Showing posts with label Blog Tour. Show all posts
Showing posts with label Blog Tour. Show all posts

Sunday, May 11, 2014

Why I Love Maine by April Smith

I am pleased to today welcome April Smith to HIstorical Tapestry as part of the blog tour for A Star For Mrs Blake.

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In choosing the setting for A STAR FOR MRS. BLAKE, there was no doubt in my mind it would take place on the coast of Maine.  Even though I grew up in the Bronx and live in Los Angeles, Maine is where my heart is.  When our children were young, each summer my husband and I would  rent a different house for a couple of weeks in the fishing village of Stonington.  It was isolated and pristine.  Organized activities for kids were non-existent,  so our days were made of old-fashioned adventures – exploring the coastal forest and granite outcrops, riding the mail boat to Isle Au Haut, baking pies and boiling lobsters, picnics on the river – even making our own Play Doh!  Trust me, I thought a great deal about using the actual name of the town in the novel, but local friends encouraged me to do so.  They want more tourists, they said, and ultimately I acceded to their wishes, knowing my readers respect history and would leave only footprints.

My romance with Maine started with a high school fascination with the lyrical poet Edna St. Vincent Millay, who won the Pulitzer Prize for Poetry in 1928.  She was born in Rockland, Maine and spent her girlhood in Camden.  She and her husband, Jan Boissevain, bought a place off the coast called Ragged Island as a summer retreat, where she wrote of swimming naked in the icy waves.  Come to think of it, that might have inspired the scene in A STAR FOR MRS. BLAKE where Cora and her lover, Linwood Moody, do exactly that!  In fact, I was so inspired by Millay’s bold, pre-feminist take on politics and sexuality (she was bisexual and had an open marriage) that years later I made a pilgrimage to Steepletop, her last home, in Austerlitz, New York, which was once the Millay Colony For the Arts and is now open to the public for garden tours.

The main character in my book, Cora Blake, is a librarian who manages the tiny library housed in a cottage in Stonington, which is still there.  She is one of five women from New England who travel to France to visit the graves of their sons who were killed in WWI and buried in the American cemeteries overseas.   They are called Gold Star Mothers – the gold star means you have lost a child in war, a tradition that continues today.  Back in 1931 Congress authorized funds to pay for first class trips to Europe for Gold Star Mothers and Widows, and almost seven thousand American women made the pilgrimage.  They were organized by where their sons fought and died.  The only thing these ladies share with Cora is that their fallen hero sons were all part of the Yankee Division, and fought together.

It was important to anchor the reader in Cora’s world before she took off for New York, Paris, Verdun and the cemetery in Meuse-Argonne, and again, Maine filled the bill.  Even today you can find purity and simplicity in its small-town way of life -- a culture that is the quintessential American mix of fierce independence and deep concern for neighbors.  Those were the qualities I wanted Cora Blake to take with her on this journey of a lifetime – just as my experience of the vivid clarity of coastal Maine has sustained heart and soul over the years.

To share your thoughts of Maine with April Smith please visit www.aprilsmith.net

About the Tour

Tour Schedule: http://francebooktours.com/2014/03/19/april-smith-on-tour-a-star-for-mrs-blake/
April Smith's website.
April Smith on Facebook
April Smith on Twitter.
Sandra Gulland on Goodreads


About the Book 

In 1929, The U.S. Congress passed legislation that would provide funding for the mothers of fallen WWI soldiers to visit the graves of their sons in France. Over the course of three years, 6,693 Gold Star Mothers made this trip. Smith imagines the story of five of these women, strangers who could not be more different from each other. One of them is Cora Blake, a librarian and single mother from coastal Maine. Journeying to the Meuse-Argonne American Cemetery, the lives of these women are inextricably intertwined as shocking events – death, scandal, and secrets – are unearthed. And Cora’s own life takes an unexpected turn when she meets an American, “tin nose,” journalist, whose war wounds confine him to a metal mask.

Saturday, May 10, 2014

How I Came to Love Versailles: 10 tips on how you can love it too by Sandra Gulland (includes giveaway)

Today we are very pleased to welcome Sandra Gulland here to tell us about visiting Versailles. Made me remember my own visit to the splendid palace many years ago. One day I will visit again. One day.

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When I began to write about the Court of the Sun King, I had to research Versailles, of course. I began with a shelf-full of books, but I resisted actually going there for some time. I feared that it would be overwhelming—and it was!

Here's how I came to love it:

1) Read books about Versailles, both fiction and non-fiction, before you go.

2) Take a car from the Paris airport directly to Versailles and spend the night there. Or two. Or three! (We enjoyed staying at the Trianon Palace, a short walk from Versailles.)

3) Visit Versailles in short stages. (When you are staying in the village, this is easier: you can tour, nap, eat, tour, nap, eat.)

4) It's best to visit Versailles early on week-day mornings, before the hoards arrive. (More than three million tourists visit Versailles every year.)

5) Plan to take only a few personal photos; there will often be people standing in the way of a good historical shot—and the official photos on postcards and in the guidebooks are excellent.

6) Sign up for an official tour (or two), especially for a first visit: these guides get you past the lines, had have lots of great information. I recommend Guidatours.

7) Get lost in the gardens. Dream of the events that were held there. 

8) Make sure you visit the bookstore, and have room in your luggage for all the books you will buy.

9) Ditto for gifts!

10) Go back to Versailles many times. Like the Louvre, one visit, or even two or three, will never be enough.

The Versailles of the period of my novels MISTRESS OF THE SUN and, newly out, THE SHADOW QUEEN, spanned the early days, when it was just a hunt lodge, to the beginnings of construction of the massive chateau that we know today.

I was most interested in imagining what Versailles might have been like under construction, as shown in this painting by Adam Frans van der Meulen: 




I walked from the chateau to the village, and then to where Clagny had been at one time, the chateau the Sun King built for Athénaïs, Madame de Montespan, his second official mistress.



It is no longer there, alas, but walking to where it had once stood gave me a sense of the distances, the views.

Everywhere I walked, my characters had walked before me.

Versailles is a place rich in history, layers upon layers of it. Enjoy it step by step, bit by tasty bit.

Links:

Trianon Palace
Guidatours



About the Tour

Tour Schedule: http://francebooktours.com/2014/01/06/sandra-gulland-on-tour-the-shadow-queen/
Sandra Gulland's website.
Sandra Gulland on Facebook
Sandra Gulland on Twitter.
Sandra Gulland on Goodreads


About the Book


From the author of the beloved Josephine B. Trilogy, comes a spellbinding novel inspired by the true story of a young woman who rises from poverty to become confidante to the most powerful, provocative and dangerous woman in the 17th century French court: the mistress of the charismatic Sun King.

1660, Paris

Claudette’s life is like an ever-revolving stage set. From an impoverished childhood wandering the French countryside with her family’s acting troupe, Claudette finally witnesses her mother's astonishing rise to stardom in Parisian theaters. Working with playwrights Corneille, Molière and Racine, Claudette’s life is culturally rich, but like all in the theatrical world at the time, she's socially scorned.

A series of chance encounters gradually pull Claudette into the alluring orbit of Athénaïs de Montespan, mistress to Louis XIV and reigning "Shadow Queen." Needing someone to safeguard her secrets, Athénaïs offers to hire Claudette as her personal attendant.

