Showing posts with label Lynne Connolly. Show all posts
Showing posts with label Lynne Connolly. Show all posts

Friday, July 6, 2012

Why I Love the Georgian Era by Lynne Connolly


I fell in love with the Georgians when I was nine years old. The longest love affair of my life, it persists to this day. We were doing a project on coffee and tea at school. All about how they are grown, harvested and manufactured, and then we came to the history. They showed us a picture of a coffee-house, and I was hooked. I loved the woman presiding over the scene, and the men sitting at the long table and I started to look up stuff for myself. They had booths as well as the long central table, and a lot of business went on there. Lloyds coffee-house, for instance, was the centre of the insurance industry and the start of the London Stock Exchange.

Then I started investigating the era. Shortly after that I discovered the novels of Georgette Heyer and I was well and truly hooked.

The Georgian era strictly encompasses the years 1714-1830, when the four Georges ruled Britain. That includes the Regency (1811-1820) when George III went mad (actually afflicted with porphyria, but unable to rule) and his son took over as Regent. George’s brother William was king from 1830-1837, and Queen Anne was on the throne from 1702-1714. My heart is with the 1750’s.
Why? To tell you the truth, I don’t know. I saw the clothes, read some of the antics of the people, looked at the houses, and bam, I was in love.

Let’s start with the men of the era. In Regency times, they wore mainly drab clothing, apart from a few dandies, who were derided for their flamboyance. Heavily influenced by Beau Brummell and the new austerity of the Napoleonic era, men cropped their hair and wore good quality, but drab clothes. They seemed afraid to touch the feminine side of their personalities. Sixty years earlier, men wore what the hell they wanted to, and they weren’t afraid to contact their feminine side, because at that time, they also wore swords as part of their everyday costume. Short swords were thin and rapier-like, but in the right hands they could be lethal. They wore pink, velvet, silk, brocade, exquisitely embroidered items, but that didn’t mean they didn’t also wear plain cloth and dark colours when the occasion demanded it, or if that was their preference. Most men wore wigs covering their short hair or shaved heads, and there’s some evidence that in the country or informal occasions, they might leave it off. They wore cocked hats (“Tricorne” is a word invented by the Victorians).

The costume reflects their behaviour. They would cry in public, they’d get into fights, sometimes to the death, if they disagreed. They drank and gambled, in fact, gambling became the obsession of the age. One of them, anyway.

The women were no less flamboyant in their dress. The (to my mind) ugly oblong hoops of the 1740’s gave way to a softer, smaller shape in the 1750’s, except for court, which always lagged behind the times. Court stuck to the frankly old fashioned mantua, a different cut to the gowns that most fashionable women preferred to wear in every day life. The robe anglaise, the immensely lovely sacque and even the caraco jacket were flattering and beautiful. Again, women didn’t always dress to the nines, and had a selection of more casual wear, but they were rarely depicted in that, so you have to go to the engravings and sketches to see them. Early in the century Watteau did a series of ravishing sketches of women in such clothes.

Women also had more power in the mid-eighteenth century. Victorian women were hidebound, encouraged to make the home the centre of their existence. Georgian women refused to be bound by that. Although the law was heavily against them, denying married women their own property and the vote, there were ways around at least the former, and they employed men to work for them in places where they couldn’t go. 

Women had their own businesses, and were heavily influential in many political and literary movements of the day. The literary salon, held by women such as Mrs. Elizabeth Montagu, not only fostered literary talent, but discussed radical reforms. The movement to abolish slavery started in the salons held by women, and the earliest ephemera are feminine items, scarves and fans.

There are just so many possibilities for an author in this era, and no need to make anything up. Remarkable people lived then, adventuresses like the Gunning sisters and Elizabeth Chudleigh, and politicians like Hervey who had a long-term male lover and a wife who bore him a number of children. “There are three sexes,” a friend said of him – “men, women and Herveys.” That friend was Lady Mary Wortley Montague, the toast of the Kit-Kat club as a child, who eloped with a man who became the ambassador to Constantinople, and after she left him, introduced inoculation for smallpox into Britain, the precursor of vaccination.

