Showing posts with label French History. Show all posts
Showing posts with label French History. Show all posts

Friday, May 16, 2014

Fact Fiction Friday ~ Joan of Arc

Continuing our new and regular feature here at Historical Fiction.  

Each Friday we will publish an historical fact based upon the date. Each fact will be accompanied by a book(s) title and perhaps a review or other snippet.

16th May 1920 - Was the day that Joan of Arc was canonised as a Saint. In fact, a documentary on Joan of Arc is the first documentary I recall watching, that was in about the late 1970's.

Joan of Arc by Edward Lucie-Smith

Therefore this week's book is Joan of Arc by Edward Lucie-Smith. This is not a book I have read personally. There are some good reviews over at LibraryThing. There are also several free Kindle books listed at Amazon

Saturday, May 10, 2014

How I Came to Love Versailles: 10 tips on how you can love it too by Sandra Gulland (includes giveaway)

Today we are very pleased to welcome Sandra Gulland here to tell us about visiting Versailles. Made me remember my own visit to the splendid palace many years ago. One day I will visit again. One day.

~~~~~~~~~~~




When I began to write about the Court of the Sun King, I had to research Versailles, of course. I began with a shelf-full of books, but I resisted actually going there for some time. I feared that it would be overwhelming—and it was!

Here's how I came to love it:

1) Read books about Versailles, both fiction and non-fiction, before you go.

2) Take a car from the Paris airport directly to Versailles and spend the night there. Or two. Or three! (We enjoyed staying at the Trianon Palace, a short walk from Versailles.)

3) Visit Versailles in short stages. (When you are staying in the village, this is easier: you can tour, nap, eat, tour, nap, eat.)

4) It's best to visit Versailles early on week-day mornings, before the hoards arrive. (More than three million tourists visit Versailles every year.)

5) Plan to take only a few personal photos; there will often be people standing in the way of a good historical shot—and the official photos on postcards and in the guidebooks are excellent.

6) Sign up for an official tour (or two), especially for a first visit: these guides get you past the lines, had have lots of great information. I recommend Guidatours.

7) Get lost in the gardens. Dream of the events that were held there. 

8) Make sure you visit the bookstore, and have room in your luggage for all the books you will buy.

9) Ditto for gifts!

10) Go back to Versailles many times. Like the Louvre, one visit, or even two or three, will never be enough.

The Versailles of the period of my novels MISTRESS OF THE SUN and, newly out, THE SHADOW QUEEN, spanned the early days, when it was just a hunt lodge, to the beginnings of construction of the massive chateau that we know today.

I was most interested in imagining what Versailles might have been like under construction, as shown in this painting by Adam Frans van der Meulen: 




I walked from the chateau to the village, and then to where Clagny had been at one time, the chateau the Sun King built for Athénaïs, Madame de Montespan, his second official mistress.



It is no longer there, alas, but walking to where it had once stood gave me a sense of the distances, the views.

Everywhere I walked, my characters had walked before me.

Versailles is a place rich in history, layers upon layers of it. Enjoy it step by step, bit by tasty bit.

Links:

Trianon Palace
Guidatours



About the Tour

Tour Schedule: http://francebooktours.com/2014/01/06/sandra-gulland-on-tour-the-shadow-queen/
Sandra Gulland's website.
Sandra Gulland on Facebook
Sandra Gulland on Twitter.
Sandra Gulland on Goodreads


About the Book


From the author of the beloved Josephine B. Trilogy, comes a spellbinding novel inspired by the true story of a young woman who rises from poverty to become confidante to the most powerful, provocative and dangerous woman in the 17th century French court: the mistress of the charismatic Sun King.

1660, Paris

Claudette’s life is like an ever-revolving stage set. From an impoverished childhood wandering the French countryside with her family’s acting troupe, Claudette finally witnesses her mother's astonishing rise to stardom in Parisian theaters. Working with playwrights Corneille, Molière and Racine, Claudette’s life is culturally rich, but like all in the theatrical world at the time, she's socially scorned.

A series of chance encounters gradually pull Claudette into the alluring orbit of Athénaïs de Montespan, mistress to Louis XIV and reigning "Shadow Queen." Needing someone to safeguard her secrets, Athénaïs offers to hire Claudette as her personal attendant.

Enticed by the promise of riches and respectability, Claudette leaves the world of the theater only to find that court is very much like a stage, with outward shows of loyalty masking more devious intentions. This parallel is not lost on Athénaïs, who fears political enemies are plotting her ruin as young courtesans angle to take the coveted spot in the king's bed.

Indeed, Claudette's "reputable" new position is marked by spying, illicit trysts and titanic power struggles. As Athénaïs, becomes ever more desperate to hold onto the King's favor, innocent love charms move into the realm of deadly Black Magic, and Claudette is forced to consider a move that will put her own life—and the family she loves so dearly—at risk.

Set against the gilded opulence of a newly-constructed Versailles and the War of Theaters, THE SHADOW QUEEN is a seductive, gripping novel about the lure of wealth, the illusion of power, and the increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France.




Giveaway details:

- to participate, leave a comment telling us what you would like to see if you were lucky enough to be able to visit Versailles or, if you have already been, a handy tip!  Don't forget to include your email address in your comment.
- there is one hardcover copy of the book to be given away
- open to US/Canada only
- closes 18th May midnight GMT 

The Shadow Queen by Sandra Gulland


When Claudette des Oeillets first meets the young girl Mademoiselle de Tonnay-Charente, who will in future be known as Athenais de Montespan, it is a chance encounter. After all Claudette is from a poor travelling theatre family, trying their best to get by in 17th century France and Athenais is the girl who in due course will become 'The Shadow Queen', mistress to Louis XIV of France.

Claudette is forced to grow up quickly, taking responsibility for her mother who barely seems to be able to hold it together unless she is on stage performing where she is exceptional, and also for her brother Gaston who is disabled. Whilst her mother is onstage performing plays by the most notable playwrights of the day, Claudette does anything and everything that she can to bring in a few extra sous to help make ends meet from cleaning and sewing to the occasional small onstage part. Claudette's story provides the viewer with ringside seats in the volatile world of French theatre, a world peopled by playwrights like Racine, Corneille and Moliere, the actors and actresses as well as all the fans from all walks of life.