Enticed by the promise of riches and respectability, Claudette leaves the world of the theater only to find that court is very much like a stage, with outward shows of loyalty masking more devious intentions. This parallel is not lost on Athénaïs, who fears political enemies are plotting her ruin as young courtesans angle to take the coveted spot in the king's bed.

Indeed, Claudette's "reputable" new position is marked by spying, illicit trysts and titanic power struggles. As Athénaïs, becomes ever more desperate to hold onto the King's favor, innocent love charms move into the realm of deadly Black Magic, and Claudette is forced to consider a move that will put her own life—and the family she loves so dearly—at risk.

Set against the gilded opulence of a newly-constructed Versailles and the War of Theaters, THE SHADOW QUEEN is a seductive, gripping novel about the lure of wealth, the illusion of power, and the increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France.




Giveaway details:

- to participate, leave a comment telling us what you would like to see if you were lucky enough to be able to visit Versailles or, if you have already been, a handy tip!  Don't forget to include your email address in your comment.
- there is one hardcover copy of the book to be given away
- open to US/Canada only
- closes 18th May midnight GMT 

Friday, March 21, 2014

The Collector of Dying Breaths by M J Rose

Do you believe in the idea of reincarnation and of the ability to reanimate someone using their last breath? You don't need to in order to read this book, but I am sure you would find it even more fascinating if you did. As it is, I need to suspend belief on lots of the things that drive the characters and that happen in the book but, in this case, it didn't hamper my enjoyment of the book. That isn't always the case as I have a bit of an up and down reaction to M J Rose's books. The last book in this series that I reviewed was Seduction (the fifth book) having not read The Book of Lost Fragrances and I really think that I would have enjoyed it more had I read in order.

This book is the sixth book in the Reincarnationist series, but I would argue that there are two linked trilogies that form the series. To get the most out of this book I think it definitely helps to have read at least The Book of Lost Fragrances and Seduction because the modern day storyline tracks through these three books.

Let's start with that modern day story. This book picks up two years after the last book. Jac L'Etoile is in Paris, mourning the loss of an incredibly important person in her life. I don't want to say who because even the death happens right at the beginning of the book, it is a character from the previous two books. I will say that I was quite upset that this character had been killed off, but we did get to witness some additional appearances in ghostly and paranormal forms. Jac is invited to recommence working on a project which has an eccentric but very wealthy woman trying to achieve the seemingly impossible - to reanimate a body after death.

Jac is, in effect, continuing the work of Rene le Florentine who was the master perfumer to one of the more infamous women in history, Catherine de Medici, Queen of France in the 16th century. Rene was a young apprentice in a Florentine monastery when he was accused of murder. He was only saved because of his knowledges of perfumes and poisons when Catherine takes him to Paris as part of her retinue as she marries into the French royal family.

Over the years, Rene continues his search for the secret to reanimation that he first started learning when he was still a young boy. He knows that it starts by capturing the very last breath of the person who you want to bring back, and he knows that the process will require many difficult to obtain ingredients but he is determined that he will get to the point of reanimation in time.

Catherine de Medici has been accused of many things both in her lifetime and since her death. She was accused of witchcraft and of poisoning her rivals, and the author skilfully shows how these things might have come to be and what a master perfumer's whose only loyalty is to the queen who saved his life all those years ago role could have been. Even when he comes to love a lady in waiting from the court, it is Catherine who seems to have the last word on the fate of lovestruck Rene.

As part of her research, Jac is taken to Rene's home. She is immediately drawn to the scents that she finds there, quickly locating secret rooms where she finds the perfumers workshop, pretty much untouched in 500 years. She knows that she needs the expertise that Griffin North, the only man she has ever loved, and with whom she believes she has been linked over many lifetimes, many of them ending in tragedy. Jac knows that she has placed Griffin in danger before and so she is determined not to do so again, but Griffin may have other ideas, especially as he is determined to prove once and for all that they belong together.

This is a thriller, so you do have good guys and bad guys, and sometimes people who are both. There is tension and danger and crime and in that regard it works. The most fascinating aspect though is that around scents, particularly the more unusual ingredients that come from very obscure sources like the ambergris which comes from the digestive systems of sperm whales. I find the discussion about how this particular ingredient would likely react different chemically today than it did 500 years before because of how different the environment is quite interesting, and there were numerous other titbits liek that scattered through the book.

I just wanted to mention something about The Book of Lost Fragrances. As I have mentioned, I read this book after I read the subsequent book. Actually I didn't read it but rather I listened to it on audio where it was narrated by the always excellent Phil Gigante. I think it is a sign of a truly excellent narrator if you can still hear their voices when you read other books in the series months down the track. That was particularly true for Griffin's voice!

To me, the end of this book very much felt like the end of this particular thread of story for Jac, although of course I could be completely wrong. It just felt like a good place to leave here. I will therefore be interested to see what M J Rose does next with this series.

Rating 4/5











About the Tour

Tour Schedule: http://hfvirtualbooktours.com/collectorofdyingbreathstour
Tour Hashtag: #DyingBreathsTour
M J Rose's website.
M J Rose on Facebook
M J Rose on Twitter.


About the Book

Publication Date: April 8, 2014
Atria Books
Hardcover; 384p
ISBN-10: 1451621531

From one of America’s most imaginative storytellers comes a passionate tale of love and treachery, spanning the days of Catherine de Medici’s court to the twenty-first century and starring a woman drawn back, time and again, to the past.

In 1533, an Italian orphan with an uncanny knack for creating fragrance is plucked from poverty to become Catherine de Medici’s perfumer. To repay his debt, over the years René le Florentine is occasionally called upon to put his vast knowledge to a darker purpose: the creation of deadly poisons used to dispatch the Queen’s rivals.

But it’s René’s other passion—a desire to reanimate a human breath, to bring back the lives of the two people whose deaths have devastated him—that incites a dangerous treasure hunt five centuries later. That’s when Jac L’Etoile—suffering from a heartache of her own—becomes obsessed with the possibility of unlocking Rene’s secret to immortality.

Soon Jac’s search reconnects her with Griffin North, a man she’s loved her entire life. Together they confront an eccentric heiress whose art collection rivals many museums and who is determined to keep her treasures close at hand, not just in this life but in her next.

Set in the forest of Fontainebleau, crisscrossing the lines between the past and the present, M.J. Rose has written a mesmerizing tale of passion and obsession. This is a gothic tale perfect for fans of Anne Rice, Deborah Harkness, and Diana Galbadon.

Tuesday, March 18, 2014

Blog Tour: Guest post by Christina E Pilz

We are pleased today to welcome Christina E Pilz here to Historical Tapestry as part of the blog tour for her book Fagin's Boy.

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One of the most difficult parts about writing is not, as one might reasonably think, the issue of coming up with ideas. Actually, writers have loads of ideas, though not all of them will make great stories for other people to read. No, the real problem, the most difficult part of writing, is that once people hear you are a writer, they want to give you suggestions and advice. Even, believe it or not, without you ever having asked for said advice.

Usually well-meaning (but bad) advice contains the phrase: “you should.”

Here are some great examples. (I’ve put in the exclamation points because they really do add to the tone of the excitable person giving well-meaning, well-intentioned but unsolicited advice.)