Education was haphazard, especially for women, but that didn’t stop them learning if they wanted to. And people did. They learned and they kept learning, bringing new ideas to society. I’ve heard comments about hygiene, because they didn’t have baths, but that’s to put the expectations of the modern person with plumbing at her disposal to a prior age when water had to be heated and carried to where it was needed. However, there were washstands in every bedroom, and many people had all-over washed every day. Helped by a servant, naturally! The evidence is negative, that is, people noticed when other people stank. Would they have noticed if they were equally as filthy? Probably not. Fuller’s Earth provided a natural dry cleaning agent for fine fabric that couldn’t be washed, and every respectable house did the laundry once a week.

People were not afraid to live in the Georgian era, and take everything life offered them. That’s why I love writing books set in this era and why I’m still in love with it after so many years. When I came to write the Richard and Rose books, the choice of era was a no-brainer, in fact, the era and the characters grew alongside each other. I’ve written a few Regencies, but my heart remains set firmly in the earlier era, when people lived life to the full.

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About Lynne
Lynne Connolly writes for a number of online publishers. She writes paranormal romance, contemporary romance and historical romance. She is the winner of two Eppies (now retitled the EPIC ebook awards) and a goodly number of Recommended Reads etc from review sites. 
While these are very gratifying, that isn't why she writes. She wants to bring the stories in her head to life and share them with others, in the hope that they might give her some peace.
She lives in the UK with her family, cat and doll's houses. Creating worlds on paper or in miniature seems to be her specialty!

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Richard and Rose have been with me for all my publishing career so it was a wrench to say goodbye, but every story has to come to an end. However, it’s possible they might pop up when they’re least expected!
In June, 2012, the last Richard and Rose book, “Lisbon” came out. They met in “Yorkshire,” and the eight book series has been the story of their loves, their developing relationship, and their battle against enemies who wanted to destroy them, either jealous of their happiness or with more sinister motives. A companion book to the series, with three short stories and the story of how the series came into being is available on Kindle.

Sunday, November 30, 2008

Interview With Lynne Connolly


Lynne Connolly writes several different genres and is the author of the Richard and Rose series - historical mysteries set in the Georgian era.

Hello Lynne and thank you for agreeing to do this interview for Historical Tapestry!

It's my pleasure!



We have already reviewed two of your books here at the blog. The first two books in the Richard and Rose series. The books have been very hard to find but now Samhain is going to publish them with the first one coming out Dec 5th.Would you like to tell us how you decided to tell Richard and Rose's story? I believe these were among the first books you've written, had you planned them for long?

Yes, I had the first two in my head for a long time, but when my children were little, I didn't have the time to write them down! I've always written, but when I learned about Richard and Rose, I knew this was the one I should try to get published.
Richard appeared to me on the page. I originally planned a mild-mannered minor nobleman who everybody overlooked, but in the first scene of Yorkshire, he appeared, and I had to stop and rethink!



They are written in the first person from Rose’s point of view. Was that something you planned ahead?

I tried it in the third person, but they didn't work, and I didn't know if I could write the books. But I started again in Rose's point of view and they just came alive. It's the only series I've ever written in the first person.



I see they are labeled by the publisher as Historical Romance which is interesting because I usually think of them as Historical Mysteries with some romance. How do you think of them?

Historical romantic suspense, I always thought. Their love story intruded on what I originally planned as a series of mysteries. The more the series progressed, the more it became about Richard and Rose and the way they coped with each other and fell more deeply in love.



Why did you decide to set them during the Georgian period? The reason I ask is because the Regency seems to be all the rage for a number of years now.