I found much of the theatre aspect of the book very interesting, mainly because I don't remember reading a lot about the complex political and religious implications of theatre at this point of time. I was surprised by how badly any one associated with the theatre were treated by the church of the time - not allowed to enter the church or have communion and therefore if they died without renouncing the theatre unable to be buried in holy ground. And yes, despite these efforts to ostracise the performers and their families, there were still many actors and actresses who attracted many fanatics (from where we get some of our modern concepts of fandom), even from among the aristocracy. It is an interesting dichotomy.

Claudette's life changes immeasurably when she moves from the theatre world to the court of Louis XIV after she is appointed as the personal attendant and confidante to Athenais de Montespan, wife to a nobleman, mother of his children who live with him in another country but more importantly mistress to the king, and mother of his children. Athenais is desperate to protect her place as the king's main squeeze, resorting to charms and potions to keep his attention from wandering too far away and Claudette is a key player in helping her with this objective. This  ends up with Claudette being caught up in the Affair of the Poisons which rocked the royal court of the day.

I think that the publishers and marketers missed the mark with this book in a way. Firstly, in relation to the title, I must confess I am not 100% sure of the logic behind giving a book a title that actually doesn't relate to the main character. Sure, Athenais is the shadow queen but the reality is that the book is not about Athenais. It is about Claudette. Yes, for a large portion of the book Athenais is pretty much Claudette's main focus but as a title it didn't work that well for me.

The same could be said of the synopsis. Yes, all the things that are mentioned in the synopsis did happen but I was a little disappointed by how little depth there was when it came to some of those events. For example, in the synopsis it talks about the "increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France". Whilst there was a confrontation I don't think I got the increasingly uneasy vibe let alone anything more. And if you google Claudette's name you will find that she was (in)famous for one thing and yet that was mainly inferred rather than explored and how that all came about felt a bit odd to be honest!

It is a bit disappointing to feel this way about this book, especially seeing as I did find many things in it interesting. I was a big fan of the Josephine B trilogy, and I liked Mistress of the Sun (just not quite as much) and as such I got excited when I learned that the author had a new book out. I think that will probably be still true for her next book but I do wonder how high I should set my expectations. Of course, maybe my reaction is tempered by the fact that in addition to not doing any blogging I haven't been reading much at all. Maybe this is just as much about me as it was about the book.

Rating 3.5/5

About the Book


From the author of the beloved Josephine B. Trilogy, comes a spellbinding novel inspired by the true story of a young woman who rises from poverty to become confidante to the most powerful, provocative and dangerous woman in the 17th century French court: the mistress of the charismatic Sun King.

1660, Paris

Claudette’s life is like an ever-revolving stage set. From an impoverished childhood wandering the French countryside with her family’s acting troupe, Claudette finally witnesses her mother's astonishing rise to stardom in Parisian theaters. Working with playwrights Corneille, Molière and Racine, Claudette’s life is culturally rich, but like all in the theatrical world at the time, she's socially scorned.

A series of chance encounters gradually pull Claudette into the alluring orbit of Athénaïs de Montespan, mistress to Louis XIV and reigning "Shadow Queen." Needing someone to safeguard her secrets, Athénaïs offers to hire Claudette as her personal attendant.

Enticed by the promise of riches and respectability, Claudette leaves the world of the theater only to find that court is very much like a stage, with outward shows of loyalty masking more devious intentions. This parallel is not lost on Athénaïs, who fears political enemies are plotting her ruin as young courtesans angle to take the coveted spot in the king's bed.

Indeed, Claudette's "reputable" new position is marked by spying, illicit trysts and titanic power struggles. As Athénaïs, becomes ever more desperate to hold onto the King's favor, innocent love charms move into the realm of deadly Black Magic, and Claudette is forced to consider a move that will put her own life—and the family she loves so dearly—at risk.

Set against the gilded opulence of a newly-constructed Versailles and the War of Theaters, THE SHADOW QUEEN is a seductive, gripping novel about the lure of wealth, the illusion of power, and the increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France.

Tuesday, February 26, 2013

Bitter Greens by Kate Forsyth

When I first heard about Kate Forsyth's book Bitter Greens just before it was released here in Australia last year I was instantly intrigued! A retelling of the Rapunzel fairytale mixed in with life at the court of the Sun King, Louis XIV and Renaissance Venice - yes please! Of course, combining these three different elements could either work spectacularly or end up in a jumbled mess. Fortunately, Kate Forsyth's writing skills mean that it turns out to be a great success.

The novel opens with the banishment of Charlotte-Rose de la Force whose status as a blood relative of the King is not enough to save her from banishment from his court following a series of ill advised love affairs. In addition to the affairs, Charlotte-Rose also writes about the going ons of the court anonymously and  she is also known to be a fine wit, but not always for the restraint to know when to not take that step too far when lampooning the members of the court. She is also a former Huguenot, having converted to Catholicism under extreme political pressure, and in order to avoid some of the persecution that is being visited upon others of her faith. From her place in the convent, Charlotte looks back on her life from the very first time she met the King, to her life as maid in waiting in the court, the politics that surrounded her on every side, religious persecution, her love affairs and so much more.

When she arrives at the convent, Charlotte-Rose is stripped of all of her belongings. Whilst she will not be forced to take her vows as a nun until she truly feels the calling to do so, her life will be austere with little to no comfort. After struggling in her new environment, one of the other nuns takes her under her wing. Sister Seraphina is the gardener and takes Charlotte-Rose out with her. Soon the two women are talking while they are gardening and Sister Seraphina begins to tell Charlotte-Rose the story of Margherita, a young girl in Venice.

When her mother was in labour, she was craving salad greens and so her husband snuck into a neighbour's garden and is caught stealing. The owner, La Strega Bella, extracts a promise from the man. In exchange for not chopping of his hand for thieving, he can keep the bitter greens, but when she comes to take the child he must pay the ultimate price by giving her up.

The family lives in fear of the day coming when La Strega Bella claims their lovely daughter Margherita, and when it does they try to bargain with her. Her mind is set though and Margherita is stolen from her family, placed in a convent to be educated and told that her parents never loved her. Margherita's only comfort is in singing and music and she has the voice of an angel, but even this is not to be her long term home. Once again La Strega Bella comes and this time takes the young and beautiful red-haired girl to a tall tower built on the shores of a lake. Here, Margherita is to live alone with her only company to be the monthly visit from the witch. In order to gain access, the witch requires Margherita to let down her long, long hair so that she can climb up it - she is the Rapunzel that we know from fairy tales.