“No one will read a book about that. You should write about something else!”

“No one will read the book that is self-published. You should get an agent!”

“This story is too dark and grim. (Alternately, “This story is too complex or too .) You should write happier stories!”

“Everyone is writing about . You should write about !”

My favorite one is: “You should write a science fiction story! Science fiction sells!”

(Oh my goodness yes, science fiction does sell! There are so many good science fiction writers out there and my hat’s off to them. But if I actually had to do the amount of research it would take for me personally to create a world on another planet or something along that ilk, well, frankly, I’d rather eat my own head.)

Then, with my book, Fagin’s Boy, I got an extra dash of “let-me-tell-you-what-to-do” type of advice.

“You should warn people what your book is about. How are you going to warn them about what you did to those characters?”

“Why are you writing a book about two guys who fall in love? That’s disgusting!”

“Can’t you just take the sex out? Say, for example, you could have two editions, and one of them indicates that there is s-e-x in there?”

And last but not least:

"Charles Dickens would roll over in his grave if he knew what you were doing to his book!!!”

Here’s the other one people like to say: “You can’t do that.” As in “no one does that,” “it’s never been done before,” it’s been done too many times before,” “it won’t sell,” “people will turn on you,” or whatever.

At a writer’s convention I went to, I had my first 15 pages critiqued by a very obliging agent. I brightly and chirpily explained the premise of the story (“It’s a sequel to Oliver Twist!”) and then handed her the 15 pages. She scanned the pages, and then said, “You can’t have a table of contents in a work of fiction. No one has a table of contents in a work of fiction these days!”

I looked at her, and was about to open my mouth and explain that I was going to have a table of contents in my story, because Charles Dickens did, and I wanted something in my book to be a paean to this great master. Plus the table of contents was a nifty way to create a sense of feeling and purpose to each chapter. Plus each chapter title was loads of fun to write!

Then, as if to emphasize how wrong I was to do this crazy thing, the agent added “Unless you are trying for an old-timey feel.”

So then I’m about to say well, it is a sequel to Oliver Twist and I’m not really sure how much more old-timey you can get than that, when the agent, somewhat defensively, said, “I’ve been doing this for a long time.” And no doubt she had. But who’s to say that that table of contents isn’t what makes the whole of Fagin’s Boy come together?

Here’s another tidbit that I was told at the same convention.

“You have to start with action or dialog! A book won’t sell if it doesn’t start off with a bang!”

All the agents that I spoke to were really adamant about the dialog/action/bang thing. But where on earth did this rule come from? I guess has forgotten Cold Mountain, then. Or Gone With the Wind. Or pretty much ANY Charles Dickens novel you’d care to name. Frankly, in my opinion, you should (there I go, using that word!) use the device that the story needs; forget about everything else.

The best advice I’ve ever gotten is no advice. I don’t need no advice. That’s not to say I don’t need help; and I do tend to get that when I ask for it.

I have a friend in Alaska, Sharon. She’s my go-to gal for good ideas, which are about plot or character or whathaveyou; any help she gives me is about the story I’m writing, not about what I should do with my writing career. I’ll ask her, “What do mental patients do with their free time in asylums?” She’s fabulous. She’ll sputter how she’s not got a single idea in her head, and get irritated with me, and tell me to ask someone else, and then, after trying not to answer me for a bit, she’ll say, “Oh, I don’t know, how about art therapy, but I really don’t know!” And of course, art therapy is the perfect answer.

I used to have a friend who passed away, Nik, who would soothe my questions with general responses that had more to do with how I felt about the writing than with what was actually going on. “That’s a powerful idea, Harpy,” she’d say. “What part in there, what’s the part that sets you on fire? Which direction makes you feel alive? Go that way.”

The there’s my friend Amy, who made her mark in Fagin’s Boy, by waving her arms around, Kermit-style, sputtering and saying, “What’s with this scarf? Why do you have this scarf? It’s red, and it’s in so many scenes in the beginning, and yet, by the end, the scarf is gone? Either tie it in or get rid of it, but I think you should keep it because it’s got to mean something!”

But those three people, what they did, was different. I was talking to them, and what they gave me was not advice. It was a response to what I was saying. In the end, this is what I think. What writers need, what they really, really need, is someone to listen, who will not judge or give advice or lay down the law about what can and cannot be written about. There will be no encouragement to follow the money, there will be no questions as to why I’m writing about what I’m writing about. But there will be listening over cups of coffee (Amy), or over the airwaves to Alaska (Sharon), even over time (Nik). There will be a sounding board and the comfort of a place where the half-baked insanity that writing can be will find cohesion.

If you can find someone like that? Hang on to them with everything that you have.






About the tour

Link to Tour Page: http://hfvirtualbooktours.com/faginsboytour/
Tour Hashtag: #Faginsboytour
Christina E Pilz's website
Christina E Pilz on Twitter
Christina E Pilz on Facebook

About the book

Publication Date: January 1, 2014
Blue Rain Press
Paperback; 624p
ISBN-10: 0989727300

Five years after Fagin was hanged in Newgate, Oliver Twist, at the age of seventeen, is a young man of good breeding and fine manners, living a quiet life in a corner of London. When Oliver loses his protector and guardian, he is able, with the help of Mr. Brownlow’s friends, to find employment in a well-respected haberdashery in Soho.

However, in the midst of these changes, Jack Dawkins, also known as the Artful Dodger arrives in London, freshly returned from being deported. Oliver’s own inability to let go of his past, as well as his renewed and intimate acquaintance with Jack, take him back to the life he thought he’d left behind.

Monday, March 3, 2014

The Debt of Tamar by Nicole Dweck

Today Kelly and Marg are pleased to bring you a discussion review of The Debt of Tamar as part of the HFVBT blog tour! Hope you review the post, and if you like the sound of the book check out the giveaway at the bottom of the post!