My love affair with the Georgian era is the longest of my life. At school, when I was 9, we did a project on tea and coffee, and we had a talk on Georgian coffee houses. Right then and there I fell in love. So I've read the period all my life and it was natural to set stories there.



How important is historical accuracy for you? Was it hard to research that period?

Extremely important. If something isn't right, it pulls me straight out of the story. I also think it's a bit of an insult to readers, to assume that they won't notice, or that it doesn't matter.
Not hard at all, because I love the period so much. Some literary giants inhabited the era (Pope, Swift, Defoe, Jane Austen), and there is lots of information. Since I've been reading it for a very long time, and I would read it anyway, my only problem is knowing when to stop researching and start writing!



Were you planning on a series of books from the start? Or was just a natural evolution? How many books does the series have now?

I originally thought of "Yorkshire" and "Devonshire" as one book, leading up to their wedding, but the stories grew too long, and then I got the idea. So many romances end at the wedding but isn't that just the beginning? And I used to watch soap operas (I gave them up) where couples never had a happy ending. When the writers wanted to stir things up, they'd split a couple up, just for the story. I wanted to show a love affair that grows and matures.



Do real people appear in the books? We know the main characters are fictional, did you based them on someone or did they just "appear" in your head?

The more I wrote them, the more I got to know them. It usually happens that way. I do plan my books before I write them, but they still take me by surprise, sometimes!
There are quite a few real people in the books, the Fielding brothers of Bow Street, and several of the nobility, but I try to stick to accepted historical facts, and I don't distort them for my own purposes.



Were there any authors who influenced you in your writing? Any authors you admire?

None that influenced me, really. I discovered the US historical romance market after I wrote Richard and Rose! But I've since discovered authors in many genres that I love reading. Laura Kinsale, for historicals, also Loretta Chase and Liz Carlyle. And, of course, Georgette Heyer, who probably started me on the journey in the first place. I was so broken up when she died, I wanted to read more, but the only way was to write them for myself!



Last but not the least we know you are a versatile author and write in several different genres. Would you like to tell us about your other books and how can people find them?

I write paranormal romantic suspense, also known as urban gothic and urban fantasy. Ellora's Cave publishes the Pure Wildfire series, and the upcoming S.T.O.R.M. books, and Loose-Id publishes the Department 57 books. I love writing in different genres, I think it keeps me fresh! I did write a Harlequin book last year, I know it's with an editor, but it's a long wait to hear about it!


Thank you so much Lynne!

The publishing dates for the series are:

Yorkshire - December 5th 2008
Devonshire - Jan 2nd 2009
Venice - May 1st 2009
Harley Street - August 7th 2009
Eyton - November 3rd 2009
Darkwater - January 5th 2010

After that, there will be at least two more stories featuring Richard and Rose.

Tuesday, June 24, 2008

Devonshire - Lynne Connolly


A wedding... or a funeral? Rose Golighty and Lord Richard Strang anticipate their long-awaited wedding. But dark whispers reach Richard's ears of smugglers threatening the county's peace. Events escalate until Rose's life is threatened. Richard knows he must act to save her and her friends from disaster. Even if his bride has to trade her wedding gown for widow's weeds.

Devonshire is the second book of the Richard and Rose series (our review of the first book, Yorkshire, is here). We meet them again as they prepare for their wedding. However not all is well as in the village near where Rose lives some people are being attacked and there's rumour of a smugglers gang around. At the same time Rose has to face the competition of one other young lady for Richard's attention.

I did like the fact that we get to know Richard and Rose better. We get to know how deeply they feel for each other, how Richard is prepared to take revenge on people who hurt Rose in the past and how he has a sort of secret life organising a group of clever spies. That will come handy when he and Rose's friend Tom interfere with the smugglers operation which ends with Tom and Rose being kidnaped and held for garanty of everyone's good behaviour while the smugglers wait for their last cargo.