I love the whole story within a story concept and Forsyth is able to smoothly alternate the story between 17th century France and 16th century Venice with great skill. In due course, we get a third story too - that of the courtesan Selena Leonelli. She too is a beautiful woman who has tempestuous relationships with her lovers, most notably the artist Tiziano for whom she is a kind of muse.  Now, thanks to an apprenticeship with a witch, Selena is known as La Strega Bella and she has discovered the secret of staying young and beautiful and she is determined to stay that way no matter what the cost!

Whilst this story contains the bones of a familiar story - our Rapunzel is stuck in her tower by a horrible witch and we know that in due course that a handsome prince will show up to play his part (even though it is not necessarily in the way that you expect) - it is in the details that Forsyth's tale excels and in the way that the three stories combine as a whole. The story is emotionally engaging on so many levels. For example, the first time I realised how Margherita's hair got to be long enough to be used as a ladder, I gasped in horror.  There is an earthiness to the story telling that is engaging - it is by turns shocking, fun, sensuous, and filled with twists and turns that keep the reader engaged from beginning to end.  Whether you love fairy tale retellings, historical fiction or both, this is exceptional storytelling and I highly recommend this book! I am really looking forward to reading this author's next book!

Rating 4.5/5

P.S Above left is the Australian cover which I loved, and on the bottom right is the gorgeous UK cover! I am seriously tempted to buy the UK version so that I have them both.



Tour Details

Link to Tour Schedule: http://hfvirtualbooktours.com/bittergreensvirtualtour/
Twitter Hashtag: #BitterGreensVirtualTour
Kate Forsyth's website
Kate Forsyth on Facebook
Kate Forsyth on Twitter

Synopsis

Charlotte-Rose de la Force has been banished from court by the Sun King, Louis XIV, after a series of scandalous love affairs. She is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of Bitter Greens ...

After Margherita’s father steals a handful of greens—parsley, wintercress and rapunzel—from the walled garden of the courtesan, Selena Leonelli, they give up their daughter to save him from having both hands cut off.

Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1513 and still inspiring him at the time of his death, sixty-one years later. Called La Strega Bella, Selena is at the centre of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.

Locked away in a tower, growing to womanhood, Margherita sings in the hope someone will hear her. One day, a young man does...

Three women, three lives, three stories, braided together to create a compelling story of desire, obsession, black magic, and the redemptive power of love.



Thursday, November 22, 2012

A Train in Winter by Caroline Moorehead



Synopsis

They were teachers, students, chemists, writers, and housewives; a singer at the Paris Opera, a midwife, a dental surgeon. They distributed anti-Nazi leaflets, printed subversive newspapers, hid resisters, secreted Jews to safety, transported weapons, and conveyed clandestine messages. The youngest was a schoolgirl of fifteen who scrawled "V" for victory on the walls of her lycée; the eldest, a farmer's wife in her sixties who harbored escaped Allied airmen. Strangers to each other, hailing from villages and cities from across France, these brave women were united in hatred and defiance of their Nazi occupiers.
Eventually, the Gestapo hunted down 230 of these women and imprisoned them in a fort outside Paris. Separated from home and loved ones, these disparate individuals turned to one another, their common experience conquering divisions of age, education, profession, and class, as they found solace and strength in their deep affection and camaraderie.

In January 1943, they were sent to their final destination: Auschwitz. Only forty-nine would return to France.

A Train in Winter draws on interviews with these women and their families; German, French, and Polish archives; and documents held by World War II resistance organizations to uncover a dark chapter of history that offers an inspiring portrait of ordinary people, of bravery and survival—and of the remarkable, enduring power of female friendship.
The whole title of this book is A Train in Winter: A Story of Resistance, Friendship and Survival in Auschwitz. I don't read a lot of non-fiction but I knew I wanted to read this one as soon as it came out. I think part of the reason I was so interested is that I do find reading about people's experiences in big conflicts like WWI and WWII fascinating. I am aware that I could probably read non-fiction about WWII exclusively as there is a lot out there but I need a hook to catch my attention. In this case, the hook was the fact that the book was about a group of women who were active in the French Resistance and ended up being captured and then sent to the death camps like Auschwitz and Birkenau, among other places. The book follows a group of 230 women, all French political prisoners, from their activities in the Resistance to their capture and initial captivity in the French prisons and their eventual secret deportment to Auschwitz on Le Convoi des 31000, one of the only trains to contain female resistance prisoners. Of these 230 women, only 49 returned.

Broken into two parts, the first part provides the reader with background to life in France during the early days of the German invasion, the formation of the Vichy government, and then the initial resistance activity. We meet communist intellectuals who put out anti-Nazi newspapers, the couriers who deliver messages and copies of the newspapers, women who helped host people fleeing from the Nazis including other activists as well as Jewish people. While a lot of the people we meet lived and worked in Paris, there were also groups of people who were working in cities and towns in rural France. There were young women who were still in their teens, and older women with grown children, mothers with young children and so many more.

The second part focuses on their life within the camps, the constant stream of new arrivals and the daily horror that awaited them. Starved, beaten, sick, forced to stand for hours at a time in freezing condition, lice-ridden - the list of terrors go on and on. Forced to work in the infirmaries and to witness some of the medical experiments but it does also give them opportunities to try and save some lives where they can. One of the things that helps those women that do survive is their reliance on each other, their solidarity for want of a better term. It also touches on the difficulties of returning to 'normal' life, to the children who don't know the women who return, the memories, and more. One of the more telling quotes from the book comes from one of the survivors:

Looking at me, one would think that I'm alive....I'm not alive. I died in Auschwitz, but no one knows it.

The author does a good job of sharing just enough information about each woman, but there are a lot of them and there were times that there was just too many women that the reader had to try and keep track of. I am not sure if a couple of more in depth profiles of chosen people might have had just as big an emotional effect as so many smaller details. Even with this criticism, this book did pack an emotional punch. There were times that I cringed as I read about the terrible acts of inhumanity that these women were subjected to, along with millions of others who didn't fit the Nazi ideal of acceptableness, like the Jews but also other groups like gypsies, homosexuals, and so many more. I found the sections that talked about the fate of many of the young children and babies born in the camps to be particularly heartrending.