Kelly's thoughts are in blue and Marg's in black.

~~~~~~~~~~~~~~

Its been a while since we have done one of these Kelly!

I thought I would start this discussion by talking about the story and hopefully along the way we will be able to touch on how the book is structured and how that helps or hinders the plot.

The book opens in 16th century Spain. Dona Antonio Nissim is friend to royalty, well respected and wealthy but none of that will protect her when she upsets royalty by refusing a match for her beautiful young daughter. And there is especially no protection when it is found that you are actually Jewish, something which comes as something of a surprise to her daughter Reyna and her nephew that she has been raising to become the head of her family, Jose. Forced to flee, the family is accepted into Turkey under the auspices of the sultan Suleiman and the family settles into a new life which is complicated by the fact that Reyna and Jose fall in love.

The action then moves forward a few years as their daughter Tamar is given the great privilege of being educated within the walls of the sultan’s harem, where she meets and falls in love with the heir, Murat. But theirs is a love that crosses culture and faiths and it isn’t long before the young lovers are torn apart but not before he gives her a ruby ring that ends up being passed from generation to generation. Murat goes on to rule the realm, but he and his descendants are forever to be cursed, in effect the debt of Tamar that the title of the book refers to.

I have to admit, I think I was confused about the curse when it was first mentioned in Murat’s part of the book. I think it was only when the book shifted to the Present Day that I fully understood. I guess that’s because I thought if anyone should be cursed, it should be her father because it is him that sends her away.

What did you think of the curse?


I was a bit confused by the curse at first too, almost as though the injured party was cursed rather than the injurer (is that even a word?). It did work itself out by the end of the book though!

But, after Murat’s time has come to an end, the book flashes to the present day. The Sultan’s reign has come to an end and now Selim Osman, the grandson of the last Sultan, is a successful business man. He is still living in the shadow of his ancestors. His father and brother are deceased and his mother left to go live with her aunt. He is essentially an orphan who finds himself diagnosed with a life-threatening disease. When he goes to New York to seek treatment, the stories of his ancestors and Tamar start to intertwine. Then, the time changes again, and we are in WWII-torn Paris, France.

In Paris we meet Davide. His parents were the victims of the Holocaust and he was raised by a kindly baker and his wife. Unfortunately, he can not live that idyllic life forever and his ancestors catch-up with him. He quickly changes his entire life to embrace his heritage and decides to leave Paris behind to visit the land of his ancestors. Then it is back to the future again for the stories to come together. I will leave it there for readers to get a taste of how things are going to come together.

What did you think of the characters? Did you have a favourite?

As we will discuss below, I find that the characters didn’t have a time in the book to really stand out. I thought that Reyna and Jose’s relationship was sweet, but it was so rushed there was no build up or drama. And, I really liked Reyna’s mother, but again, I didn’t really get a chance to get to know who she was. She was a strong and intriguing character that I would love to see an entire book about! Again, Murat and Tamar, sweet relationship, but for having lasting consequences through a curse it was again rushed. I didn’t get the tension because there was no time to get to feel it. Basically, though, the characters are all interesting. I just wish we had got to know them a bit better.


I am probably the same as you. I didn’t feel connected enough to any one story to say I had a favourite character.

The story jumps around a fair bit from 16th century Spain to modern day Turkey and America, and to Israel and France in the mid 20th century. How did you find these changes in time and characters? Did it flow smoothly for you?

As to the actual time changes themselves, I enjoyed the glimpses of different aspects of history, but just like the characters I wish we had a chance to experience things longer. I think that might be one of the shorter glimpses of the Holocaust, for example, I have ever experienced. And, I read this book because of the ‘different’ aspects of history and still didn’t feel like I learned enough. I suppose as a ‘learning’ experience I should read a non-fiction book and not look for it in fiction.
Had you read much about the expulsion of the Jews from Spain before? I had only read about about it a few months ago in another book so it was interesting to contrast how two authors handled the aspects of the story which were similar.

I have not, actually. I think that is why I was curious about this book. I have read a lot about the Jewish experience, but it was typically surrounding the Holocaust and those aspects of history. I will have to seek out some more books and read more about these times in history.

I thought that the changes in time and setting were handled well but I wanted more from each of the stories. We were just starting to learn about one character and then it would change to another story. I guess wanting more is better than being bored with a particular story and wishing that it would change to someone else though! I did find the story of Davide very interesting. That one thread alone would have made a really good subject for a book. A Jewish baby raised by a Catholic family, the drama when the truth came out, the divergent path of the two brothers. I wanted more!

That’s true. I wasn’t bored at all. I actually found that the book was a relatively fast read!

It was definitely a fast read, and one that it is easy to get invested in. It is actually one of those books that I probably wouldn’t have read if not for the enthusiastic reports from other bloggers. This meant that when we got the offer for the blog tour I was primed to accept it and to read the book. Did the book meet your expectations, were you surprised it was a debut novel and would you recommend it to others?

I have to admit I was just looking for something ‘different’. I wasn’t even aware that it was getting a lot of buzz. I should pay more attention, I guess! I agree with the buzz, though. My only complaint was that I wanted more. And, yes, for a debut, it was very well done. To be honest I didn’t know it was a debut and I think I probably only read it because of the tour. Now, the tour might have changed that when I saw the book around more!

What about you? What did you think of the ending?


I liked the ending. I liked how everything came together. I think that even though it was quick snippets, you find yourself waiting for the ending. I am not sure the book ended as I expected, but that was not a bad thing! I think the ending made me love the book where I was only sort of a fan before that.

I thought it was a good place to end the story. There is a glimpse of hope for the future but it wasn’t a sugar coated fairytale type ending. There was a good mix of history, a touch of romance of the doomed variety, and, for a debut novel, I thought it was a good read. I will definitely look out for Nicole Dweck’s next book.

Me too! Thanks for doing this buddy review with me!





Giveaway details:

- to participate, leave a comment. Don't forget to include your email address in your comment.
- there is one paperback copy of the book to be given away
- open to US only
- closes 9th March midnight GMT 



About the tour

Link to Tour Page: http://hfvirtualbooktours.com/thedebtoftamartour
Tour Hashtag: #DebtofTamarVirtualTour
Nicole Dweck's website
Nicole Dweck on Twitter
Nicole Dweck on Facebook

About the book

Publication Date: February 4, 2013
Devon House Press
Paperback; 332p
ISBN-10: 061558361X

During the second half of the 16th century, a wealthy widow by the name of Doña Antonia Nissim is arrested and charged with being a secret Jew. The punishment? Death by burning. Enter Suleiman the Magnificent, an Ottoman “Schindler,” and the most celebrated sultan in all of Turkish history. With the help of the Sultan, the widow and her children manage their escape to Istanbul. Life is seemingly idyllic for the family in their new home, that is, until the Sultan’s son meets and falls in love with Tamar, Doña Antonia’s beautiful and free-spirited granddaughter. A quiet love affair ensues until one day, the girl vanishes.