The true villain of the story was a bit of a surprise and unlike other stories where the heroine always comes out safe Rose does have a hard time and is tortured by the villain. She feels dirty and ill used but she doesn't hesitate to tell the truth to Richard once they are safe. There's also not a clean ending, Richard is capable of violence when needed be and in fact when compared with the first book this one has a lot more of that.

I really enjoyed it and the small village atmosphere we have here, where all the neighbours know and gossip about each other. It was really fun to see Richard setting Miss Terry up for the fall while Rose felt so secure of his feelings.

Grade: B+

Friday, May 23, 2008

Georgette Heyer Sightings

Whilst we here have been indulging in Georgette Heyer season, there have also been couple of other interesting posts I have come across about Heyer that I thought I would share.
The first was over at Random Jottings of a Book and Opera Lover, where Elaine talks about two of the new batch of releases from Sourcebooks, Black Sheep and Lady of Quality.

As an aside, I also feel compelled to mention that there is also a giveaway at that blog of Sarah Bower's new book which is being released in the UK next month called The Book of Love. Having really enjoyed The Needle in the Blood, I am definitely looking forward to reading this book!

The second sighting was at The Good, The Bad and The Unread where author Lynne Connolly has written a post telling why she is crazy about Georgette Heyer and where she talks about Heyer's "unique and special voice" and looks at Heyer's role in creating the Regency romance subgenre.

Another aside....we reviewed one of Lynne Connolly's books, Yorkshire, and there is another review post waiting in draft for when we either have a quiet moment during the Season, or for when the Season is over and we all need to have a little rest!

Enough asides.....we hope you are enjoying Georgette Heyer Season so far, and don't forget that if you leave a comment on any of the Georgette Heyer Season posts, or blog about the Season you will be in the draw to win one of three books. Alternatively, if you are inspired to want to do a guest post for us you will go into the draw to win the Heyer book of your choice! Full details of the giveaways are here.

Saturday, May 17, 2008

Yorkshire by Lynne Connolly


Rose Golightly accompanies her family on a visit to their cousins in Yorkshire, she finds a run down house, not the society gathering she and her sister are hoping for. Lord Hareton has deliberately run down the once great Hareton Abbey until it’s a near ruin. The only other guests at Hareton are the twin Kerre brothers, intimidating and haughty leaders of society, together with the fiancée of the older brother.

When the Earl of Southwood’s son and heir, Richard, Lord Strang is badly injured in the same accident that kills her cousins, Rose is forced into the position of nurse--and detective. The attraction between Richard and Rose is instant and undeniable, but Richard is to marry the frigid Julia Cartwright in a few weeks, and has deliberately closed his heart to love. In order to offer Rose his heart he must extricate himself from an engagement he has long come to regret.

When they discover that what at first appeared accidental was in fact a deliberate act of sabotage Richard and Rose set out to solve the mystery. Can Rose trust her instincts, ignoring Richard's reputation as a seducer and give him everything she has to offer? Can they clear Rose's family name by discovering her cousins’ murderer?


The book is written in the first person from Rose's point of view. it doesn't work with every story but in the right one it can be just the thing and I quite liked it. Rose Golightly and Richard Kerre meet in unusual circumstances. While she is already on the shelf and a country girl he is used to go about seducing married ladies in society and is presently contracted to marry another young lady. We get to know Rose's thoughts and her surprise at Richard's feelings towards her and how she deals with it. Especially how difficult it is for her to believe he loves her and how could there be a happy ending when he is supposed to marry someone else. One thing about Richard is that he is determined to win Rose and marry her no matter what. I liked that! Another thing I liked in the book is the atmosphere, manners, behaviours and conversations nothing is out of place. Rose is a very sensible girl, she analises her feelings and proceeds accordingly.

The book is also centered around the mystery of who provoked the accident that killed the Earl of Hareton, his heir and injured Richard. I found the mystery was very interesting and added something to the story without overwhelming the romance. All in all a very solid story with interesting characters and I'm hoping the other books in the series will be released soon.

Grade: B+