There are photos liberally spread throughout the book. Some of them included the children that the women left behind, some pictures of the camps and more. I must say one photo that did affect me was one of a group of German guards, mostly female, in the prison camps looking very happy. Given that it was strategically placed in the text in sections where they talked about how vicious some of these women guards were, it was hard to equate these happy, smiling faces with some of the sadistic punishments that were meted out.

One of the things that I found amazing about these women was that while a lot of them were politically active as individuals, there were others who took up roles in the various resistance organisations after their husbands/brothers/lovers/fathers were arrested and taken away by the Germans. They KNEW the risks they were taking, they did their best to avert those risks but they still took up the work of distributing anti-German literature, or helping people cross borders into safer areas or whatever it is that they were doing. Sometimes they were caught thanks to the work of the French police who worked with the Gestapo, other times they were just caught almost by accident. Other women were denounced by their neighbours for listening to the BBC, which was banned, and in a couple of cases there was no evidence that the women were actually involved in any way but they were still rounded up and ended up in the prison camps.

What I wasn't expecting was to find myself contemplating big questions about myself. We are lucky to live a pretty easy life in that there haven't been any major wars in Australia. I did find myself wondering if I would have the strength of conviction to be an active resister if we were invaded. Would I have the fortitude to physically survive the terrible conditions and the mental strength to come back and live my life after seeing the many terrible things that these women were subjected to and witnessed? Having contemplated it for a while, I think that the fact of the matter is that I would probably not be a resister but would be more of the keep your head down and do the best to survive kind of mentality. I most certainly would have struggled physically and mentally! Heck, I struggle now at times.

The other thing that I do find myself pondering is about how a country like France moved on from the effects of the war, particularly when you think about the collaborators, the police who followed the German orders, the judges who enforced German laws. For example, how do you look your neighbour in the eye if you suspect that they were the one who denounced you to the Germans? How long did these after effects impact on life in French society? In the final section, the author talked about the fact that the last of the collaborators were released from prison in the late 1960s, which isn't long before I was born. Is the past fully in the past and if so how long did it colour daily life for the country as a whole?

I did think that the author drew some interesting conclusions. When looking at the women who survived there was an inference that it was only a certain age of woman who was likely to survive, and that they were most likely to be those with certain beliefs who were strong enough to stand the experiences that they were being subjected to. I am not quite sure why this was the conclusion that was reach, whether it was an agenda at the beginning of the process or if it was a more organic conclusion.

This is a very interesting book about a very important subject. After the war, there were only comparatively few women who were individually recognised for their bravery and their work in the resistance. This book attempts to redress that in some small way. It isn't a book that you can just get lost in or reading in a single sitting. The subject matter is confronting and distressing, and as you can see had me contemplating some pretty big questions in my own mind. I am glad that I took the opportunity to read this book as part of the tour.

Saturday, October 20, 2012

What is is about Josephine - Guest post by Sandra Gulland

What is it about Josephine?

Josephine who? You rarely have to say. Josephine is one of the few people in history who is known simply by her first name. I think of Cleopatra, Jesus, Napoleon ... and then? Josephine.

Why does her memory linger? What is it we continue to find so fascinating about her? She wasn't dramatic; she didn't do anything particularly showy. In fact, if anything, she was known for being quiet, a gentle personality.

I can't explain what it is that others find so alluring; I can only speak for myself.

For me, the most amazing thing about Josephine was that her extraordinary life was, in fact, foretold. As a young teen on the island of Martinique, a fortuneteller told her that she would be unhappily married, widowed, and then become "more than a Queen." I don't believe that it is possible to predict the future, and yet there is proof: an account of this prediction was printed in a Parisian journal before Josephine had even met Napoleon.

Was Josephine a "king-maker"? As I was writing the Josephine B. Trilogy, it seemed almost spooky the way the men in her life became "rulers" after meeting her. For a short period of time during the Revolution, her first husband Alexandre de Beauharnais was considered the man who ruled. After the Revolution, her friend Barras led the country. And then, of course, there was the extraordinary rise of the socially-inept Corsican general she married.

Was she ambitious? Decidedly not. "How unhappy a crown makes one," she wrote to her daughter Hortense. Was she helpful to Napoleon? Absolutely. Supportive? Ditto. But she was not a goal-driven woman. (But for one thing: her constant focus was the wellbeing of her two children, and, later, her grandchildren.) What she was was extraordinarily perceptive, sensitive to people's needs. Madame Rémusat, who was not kind with respect to Josephine in her memoirs (significantly written after Napoleon's fall), said, in a letter (and I paraphrase): "When one spends time with Josephine, one's heart is full." And that, to me, says it all. Napoleon rose to fame on his own merits, certainly, but I personally doubt that he would have won the trust of the people without Josephine at his side. She was someone everyone -- both the conservatives and the revolutionaries alike -- could identify with. She was kindness personified.

For me, personally, it was her courage that inspires me. "If Josephine could do it, I can do it." It's a curious word to use, for she wasn't exactly doing battle on a field of war. Yet it's a word that comes to my readers, as well, writing to me about how Josephine has given them courage. (The stories I get bring tears: I can't tell you how many letters I've gotten from readers who read the Trilogy in the hospital.) The courage Josephine had was to step up to the challenge presented to her, as well as the courage to bow gracefully to defeat. And yet always—always—with an open heart.

I've been away from Josephine's world for over a decade now, and yet she continues to haunt me. Last summer, I was invited to be part of a documentary on her: In Search of Josephine. (It's now out: I recommend it.) I was in the process, at the time, of releasing the Trilogy in e-book form under my own imprint; the files were in need of proofreading. The timing was perfect: for the first time in well over a decade, I read my own novels, and was moved, yet again, by Josephine's powerful story. Then, in November, I was offered a contract to write a Young Adult novel about Josephine's daughter Hortense—an offer I gladly accepted once I realized what a wonderful story Hortense had to tell. And then, shortly after the release of the documentary, I learned that it was official that Michael Hirst (scriptwriter for the Tudors and the Elizabeth movies) had written the script for a TV mini-series based on the Trilogy, that a producer was in place, and Josephine cast. (Sorry! I can't reveal names at this time.) It appears that Josephine will be, yet again and again, beloved by all.