Over four centuries later, thirty-two year old Selim Osman, a playboy prince with a thriving real estate empire, is suddenly diagnosed with a life-threatening condition. Abandoning the mother of his unborn child, he vanishes from Istanbul without an explanation. In a Manhattan hospital, he meets Hannah, a talented artist and the daughter of a French Holocaust survivor. As their story intertwines with that of their ancestors, readers are taken back to Nazi-occupied Paris, and to a sea-side village in the Holy Land where a world of secrets is illuminated.

Theirs is a love that has been dormant for centuries, spanning continents, generations, oceans, and religions. Bound by a debt that has lingered through time, they must right the wrongs of the past if they’re ever to break the shackles of their future.

Tuesday, October 29, 2013

Guest Post: The Lacemaker's Art by Deborah Swift

Today I am pleased to welcome back author Deborah Swift as part of her blog tour for her latest book, A Divided Inheritance.





"Of many Arts, one surpasses all. For the maiden seated at her work flashes the smooth balls and thousand threads into the circle ... and from this, her amusement, makes as much profit as a man earns by the sweat of his brow, and no maiden ever complains, at even, of the length of the day. The issue is a fine web, which feeds the pride of the whole globe; which surrounds with its fine border cloaks and tuckers, and shows grandly round the throats and hands of Kings." Jacob Van Eyck, 1651.

I became fascinated by lace-making when I found out that in the late Elizabethan and early Stuart periods the craft employed thousands of women, working long hours by candlelight, yet the business side of it – the trade and sales – was almost always run by men. Van Eyck’s view of it is rather rosy, that no woman complains no matter how long a day they work! I thought it would be interesting to have a woman learn the business aspect from her father, and this is how the inspiration for A Divided Inheritance began.

There are many types of lace - bobbin lace, needle-lace, braid lace, tape lace, net, embroidered lace. Flanders claims to be the birthplace of lace, but can only produce documents referring to lace from 1495, though the Italians claim they have earlier records. Some people suspect that lace originated in China, as early designs have a distinctly oriental feel. But the flowering of lace in England was in the second half of the sixteenth century, when lace became an openwork fabric, created with a needle and one single thread (needle lace) or with multiple threads (bobbin lace).



Pillow lace, using a straw pillow and pins to painstakingly manipulate the individual threads only became very popular in Elizabethan times as prior to that the supply of pins was limited. In the reign of Henry VIII, the price of ordinary pins was about one penny each and so fishbones and even thorns were sometimes used as pins to hold the threads in place. Apparently Queen Catherine of Aragon taught lacemaking to some of the inhabitants of Ampthill when she was resident in the castle in 1531, while awaiting her divorce from Henry VIII, and a pattern named after her is still in use. (Sadly, the castle no longer stands.)



Starch was developed too during the reign of Elizabeth I and Shakespeare mentions 'free maids that weave their threads with bones...' in Twelfth Night. So the lace ruffs of Elizabethan times were probably stiffened with starch and bones. James I of England had a ruff made of a length of lace 38 yards long which took many women months to complete.




Lace production has always been driven by fashion, and these ruffs, which demanded bold geometric needlelace, were gradually replaced in the early 1600’s. Now the trend was for softer collars which needed relatively narrow bobbin lace. At the same time the fashion for gold and silver lace increased – it was used to edge gloves, shoe roses, jackets and sashes, and also to provide surface decoration for doublets or bodices.

Poor children were encouraged to be lacemakers to make them more self-supporting. An experienced lacemaker would teach children from her home or cottage. In 1699 a child might earn 1 shilling and 8 pence a week and a proficient adult 6 shillings and 6 pence.

During my exploration of lace I became familiar with cutwork and picot, Reticella and Punto in Aria (stitches in the Air). A whole world of lace – most of which could not squeeze itself into my novel, no matter how much I would have liked to include it all! And as books do, my initial idea was taken over by subsequent ideas, and now the lace theme is confined mostly to the beginning of the book. But I hope you have enjoyed my brief taster and will want to examine this beautiful craft more through these links:

Sources: The Lace Guild
http://www.laceguild.demon.co.uk/craft/history.html
http://www.mkheritage.co.uk/hdhs/framesetlace.html
http://nttreasurehunt.wordpress.com/2012/01/10/tudor-and-stuart-fashion-moments/
http://tywkiwdbi.blogspot.co.uk/2011/01/elizabethan-ruff.html
http://www.ladentelledupuy.com/
http://bjws.blogspot.co.uk/2013/02/1600-1900s-staying-indoors-to-make-lace.html


About the Tour

Link to Tour Schedule: http://hfvirtualbooktours.com/adividedinheritancetour
Twitter Hashtag: #DividedInheritanceTour
Deborah Swift's website
Deborah Swift on Facebook
Deborah Swift on Twitter

About the book

A family divided by fortune. A country divided by faith.

London 1609...

Elspet Leviston’s greatest ambition is to continue the success of her father Nathaniel’s lace business. But her dreams are thrown into turmoil with the arrival of her mysterious cousin Zachary Deane – who has his own designs on Leviston’s Lace.

Zachary is a dedicated swordsman with a secret past that seems to invite trouble. So Nathaniel sends him on a Grand Tour, away from the distractions of Jacobean London. Elspet believes herself to be free of her hot-headed relative but when Nathaniel dies her fortunes change dramatically. She is forced to leave her beloved home and go in search of Zachary - determined to claim back from him the inheritance that is rightfully hers.

Under the searing Spanish sun, Elspet and Zachary become locked in a battle of wills. But these are dangerous times and they are soon embroiled in the roar and sweep of something far more threatening, sending them both on an unexpected journey of discovery which finally unlocks the true meaning of family . . .

A Divided Inheritance is a breathtaking adventure set in London just after the Gunpowder Plot and in the bustling courtyards of Golden Age Seville.






Tuesday, October 22, 2013

Banquet of Lies by Michelle Diener

Giselle "Gigi" Barrington is quite an unusual young lady for her time. She travels around Europe as her father's companion, taking her to many places and meeting many people that she normally wouldn't meet. Whilst he collects fairy tales and folk stories, and acts as a British spy, she collects the recipes from the places they visit with the hope of eventually being able collate them into a book. Not only does she like to collect the recipes, she also likes to cook them herself - very unusual behaviour for a young lady of her class.

Whilst in Stockholm, Giselle's father is handed a very important document to take back to England that will change the course of history dramatically. When he is murdered for that document, Giselle knows that the killer will soon be after her too. She doesn't know who the murderer is, but she could identify him from a distance, but she knows that she needs to get away as it is very likely that he knows who she is. Where does a young woman who is alone go to hide in a foreign country though? Then again, the same problem faces her in England as well. She can't go to her family home, as that would be the most obvious place for the killer to look for her.

There is only one person that she can go to, which is her family friend Georges Bisset, a chef in the Duke of Whittaker's house. He is able to recommend her for a position as cook in the house of Lord Aldridge. No one would think of looking for a young lady in the kitchens of a nobleman's kitchen and this position has the added bonus of being quite close to her own home so Giselle can see if anything is happening there. Whilst whipping up fantastic dinners, Gigi gets a glimpse into the lives the servants live as well, battles against the butler who clearly dislikes her, find herself on the wrong side of the law and so much more. She knows that she is still a target for the assassin so she needs to work out who the person is who should have received the dangerous missive, get it to them and stay alive!

