black Sheep which I originally put in my blog (janicu.livejournal.com) and have edited a bit for here.
I won this in a contest at the Misadventures of Super Librarian blog, and I'm glad because I'd never read a Georgette Heyer book but I kept hearing about them. Mostly about how great and well-researched they are but out of print, and how fans hoard them like treasure and reread them over and over again. I also kept hearing a comparison to Jane Austen since Heyer writes in the regency period - in fact she is considered the person who began the regency romance genre. I agree with the Jane Austen comparison because Black Sheep was really about characters and society. There is a lot of emphasis on manners and what is considered acceptable to say and do, and the story progresses from one social outing to another, peppered with histronic relatives, town gossips, and "loose fish". The language is very formal and structured, even when characters speak with the regency equivalent of slang, there is a great deal of formality in it. There is also a great deal of subtle humor. I discovered after reading this book that Heyer did a lot of detailed research for her stories, and a lot of unusual language that she uses came from correspondence from that period which she bought. This means that a lot of the phrases I was unfamiliar with are unique to Heyer, since many of them were only ever recorded in the letters she owned. This point has been brought up as proof of plagarism - a couple of instances it was said that she came close to suing, but never actually did.
In Black Sheep, the basic premise is that the main character, Abigail (Abby) Wendover, "on the shelf" at 28, is concerned for her niece Fanny. She's heard that Fanny, who is only seventeen, has attracted the attentions of a young man, Stacy Calverleigh, who is likely after Fanny's inheritance, nothing more. Abby is put in a situation where she can't forbid Fanny to see Stacy because she fears Fanny will consider herself a martyr and run off, but she can't allow Fanny to think the family approves either. Abby meets Stacy's uncle Miles, the black sheep of the Calverleigh family, and tries to get him to help her, but while she finds someone she gets along with very well, in Miles she also meets someone completely unaffected by societal rules. If something doesn't make sense to him, he won't do it. Miles has never met Stacy and he can't be persuaded to care about what Stacy does.
I read this book for a few minutes every night and finished it off when I was on the train. For me, this was a book I had to read slowly because I wasn't used to the language - there were several points where I just didn't understand what a character just said because they used some regency phrase that isn't in use today. So I had to read carefully to absorb it and it took me a lot longer to read 20 pages in this book than in other books. In the end the read was worth it - I felt pretty satisfied with the ending. Even though there is an open ended aspect to it, there was enough for me to feel like there was one, both to what was going on with Abby and Miles but also with Fanny and Stacy and other secondary characters. And now here is someone else to read if you have already read all of Jane Austen.
I highly recommend this as a peek into the past. I was particularly taken by the strict morals that Heyer highlights - I don't think that even Austen made it as clear to me how differently actions back then were seen compared to the present day.
The Georgette Heyer novels being reprinted as trade paperbacks by Sourcebooks. I thought they all had lovely covers, and I'm pleased with the quality of the paper used (nice and thick) - these books will withstand repeated reads!









Base-born son of Richard, Duke of Normandy, William the Bastard had to fight for his crumbling heritage, then to subjugate in battle his feudal lord, the King of France.
Spurned in love he horse-whipped the lovely Princess Matilda, then made her his bride.
Thwarted by the Saxon Earl Harold of a solemn promise of the throne of England, he sailed with his armies to a moment of destiny at Hastings.
The first was over at Random Jottings of a Book and Opera Lover, where Elaine talks about two of the new batch of releases from Sourcebooks, Black Sheep and Lady of Quality.








My first Georgette Heyer book was The Nonesuch. I was probably about seventeen when I read it. I loved Sir Waldo and his sense of humor and his charitable works. I thought Ancilla was the perfect match for him. I thought the secondary characters, all village busybodies who gossiped about anyone around them, were so fleshed out that I could imagine exactly what a conversation involving two of them would be. I loved the setting, and the descriptions of the clothing and the carriages and the horses. But, I admit... mostly, I loved Sir Waldo.
Georgette Heyer has obvious appeal for teenage readers- her books (I am focusing on the Regencies, since I have not read many of her mysteries or her novels set in non-Regency eras) are full of dashing heroes, adventure, marriageable ladies and, of course, true, pure love. But she has much to offer readers as they grow older as well. Her heroes are dashing, yes- but they often have flaws (usually excessive pride and arrogance). Her ladies are marriageable, but they are refreshingly not always beautiful or helpless- they are often witty and self-reliant and perfectly capable of taking care of themselves. And the dialogue- Heyer makes me laugh out loud. She is simply a pleasure to read. Some of her characters have so much chemistry that they literally sizzle. Charles and Sophy in The Grand Sophy are an example of this. Dominic and Mary in Devil's Cub. Some of the matchings are more mature, and based on real friendship and comfort in each other- Tristram and Sarah in The Talisman Ring, or Miles and Abby in Black Sheep. Some of the pairings help each character grow into a better person, such as happens in Sylvester, Cotillion and Friday's Child.