"I win battles, but Josephine wins hearts," Napoleon said. How true.

=========
Sandra Gulland is the author of The Josephine B. Trilogy, which has been published in 17 countries. Her most recent novel, also internationally-published, is Mistress of the Sun, set in the 17th century court of Louis XIV, the Sun King. She has recently launched Sandra Gulland INK, an e-book publishing company, so that her work would be available to readers worldwide. For more about Sandra and her work, go to her website: www.SandraGulland.com. You can follow her on Twitter, Facebook and Pinterest. If you want to receive her e-newletter, sign up here.

Tuesday, September 11, 2012

Alex's favourite HF set in France

French history was always a favourite of mine, but since I moved to France, this became more of a passion. I tried to choose books that are big favourites but also translated in English. Like always when doing these lists, I have the feeling that I'm forgetting something important...:)



Les Misérables by Victor Hugo

This was one of my first French classics and unfortunately one that I haven't read in several years. The story is so intense that last time I felt completely wiped out when I reach the last pages of this incredibly rich and emotional roller coaster. This fragile and turbulent first half of the 19th century France is not my favourite period but Hugo's realistic social portrait (and Jean Valjean !) win me over immediately.


Mistress of the Revolution and For the King by Catherine Delors


Set in opulent, decadent, turbulent revolutionary France, Mistress of the Revolution is the story of Gabrielle de Montserrat. An impoverished noblewoman blessed with fiery red hair and a mischievous demeanor, Gabrielle is only fifteen when she meets her true love, a commoner named Pierre-André Coffinhal. But her brother forbids their union, choosing for her instead an aging, wealthy baron.
Widowed and a mother while still a teen, Gabrielle arrives at the court of Louis XVI and Marie Antoinette in time to be swept up in the emerging cataclysm. As a new order rises, Gabrielle finds her own lovely neck on the chopping block and who should be selected to sit on the Revolutionary Tribunal but her first love, Pierre-André. . . . (from Goodreads)





The Reign of Terror has ended, and Napoléon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers. On Christmas Eve 1800, a bomb explodes along Bonaparte's route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel's investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women. (from Goodreads)








Catherine Delors is in my auto-buy list since I first read For the King and she is one of my favourite authors in what concerns historical fiction in general. Not only her stories are captivating and her characters complex but you can feel that behind her effortless style there’s an extensive research that make everything so special. Also, if you have a huge crush for Paris like I do, both her books will be a delight. Last time I checked, Delors was writing about witchcraft and werewolves which couldn’t please me more. Can’t wait !
You can also read Ana's review of Mistress of the Revolution and the conversation that Ana, Marg and I had about For the King.



The Iron King by Maurice Druon ( I highly recommend all the series)

The Iron King (Le Roi de Fer) is the first book of an historical French series named The Accursed Kings (Les Rois Maudits) written by Maurice Druon. The story is set in the 14th century France during the last years of the reign of the King Philip IV, the Fair also known as The Iron King.
(excerpt from my review, see above)


The Accursed Kings series by Druon is considered a classic in France, and every history buff I know read, at least, the first book – The Iron King. I reviewed it some time ago when I had the chance to reread it during the release of a new edition of the series.
The books were adapted to the screen twice, even if the 70's version is far better. Unfortunately, I don't think this was ever translated in English.




The King’s Way (L’allée du roi) by Françoise Chandernagor

A magnificent story beautifully written about Françoise d'Aubigné, Madame de Maintenon. We follow the life of this intriguing and fascinating woman who becomes the king's favourite and his "secret" wife. This book is definitely one of my favourites set during Louis XIV reign and a must read.
Don’t forget to watch the movie adapted from this book, which is a real gem. I'll leave you with a scene: http://www.youtube.com/watch?v=d5LmmZ9xxi8






The Oracle of Glass by Judith Merkle Riley

Genevieve is a precocious girl with the remarkable power to read the future in a water glass. Left for dead by her family, she is taken in by La Voisin, who rules a secret society of witches that manipulate the rich—from tradesmen all the way up to the king himself.

Genevieve transforms herself into the mysterious Madame de Morville, rumored to be 150 years old. Driven by the spirit of revenge, Genevieve is on the verge of discovering true love when the police sniff out the secret network of poisoners and sorcerers. Genevieve races to escape the stake, unaware who will live and who will die in the wake of the King's terrible vengeance. (from Goodreads)
 
 
 
Again another book set during the reign of Louis XIV and one that is been waiting in my "to be reread" pile for some time. I read The Oracle for the first time in my late teens and I kept wonderful memories of this book. It's the perfect mix of intrigue, love, history and politics. The main character, Geneviève Pasquier is the kind of heroine impossible not to like and who makes this brilliant story even more interesting.
 
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Do you have any HF favourites set in France that you would like to share ?

Wednesday, May 9, 2012

The Queen's Lover by Francine du Plessix Gray

Historical fiction of the highest order, The Queen’s Lover reveals the untold love affair between Swedish aristocrat Count Axel Von Fersen and Marie Antoinette

The Queen’s Lover begins at a masquerade ball in Paris in 1774, when the dashing Swedish nobleman Count Axel Von Fersen first meets the mesmerizing nineteen-year old Dauphine Marie Antoinette, wife of the shy, reclusive prince who will soon become Louis XVI. This electric encounter launches a life-long romance that will span the course of the French Revolution.            


The affair begins in friendship, however, and Fersen quickly becomes a devoted companion to the entire royal family. As he roams through the halls of Versailles and visits the private haven of Petit Trianon, Fersen discovers the deepest secrets of the court, even learning about the startling erotic details of Marie-Antoinette’s marriage to Louis XVI. But the events of the American Revolution tear Fersen away. Moved by the colonists’ fight for freedom, he is one of the very first to enlist in the French contingent of troops that will fight for America’s independence.


When he returns, he finds France on the brink of disintegration. After the Revolution of 1789 the royal family is moved from Versailles to the Tuileries. Fersen devises an escape for the family and their young children--Marie-Thérèse and the Dauphin Louis-Charles--whom many suspect to be Fersen’s son. The failed evasion attempt eventually leads to a grueling imprisonment, and the family spends its excruciating final days in captivity before the King and Queen face the guillotine.