Lord Aldridge is a former soldier who gained a taste for continental food during his years serving his country. A younger son who inherited a title, Aldridge fills his day managing his estates, attending parliament and involving himself every now and again in some intrigue for his country. He can't quite understand why his cook has him all twisted up. His reaction to her is incredibly strong which is difficult for him as he is a fundamentally good man who has never engaged in trysts with his staff and he doesn't intend to start now. If only he could stay away from her.

Over the last 12 months or so I have been fortunate to read three of Michelle Diener's books and each one of them has been a delight! This book, which was recently released was the third, and once again I was treated to a fun story with good characters that is an easy book to read and get lost in. The reader is treated to a mix of romance, history, mystery and adventure that the author balances really well.

It is worth mentioning that the characters from The Emperor's Conspiracy do make an appearance in this book. I am a stickler for reading in order and as such get really upset if I don't know this kind of thing in advance. Having said that, you could easily read this book first without missing out on too much. Hopefully you would be intrigued enough to go back and read their story if you hadn't previously read it. I am already hoping that Michelle's next book will feature these same sets of characters. The Duke of Whittaker in particular seems to be an ideal candidate to have his story told, particularly if it means that he gets to meet an unusual woman to shake up his life.

I should mention the food too. Oh my goodness, the food in this book sounds so good! I was left salivating as Gigi served up course after course of delicious sounding food. On her website, Diener has shared a number of recipes that were mentioned in this book, and I have to say...I would be happy for her to come and cook for me anytime!

Rating 4/5




About the tour

Link to Tour Schedule: http://hfvirtualbooktours.com/banquetofliestour
Twitter Hashtag: #BanquetOfLiesTour
Michelle Diener's website
Michelle Diener on Twitter
Michelle Diener on Facebook

About the book


A Secret Treaty and a Secret Life

LONDON, 1812: Giselle Barrington is living a double life, juggling the duties of chef with those of spy catcher. She must identify her father’s savage killer before the shadowy man finds her and uncovers the explosive political document her father entrusted to her safekeeping.

Posing as a French cook in the home of Lord Aldridge, Giselle is surrounded by unlikely allies and vicious enemies. In the streets where she once walked freely among polite society, she now hides in plain sight, learning the hard lessons of class distinction and negotiating the delicate balance between servant and master.

Lord Aldridge’s insatiable curiosity about his mysterious new chef blurs the line between civic duty and outright desire. Carefully watching Giselle’s every move, he undertakes a mission to figure out who she really is—and, in the process, plunges her straight into the heart of danger when her only hope for survival is to remain invisible.





Wednesday, October 9, 2013

David Blixt on Tom Clancy's Form of War

Today we are pleased to welcome David Blixt here to Historical Tapestry as part of the blog tour for his book Colossus: The Four Emperors. Welcome David!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I had planned something else for my chance to post here at Historical Tapestry. But the death of Tom Clancy last week altered my intentions. Because my writing owes him a massive debt.

I get a lot of compliments for my battle scenes. Many reviewers speak of their habit of skipping war writing in novels, as a preface to saying mine kept them engrossed. Part of that I’ll chalk up to my insistence that a fight is about characters, about desire and denial. That’s my theatrical background coming to the fore – everything is about character.

But there’s another reason that I think people enjoy my battles. And that’s entirely due to Tom Clancy. You see, while I often cite influences such as Dunnett, Cornwell, Penman, McCullough, and O’Brian, I owe a huge debt to Mr. Clancy. He taught me how to write a war.

In Historical Fiction, the undisputed master is Bernard Cornwell. He gets into a soldier’s head better than anyone writing today, perhaps since Homer. But that’s just it – his wars are always told from a single viewpoint. We live and die inside his protagonist, seeing the battle from his point of view. For a battle from a single POV, there is no one better.

But when I write battles, I use a larger tapestry – multiple characters coming together on the field to tell a larger story. While I pick one or two to follow regularly, I try to live behind the eyes of many. I have many pieces on my chessboard, and while no one character has all the information needed to see the whole battle, by skipping from viewpoint to viewpoint, the reader does.

This is a technique I owe to Tom Clancy.

Starting with The Hunt For Red October, and running through Patriot Games, Red Storm Rising, Clear And Present Danger, The Sum Of All Fears, and Without Remorse, Clancy holds a master-class in establishing far-flung characters with seemingly disparate lives and bringing them all together for the tension-fraught climax of his novels. (He does this in his later books as well, of course. But these are the ones that had the most impact on me – and also are the novels where he was not entirely ignoring his editors).

Now, lots of authors I love use a similar technique. Sharon Kay Penman and Colleen McCullough both paint on enormous tapestries, and cut from person to person. In the structuring of my novels, they led the way.

But in war, Clancy is a master. He uses a great technique of cross-cutting, just as if he were writing a shooting script for a film. He offers a snippet of fighting or drama, then jumps to another place to show us another piece of the action. An added benefit to this is a building of tension – as the action ramps up, the scenes get shorter and shorter, giving the impression of speed. This style also provide a series of cliffhangers, keeping the reader turning pages to find out what happens to their favorite characters. One of the reasons my books are often complimented as being ‘cinematic’ is due to me aping Clancy in this regard. (Shakespeare does something similar, building to shorter and shorter scenes to build tension. It’s also a technique employed by Dan Brown, though I often find myself chortling at his hyper-dramatic cliffhangers).

Now that I think about it, I have to laugh – in The Four Emperors, I not only use this technique for three major sequences of warfare, but also for a Roman orgy, cross-cutting between the participants and their very different experiences. So I can affirm that it works both for warfare and group sex. I’ll leave the parallels up to others.

I’m risking making my readers too aware of my stylistic choices – it’s like knowing how they did the zero-gravity shots in Gravity, or how a magician pulls off a trick. It can pull you out of the moment, hurt your enjoyment of the piece. But form defines function. For most of my novels, the form has been as important as the plot – even if I know the story, I can’t write until I figure out the structure.

So, while I owe huge debts for plot, scope, character, and more to my fellow historical authors, I owe a massive debt of structure to Tom Clancy.

I’ve included an example from The Four Emperors – not from a battle, exactly (or a sex scene – sorry!), but rather from a street brawl that sets up a coming battle. I chose it because of the technique, and also as an introduction to some of the novel’s main characters (there are a few spoilers, though as we’re dealing with history here, nothing too shocking).

This is from Chapter Twenty-Three, where the army of Emperor Vitellius has lost to the army of General Vespasian. In despair, Vitellius has just tried to renounce the imperial power in the middle of the Roman Forum. The action begins with Vespasian’s brother and nephew hearing this news, and you’ll see the Clancy structure on full display. Enjoy! And thank you, Tom, for helping me find my way to excitement, in your writing, and my own.




“He did what?” demanded Old Sabinus, hurriedly donning his senatorial shoes.

“Tried to abdicate,” reported the senior consul Atticus, having rushed to inform Vespasian’s brother of the news.

“And what happened?”

“The crowd wouldn’t allow it. There was nothing any of us could do,” Atticus added impotently.

“The fool! That unmitigated idiot!” The old man rounded on his younger grandson. “See what comes of too much theatre?”

Sabinus said, “Is the crowd still there?”

“Yes, Titus Flavius.”

“Are they angry? Up in arms?”

“Actually, they seemed more – pitying.”

Old Sabinus rolled his eyes. “Romans! Fickle idiots! If they’re not swayed by their bellies, they’re listening to their emotions! Very well, come along. Gaius Quinctius, you and I will address the crowd, make them see this is what’s good for everyone.” Spotting Clemens and Domitian joining his train of senators, he pointed at Vespasian’s son. “Stay here! The last thing we need is for them to get a look at you chomping at the bit to be a Caesar! Coming, son?”

“Right behind you,” said Sabinus, though he lagged back of the other senators and when they started for the Forum, and darted off down a different cobblestone path.

“Evil old relic,” said Domitian as the gaggle of senators and knights left for the Forum.

“That evil old relic is off to secure your father’s supremacy,” Clemens pointed out fairly. “And he’s right. If he can convince the crowd to accept Vitellius’ abdication, then you’ll have a fourth name by nightfall – Caesar.”

Domitian’s ready grin was evidence that he had considered this, and was not at all opposed to the idea.

  

Amid the crush of revelers, Abigail walked along wearing one of her mistress’ finest gowns, feeling uncomfortable in the soft, expensive fabric. She was much more used to the rough simple clothes she made with her own hands, after the fashion of her people. But it was the Saturnalia. Despite the fact that she and her daughter did not worship Saturn, they were forced to take part in his celebrations.

A few steps behind, Domitia Longina strolled arm-in-arm with her boon companion, Verulana Gratilla, hugely entertained in their roles as slaves-for-a-day. Of course, the bundles they carried were not nearly as heavy as those she and Perel toted all the other days of the year. No, they were full of the little knitted figures that everyone shared at this time of year. The four women were out delivering them as gifts, mostly to men they were interested in making blush.

Last night, Abigail knew, Domitia had run in Vitellius’ naked hunt, and proclaimed her favourite ‘hunter’ was an ex-gladiator who had used her roughly. “My only regret is that my husband was not there to watch.”

Now, walking behind Abigail and Perel, chatting loudly in a way no servant ever would, Domitia spied a large party of senators and knights. “Is that Sabinus? Ecastor, there’s a catch! How did my ninny of a sister manage to let him wriggle out of her net?”

Abigail noted her daughter’s reaction to the name Sabinus. This was the noble Roman who had been the Lord’s instrument, saving her daughter from shame in that floating nightmare Nero had created. Looking at him now, Abigail liked what she saw. He had a good face, reflecting the good man she already knew lived within him.

“No sign of that son of his,” ventured Verulana, giggling like a much younger girl.

“Nor of his cousin, Domitianus,” said Domitia Longina wistfully.

“Are you still mooning over him? Stop wasting your time! He never answered your letters or invitations to dine. He clearly wants nothing to do with you.”

“Which only makes him more attractive,” said Domitia with determination.

“Or homosexual,” said Verulana scandalously. “My, Titus Flavius looks positively grim. Oh look, he’s meeting his father and the consul Atticus. They’re headed for the Forum!”

“To address the crowds!” exclaimed Domitia in delight. “Do you think…?”

“Yes, absolutely! This is the moment! Vitellius will abdicate!”

Domitia’s smile grew wicked. “Wouldn’t it be delicious to join them?” Respectable women were not allowed in the Forum Romanum.

Verulana glowed. “Scandalous. Our husbands would be furious.”

Domitia turned to look at her slaves. “Abigail, Perel, push ahead and join that group of men.”

“Domina,” protested Abigail, “we are only slaves…”

“You can say you were on the way to the markets and got lost. Now obey me!”

“Yes, domina,” bowed Abigail, trusting to the Lord that she and her daughter would not end the day crucified.

  

Sabinus caught up to his father as the party of senators was passing between the Carinae and the Capitoline Hill, just coming to the Basin of Fundanus. “Where have you been?” demanded Old Sabinus.

“Collecting some friends.” Sabinus stepped aside to reveal Mamercus Cornelius Martialus with three more urban centurions – Titus Didius Scaeva, Marcus Aemilius Pacensis, and Sextus Casperius Niger. They all saluted Old Sabinus, their commander. “We gathered the off-duty lads as best we could. Perhaps a hundred, maybe more.”

Old Sabinus huffed. “Does my son think I need a bodyguard?”

“Turnabout, pater. Besides,” added Sabinus, jerking his chin at the Basin of Fundunus where a collection of mean-looking men were lingering, “Vitellius’ friends have thronged the Forum. We need friends of our own.”

Old Sabinus saw the wisdom of this, even if he did not say so. “Just get me to the rostra so I can address the crowd. They’ll see sense.”

But their path into the Forum was blocked almost at once. A burly fellow stood in their path, the scars across his arms branding him a former gladiator. “This is a gathering of patriots, old man.”

“No greater patriot than I, Quirite,” replied Old Sabinus with uncommon respect, calling the man by the common title of citizen. “If you let me pass, I shall prove it.”

“Will you speak for Vitellius?” asked the gladiator suspiciously.

“I certainly will! I’ll say no more than he said this morning.”

That produced a growl from the crowd. “He was duped into that statement – duped by you!”

Old Sabinus shrugged. “If Vitellius is a fool, I did not make him one.”

Leaning in, Sabinus hissed, “Pater, don’t—”

But it was too late, the insult had given the gladiator cause. Poking a beefy finger into the elderly man’s chest, he declared loudly, “You are kin to a traitor, old man!”

Old Sabinus slapped the hand away and spoke in even more ringing tones. “I am a senator of Rome, you clod! I piss on you – you and all your friends! Now let me pass!” With his open hand, he pushed at the man’s shoulder.

The gladiator responded by slapping Old Sabinus across the face.

It was years since anyone had dared to strike the ancient senator. Shameful tears of rage and shock filled his eyes. His toothless mouth flapping incomprehensible curses, Old Sabinus bravely started again to walk into the Forum, shoving the man back.

This time the obstructionist raised a closed fist, only to find his hand engulfed by the larger, hairier hand of Mamercus. The swarthy centurion applied pressure, and the surprised ex-gladiator gasped and sagged to one knee.

That was when the gladiator’s friends came to his aid.

  

Domitia was pushing past Abigail for a better view. “Can you make out what they’re saying?”

Hands on Perel’s shoulders, Verulana stood upon her toes. “They’re accusing Old Sabinus of treason! Oh! Someone has struck him!”

The crowd began to surge in several directions at once. “A fight! A fight!” cried Domitia, hopping in delighted excitement.

“Oh wonderful!” Buffeted this way and that, Verulana used Perel as a shield as she tried to push forward to strike a blow herself.

Domitia shoved Abigail from behind. “Make yourselves useful! Hit someone!”

  

At the first sign of disrespect to Old Sabinus, the men from the urban cohorts joined Mamercus in pushing the Vitellian supporters back. Shoves led to fists, and soon an all-out brawl was taking place on the edge of the Forum.

A knot of Praetorians arrived. Some had fought for Otho, some were new conscripts added by Vitellius. Regardless, they all viewed the city guards with contempt. Their swords scraped free of their scabbards, and suddenly what had been a shoving match became a scene from a gladiatorial game, with blood flying into the air. But unlike in the arena, here only one side was armed.

Yet Praetorians were not hardened soldiers. Mamercus wrested a sword from a white-clad figure and expertly used it to clear a path. “This way!”

Sabinus grabbed the collar of his father’s tunic. “Pater! We must go!”

Unable to retreat due to the crowd, they escaped by the only path left to them – up the clivus Capitolinus, the winding stairs up to the Capitol.

  

“Oh look!” cried Verulana, pointing to a man with a crushed nose, his blood bubbling as he fought for breath.

Abigail and Perel saw their mistress’ expression transform from delight to terror. The sight of blood had killed all excitement in Domitia. The noble lady turned to flee, but they were penned in, with more bodies pushing them towards the fighting ahead.

The direction of the shoving shifted, and the four women found themselves carried up the Capitoline steps. “Run! Run!” shouted Verulana gleefully. Raising her skirts, she turned to offer the Vitellians an obscene pelvic thrust. “Pipinna!” She then fled up the remaining stairs towards an ancient gateway.

  