Grieving his lost love after he returns to his native Stockholm, Fersen begins to sense the effects of the French Revolution in his own homeland. Royalists are now targets of the people’s ire, and the carefree, sensuous world of his youth is fast vanishing. Fersen, who has been named Grand Marshal of Sweden, is incapable of realizing that centuries of tradition have disappeared, and he pays dearly for his naïveté, losing his life at the hands of a savage mob that views him as a pivotal member of the aristocracy.


Scion of Sweden’s most esteemed nobility, Fersen came to be seen as an enemy of the homeland he loved. His fate is symbolic of the violent speed with which the events of the 18th century transformed European culture. Expertly researched and deeply imagined, The Queen’s Lover offers a fresh vision of of the French Revolution and of the French royal family, as told through the love story that was at its center.
Count Axel von Fersen is a name that any Marie Antoinette fans would most likely be familiar with. As the man that she was alleged to be having an affair with, his name is inextricably linked with hers as was his life and in some ways his death.

This book is written as a memoir, relying on known history as well as actual letters than have survived from the time and using those to tell of the events of the relationship between Axel and Marie Antoinette as well as many other major events of the late 18th century. Axel tells his story, given the reader a view into important events through the eyes of someone who was there. Various aspects are also told by his beloved sister Sophie who fills in the gaps that Axel left in his memoir or to tell us what was actually going on when he wasn't present.

Axel von Fersen was born into an aristocratic Swedish family and was educated accordingly. In his teens he was sent on a grand tour of Europe. In Paris, he met Marie Antoinette at a masked ball, and so a fateful relationship began. Initially, Axel was a close friend of both the King and Queen but in due course he and Toinette became lovers. It was, however, a turbulent time in France history, and after a brief idyll political events overtook everyone at the French Court with implications that would shape French political life for years to come.

Before those events lead to their eventual outcomes, we spend time with the young count as he signs up to go and fight in the American Revolution. Throughout his life, Axel is much respected, a figure of honour and integrity, as well as brave and handsome. He had very set ideas about honour, and about the proper place of all people within their social strata. This is part of the reason when he was so steadfast in his loyalty to Louis (although not loyal enough to abstain from dallying with his wife). It was also a big part of his unpopularity in his home country during political uprisings which eventually led to his death.

I would go so far as to say that the only place where he didn't behave with honour was really when it came to women. In the course of the book, we find out about his relationship with not only Marie Antoinette but also with other women. He recognises that his own behaviour was unbecoming but it didn't stop it from happening, and there were a couple of graphic scenes that seem to pop into the narrative quite unexpectedly.

You might expect from the title of the book that the majority of the book would focus on the relationship that Axel is portrayed as having with Marie Antoinette. It is a large part for sure, but there is more page space given to the time in America, to the time after the arrests of the royal family and how von Fersen tried to work on their behalf in any way he could, and then on his life back in Sweden where he was accorded several honours as well as behaving in ways that made him unpopular with many people and  leading up to his death.

Writing a novel as either a diary or letters or in this case fictional memoir can be quite difficult and there are very few authors around who seem to be able to do it very well. I didn't mind this book, but it never quite captured my imagination in the way that I really wanted it to. I did find parts very interesting, for example the political interest that Marie Antoinette showed after being arrested and the details of her trial as well as the events in Sweden which is a place that you don't often read much about in historical fiction.

If you are a fan of Marie Antoinette or really enjoy reading about the French Revolution, then you may really enjoy this book. I thought it was a solid read, without being spectacular.

Rating: 3.5/5

Thanks to TLC Booktours and the publisher for an ARC of this book.

You can find details of other stops on the blog tour here

Wednesday, August 31, 2011

Becoming Marie Antoinette by Juliet Grey

This is the first book in a new trilogy.  It covers Marie Antoinette's life from when she was a pre-teen until she first became Queen of France.  She was raised with her brothers and sisters by the empress of Austria.  Her real name was Maria Antonia.  She knew that she would eventual be married off somewhere as her mother's political pawn but she had no idea that it would start at the tender age of ten.  

Her mother summoned her and told her that she was to be betrothed to the Dauphin of France.  Soon after that representatives of King Louis XVI started flooding in to assess Marie to see if she could indeed become the Dauphine of France.  They picked apart just about everything about her.  Her teeth weren't perfect, her hair, her posture, her education, and the list went on.  She had to endure braces for her teeth, a brace for her posture, numerous painful gadgets in her hair, etc.

Then, once she gets to court she finds a teenage boy who acts even younger than his years is her husband.  She is expected to start having babies right away but he is unable to consecrate their marriage.

Juliet Grey does not skimp on any detail, no matter how small.  I found myself getting bored in several parts of the book because of this.  Some of the details were important and interesting like what she had to endure with getting braces for her teeth and the torture she had to endure to get her hair just right.

The characters were well written.  I really enjoyed Maria's relationship with her sister, Charlotte.  Grey weaved a sympathetic  and compassionate relationship between Marie and her awkward husband. 
Though there are other books out there that deal with Marie in her earlier years, I hadn't read any before this.  Despite the parts that dragged, I did find this book worthwhile.  Will I read the next book in the trilogy?  I'm not sure at this point.

3/5
Cross posted at So Many Precious Books, So Little Time, where I am currently hosting a giveaway of this book.  Go here, to win.

Thursday, April 7, 2011

Why I Love Emilie du Châtelet by Laurel Corona

It comes as a bit of a surprise to me that I have written a novel about Enlightenment France. I avoided the era in both my undergraduate and graduate programs in literature and history. I slogged with great resistance through every assigned poem, memoir, or essay, wishing time would speed up so we could get to the Romantics and ditch those stuffy men in wigs, and women in corsets and ridiculous skirts the width of a tennis court.
In fact, if it weren’t for the fact that I fell in love with Emilie du Châtelet, I would never have considered setting a novel in this era at all, but Emilie seduced me, as she did so many others, literally and figuratively.

I love her brain. I’ve always admired people who understand math and science, because I struggled so much with both in school. Though I could spot a grammatical or spelling error in those nasty “word problems” in math, I was clueless about what formulas would solve them. Taking science classes for non-majors to fulfill breadth requirements at the University of California at Davis, I was amazed that this was the watered down and simplified version of things I could barely comprehend.

Emilie du Chatelet

Emilie was a natural. Anecdotes from her early life have her sitting at the dinner table with Bernard de Fontanelle, one of the great names in letters and science in his time, discussing the nature of the universe and how its laws could be determined. She spent hours studying physics with her indulgent father, and she used winnings from card games to purchase the latest books of math and science. She could do unbelievably long calculations in her head. Because as a woman she could not attend university classes or sit in cafes where men met to discuss the latest scientific thinking, she used money from her patrimony to hire illustrious scientists as tutors, including the outstanding mathematician of his day, Pierre de Maupertuis. At one point, she rescued herself from a huge gambling debt (one of the royals was cheating, and she could say nothing) by coming up with the concept of derivatives.

She studied for the love of it. Early in her life, she did not think of making a contribution to science herself--women did not publish scientific work, and aristocrats had many social duties that kept them occupied. Only when she took up with Voltaire and became his lover did she begin seriously pursuing experimental science. Voltaire was not nearly the physicist he thought himself to be, and it was through their arguments that Emilie gained the confidence to begin writing scientific papers and books herself.

Her translation of Newton’s Principia Mathematica is her masterpiece. Presumably French scientists could read Latin as well as she could--Latin was the lingua franca of publication--but Newton’s thinking was so complex (and his writing so odd) that few could understand him. Emilie understood thoroughly, and did not merely translate but rather rewrote Newton’s masterpiece into French that her compatriots could understand. She then supplied commentaries to clarify and elaborate on Newton’s ideas. Finally, where Newton had not provided mathematical proofs, Emilie figured out what these would be and supplied them. He translation is still the standard one used in France.

I suppose it should be obvious that Emilie du Châtelet was unconventional, and this is the second thing I love about her. She defeated a young nobleman in a fencing match as a way of warding off his unwanted advances. She took lovers whenever it suited her. She home-schooled her son because she didn’t want him exposed to religious or scientific nonsense. She lived with Voltaire for fifteen years at her husband’s ancestral home at Cirey (he approved of the relationship), amassing a library rivaling any university’s, and setting up a state-of-the-art physics lab in one of the wings.
One feature of the Chateau de Cirey serves as probably the best symbol of Emilie’s irrepressible spirit and unconventionality. In the parlor of her apartment in the chateau, she arranged chairs and tables around a beautiful claw-footed bathtub, where she lounged in only a thin chemise rendered transparent by the water. Her guests sipped wine or coffee (the new rage) and nibbled on pastries while Emilie sloshed to her heart’s content. What a fantastic idea!
The third thing I love about Emile is her courage. She was one of the first women scientists to publish (although anonymously in her lifetime). She stood up to the greatest man of letters in France, her own lover, when she though he was wrong in his thinking about the nature of fire, heat, and light. She championed Newton over Descartes in the latter’s home country, to scientists who were not prepared to abandon a great French scientist for an English one, despite evidence of flaws in Descartes’ thinking.

I’m not sure Emilie would call her last love affair an act of courage, but I think it was. She fell madly in love with a dashing young soldier-poet and became pregnant at the unheard of age of forty-three. She could have ended the pregnancy, but that was not her way. She safely delivered the baby, a daughter, in September 1749, but died six days later of an embolism. It is that daughter’s search for information about her dead mother that drives the story of FINDING EMILIE.

Imagine Emilie today. Head of her own lab and member of every important academy of science, she is trotting off to Vegas for a meeting of top physicists, where, dripping with bling, she will party in the hot tub and gamble the night away. Emilie, I’m sorry you lived too soon.
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Friday, October 15, 2010

The Iron King by Maurice Druon


The Iron King (Le Roi de Fer) is the first book of an historical French series named The Accursed Kings (Les Rois Maudits) written by Maurice Druon. The story is set in the 14th century France during the last years of the reign of the King Philip IV, the Fair also known as The Iron King.

Philip is described as a severe, distant and intelligent man with quite a sense of humor, but his presence alone is enough to intimidate everyone, even when he tries to be nice. While often seen as a cruel and cold man by all those around him, his loneliness is blatant in each scene. He is a king who felt more at ease surrounded by his dogs and hunting than in court or with his family. Known in history as the man who destroyed the Knights Templar, the persecution of seven years culminated with the execution of the Great Master, Jacques de Molay.

We also follow other stories, like the Tour of Nesle Affair, a scandal amidst the Royal French family where Margaret and Blanche of Burgundy, daughters-in-law of the King, were found guilty of adultery with the two Aulnay brothers. The third daughter-in-law, Joan of Burgundy, was also punished for hiding the lovers and passing down messages. If there was also suspicions of infidelity, the support of her husband saved her from the same fate as her sister and cousin.

The author doesn’t hesitate to fill out the history blanks with some drama, which can sometimes be a little excessive but nothing that spoils the story, at least not for me. The scene that remains vividly in my memory is the execution of Jacques de Molay and how he cursed all those who participated in his condamnation. While I was reading it, I was holding my breath completely under the spell of Druon’s words.

Maurice Druon is known for his extensive historical research and he easily manages to create a perfect balance between history, humor and even romance. He brings back history to life with strong characters, captivating dialogues and a fascinating 14th century France filled with powerful moments: the demise of the Capetian dynasty, the disappearance of one of the most important religious orders, the Knights Templar, or even the upcoming Hundred Years War.

Years ago when I was studying history, this book was a must read for any history buff in France. The series was even adapted to the small screen twice, first in the 70′s (which I really recommend to any period drama lover) and the latest one in 2005. After all those years, the book remains, for me, one of the best French historical fiction pieces. I intend to buy and read the rest of the series as quick as possible (something I planned to do for years and never had the chance!).

The Accursed Kings series:

1. The Iron King
2. The Strangled Queen
3. The Poisons of the Crown
4. The Royal Succession
5. The She-Wolf of France
6. The Lily and the Lion
7. When a King Loses France

Grade: 4.5/5

Friday, August 27, 2010

For the King by Catherine Delors

The Reign of Terror has ended, and Napoléon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers. On Christmas Eve 1800, a bomb explodes along Bonaparte's route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel's investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women.

Based on real events and characters and rich with historical detail, For the King takes readers through the dark alleys and glittering salons of post-revolutionary Paris and is a timeless epic of love, betrayal, and redemption.

The story opens with an extremely powerful scene, an attempted murder of the First Consul, Napoléon Bonaparte, who is passing by Rue Nicaise in his way to the Opera. Two Chouans, Pierre Saint Régent and Joseph de Limoëlan, block the street with a cart and provoke an explosion with a strange device called “La Machine Infernale”. In a few minutes, a deadly explosion kills dozens of people, innocent Parisians, but fails to get the target of their mission. Bonaparte leaves in his carriage with his escort perfectly safe. The details of the effects of the bomb are striking, I could easily imagine the horror of those who first arrive to that slaughter.

Roch Miquel is a Chief Inspector who leads this investigation. Young, handsome and intelligent, he knows the importance of finding out the responsible minds behind the attack of the Rue Nicaise, especially after seeing the consequences. He is the son of a Romani Auvergnat, Antonin Miquel, the owner of The Mighty Barrel tavern and also a Jacobite who doesn't hide his opinions about the First Consul and the government. Roch is in love of his beautiful mistress, Blanche, a married, refined and cultivated young woman who seems too perfect to be real.

As I mentioned before in Historical Tapestry conversation about For The King, I had some troubles warming up to Roch in the first half of the book. His judgments towards several people he meets all along the story really got into my nerves. He was quick to love and even quicker to hate. I often felt bad for Alexandrine about the way he treated her and her father. I do understand his background, his story but sometimes it was a bit too much rudeness for my taste. With the development of the investigation, he slowly changes his attitude and becomes less distant and less judgmental towards those who really care for him..

The secondary characters are inevitably captivating, despite their actions. I couldn't stop myself searching for more information about Saint Régent and Limoëlan. Both are responsible for the massacre in Rue Nicaise and yet, I cannot dislike them as much as I did Fouché. They fight for what they believe and if I cannot forgive them for what they did, I felt that neither could them, especially Limoëlan. He seems to have lived all his life riddled with guilt.

Now, someone I completely disliked but couldn't help feeling drawn to him was the untrustworthy Fouché, the minister of Police. He is perfect in the role of villain, an unscrupulous turncoat who switches allegiances as he see fit. He always sides with the winners, no matter what. Definitely a very dangerous man!

Joseph Fouché
The Old Miquel is definately my favorite character. He is so touching with his unconditional love for his son, even if he can be very harsh with him as a young boy. He is a man who always remains faithful to his ideals. We learn that he had a very difficult life filled with poverty, hard work and death, but he seems to enjoy life as much as he can. The details of his life in Auvergne and his work in Paris were fascinating.

The historical research behind the story is remarkable and we can feel in every page the incredible work Catherine Delors did to recreate the Post Revolutionary Paris. For those who know this city, For the King is a tremendous treat, those who don't I'm sure you'll enjoy it and you'll want to come to Paris and visit every corner mentioned in the book.

This period of French history, just after the Revolution and the first years of Napoleon as First Consul, was never really appealing to me, mostly due to my profound dislike for the future French Emperor. Catherine Delors novel didn't change my opinion but made me realize that I will read everything she writes no matter the historical period. Meanwhile, I already add Mistress of the Revolution to my TBR pile for my next vacation. Can't wait!

Grade: 4.5/5

Monday, July 26, 2010

For The King by Catherine Delors

The Reign of Terror has ended, and Napoléon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers. On Christmas Eve 1800, a bomb explodes along Bonaparte's route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel's investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women.





After tackling the French Revolution in her first book, Catherine Delors now uses an attempt on Napoleon's life to show the police force's investigative methods, while portraying the new society that emerged after the end of the monarchy.

In Roch Miquel, the son of a skin man turned tavern owner, she presents us with a hero whose worth is based on his convictions and abilities instead of his birth. And he is a man who believes in method, investigation and patience to discover the truth instead of the torture his colleagues use. In such precarious times though, his past and the lives of his loved ones are also connected with his relationship with Fouché, the powerful minister of Police, and Fouché's ability to stay in Napoleon's good graces.

The story opens with the description of the attack and it is not difficult to feel disgust and anger towards an action that takes as first sacrifices an impoverished child and an animal. We first get to know the perpetrators and then Roch Miquel, the policeman charged with the investigation.

It is not easy to navigate in this world where there seems to be more shades of gray than black and white. If justice for all was one of the Revolution's demands then things don't seem to be going well. People are still convicted on weak evidence just because a scapegoat is needed and if the aristocracy of previous years is now reduced to a precarious position or living in exile, the newly rich seem to behave in much the same way and social injustice seems as common as before. Not to mention that Napoleon, who is not yet emperor but is already paving the way to power by calling former aristocrats to his court and having famous artists paint his portrait and glorify him.

In the course of his investigation Miquel interviews a great number of people of different social status and motivations. He is eager to find the culprits to please Fouché but his favouritism with the Minister means he is not trusted by his superior. Fouché has his own reasons to want the men brought to justice and even leads Miquel in the right direction at first. But he has his own agenda and is not above blackmailing Miquel with his father's imprisonment to get the results he wants. The attack of the Rue Nicaise, as this event would become known, is considered the first scientific criminal investigation and at least some of the perpetrators were eventually brought to justice.

As most of the characters, Miquel is not exactly likeable in the beginning, he is too devoted to his work and has a strained relationship with his father who wants him to settle down with a friend's daughter. Miquel has his own ideas about it, and believes himself already in love with someone else. As the story progresses he will have quite a few surprises about said woman and he starts to feel more vulnerable he will also become more interesting and complex. The romantic intrigue that Delors adds to the story was nice but I felt sorry not to read more about Alexandrine, we just have a glimpse of who she was and I thought she seemed very interesting.

One of my favourite things about the story was how well Delors portrays the common people - nobody seems too surprised by having to able to account for who they are and what they are doing or by having the police knocking on their doors at all times. I was also surprised by how well organised the Royalists were, how wide were their connections and how determined they were to restore the monarchy. Then the story is populated with real people and it was really interesting to read the author's note and then going on a "googling expedition" to find out more about them. For The King is not an easy and quick read but it is definitely worth the time you spend with it.

Grade: 4.5/5

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I would like to thank the author for sending me a copy of this book. And don't forget to check HT's conversation about For The King!