The marble steps were narrow, curving like a crooked finger near the top. Along one side were porticos of gods and famous Romans topped with cupids. Racing past an image of his own ancestor, the consul Atticus called back curses at the Vitellians: “Your master is an oath-breaker! A pleasure-seeking catamite, and a pawn of lesser men!”

Higher up the stairs, the knot of senators containing Sabinus and his father reached the Capitoline gate. Their slippered feet pounded up the stone ramp that led to the top. Irony of ironies, high above them Nero drove his four-horsed quadriga into the sky, while images of battles and great victories and foreign submissions played out all across the marble monument. This was the Arch of Corbulo.

Passing under the arch, they emerged into the open air of the Mons Capitolinus. Several temples flanked the central altar, and at the north end, towering above the rest, stood the great Temple of Jupiter Optimus Maximus.

Dodging around massive obelisk and passing the rough stone altar, Sabinus shouted, “Into the Temple!”

Startled Capitoline slaves jumped back and fled from the sudden influx of men as Mamercus waved the senators and city guardsmen up the wide staircase, into the great god’s home.

Two hundred feet deep and slightly less wide, set behind eighteen columns all several times thicker than a man, Jupiter’s temple easily contained the refugees. The thirty foot high ceiling reverberated the frantic gabbling into a deafening cacophony. Of the nearly two hundred men, half were senators and knights, the rest were city guards.

And four were women. Verulana entered the great god’s temple with a flushed and smiling face. “What fun!”

Hair falling from her pins, Domitia ran inside, panting. Perel entered, looking wide-eyed at their surroundings.

Behind her, Abigail came to a sudden stop, her flesh crawling. This was the home of the Roman’s greatest god. The pillars from floor to ceiling were hung round with shields and weapons of varying types – spears, axes, swords, and things she didn’t even have a name for. Gilt letters spelling IOM were everywhere. The god himself was seated in Greek style, fashioned of ivory and gold. He held a thunderbolt high, as if ready to strike her dead.

Abigail had traveled the world with her Symeon, hidden in caves and dined with princes. She had seen the prisons he had inhabited, and lived in the wilds when they were being hunted by their own people. But this was the most frightening place she had ever seen. Would the Lord forgive her presence here? Would the Roman god strike her dead for trespassing? And what about Perel? Quickly Abigail dragged her staring daughter behind a pillar, out of view of the idol, and together they knelt to pray.

“Shut those doors!” commanded Sabinus to the slaves at the two side entrances as he and Mamercus closed the huge main doors with a resounding ‘clang.’

  

The Vitellian mob checked at the temple steps. Unlike Greeks and Jews, Romans did not believe in religious sanctuary. But it was sacrilege to shed human blood within the shrine to Jupiter Best and Greatest. Unsure what to do, the Vitellians opted to pull back and throw up a loose cordon around the bottom of the hill, penning the Flavians at its peak until their unwilling leader could decide what to do with them.

  

With Mamercus at his elbow, Sabinus quickly took charge. He stationed the soldiers of the city cohort at the doors. Gesturing to the shields on the columns, Sabinus ordered the more panicky senators to take them down, just to give them something to do.

Walking through the temple, looking at entrances and trying to formulate a plan, Sabinus paused in surprise when he spied the young Jewess, Domitia’s girl. “Jupiter! Perel, isn’t it?”

Domitia looked up in surprise as the slave girl blushed, clearly surprised and embarrassed to be recognized. “It is, Titus Flavius.”

Domitia said, “You know my girl?”

“We met a couple years ago,” said Sabinus briefly. “What on earth are you doing here?”

“We were enjoying the Saturnalia and got caught in the crowd.”

Sabinus nodded. “I’m sorry you were caught up in our folly.” Then he smiled at Perel. “No quick escape this time, I’m afraid.”

Perel smiled back at him, the asymmetry of her expression at once comic and tragic. “You will think of something, domine.”

“I wish I had your faith.” Sabinus noted Abigail. “Is this..?”

“My mother, Titus Flavius.”

“Well met. Again, I apologize for the circumstances. Forgive me, there are things I must see to.” Sabinus spent the next few minutes rounding up the temple slaves and freedmen, those charged with care of the temples. Temples were not just religious houses. Rome’s religion was inextricably mixed with the government. Thus temples did the state’s business, and civil servants plied their days under the gaze of the divinities that had jurisdiction over their work.

Collecting the servants between two massive pillars, Sabinus issued brisk instructions. “Go into the basement and bring up any usable weapons.” The temple was the repository of hundreds of years of gifts from foreign kings and despots, hoping to make nice with Rome. For once their gifts would prove useful. “Then make sure there is water for everyone, and start storing it in basins, in case they try to cut off the spring. Move!”

As they scampered away, Sabinus leaned close to Mamercus. “How am I doing?”

“Better than this summer,” said the veteran frankly. “There, you were playing the part of commander. Now you’re issuing commands, which is what a commander does.”

Sabinus smiled wanly. “Here, I know what we’re fighting for.”

“Our lives, you mean?” Mamercus laughed. “It does clear the mind, doesn’t it?”

“Senator!” called one of the urban guardsmen. “I think they’ve gone!”

Plucking a spear down from a wall, Sabinus had them open a door. Taking a deep breath, he ventured cautiously out and saw that the mob of Vitellians had retreated from the hilltop. There were at least a thousand Praetorians milling around below.

Mamercus quietly fed suggestions to Sabinus, who issued them as orders. “Marcus Aemilius, take twenty men and guard the gate we came through. Titus Didius, do the same for the gate at the southwest corner. Atticus, please begin searching the other temples for more weapons.”

The ancient wall encircling the hill had seven watchtowers – though by the modern standards they could barely be called towers, hardly higher than the wall itself. Sabinus divided the remaining men from the urban cohort to stand along the wall as look-outs.

In titular command of these cohorts, Old Sabinus stood nodding as though the orders were his own. He was still shocked from his treatment, and dazed from the run up the narrow stone stairs. But as he recovered himself, he began to protest. “Surely when Vitellius hears, he’ll call them off. We had a bargain!”

Sabinus squeezed his father’s shoulder. “Until he comes to his senses, best we defend ourselves and not rely on him.” As Old Sabinus stalked off, muttering, Sabinus wondered how his father had become so small. To Mamercus he said, “My father’s used to getting his way.”

“Don’t I know it,” replied Mamercus wryly. “I sure as certain didn’t want to go north with Otho and some young noble wet behind the ears. But he was right to keep you alive. Rome needs you.”

Sabinus was utterly humbled. But before he could stammer out some reply, Mamercus said, “Now, let’s secure the other gate.”

“What other gate?”

“The one to the Asylum.”

“Cacat!” Sabinus had forgotten the hill’s third entrance. “Let’s take a look.”

The Capitoline Hill was actually two mounds, with a low saddle connecting them. Jupiter’s Temple was on the large southern peak, while the smaller northern peak held temples to lesser gods – including, amusingly, the temple to Venus Erucina, the protectress of whores. The northern mound was called the Arx of the Capitoline, and the dip between the two was known as the Asylum.

Traditionally, the Asylum was a place of inviolable safety, where a man could dwell without fear of assault or detention.

A marble walkway linked the two rises. At the center of the walkway, stairs led down both sides. Sabinus had used them hundreds of times to get from the Forum to the Tiber’s banks. “If I’d been thinking, we could have escaped this way.”

“And been hunted down later, individually,” said Mamercus. “No use second guessing. Besides, no escape now.” At the bottom of the stairs on both sides, Praetorians had taken up watch.

“Find twenty men and seal this gate, too.” Sabinus noticed Mamercus frowning at the ancient wall above them. “What’s the matter?”

“Romulus built this wall. It’s been centuries since there’s been a real threat.”

“Is the wall weak?”

Mamercus slapped a huge block of tufa stone. “Hardly. They knew their business. No, the problem is that.” Mamercus pointed at the private homes that butted up against the wall’s far side.

Still Sabinus didn’t understand the problem. In a city where housing was an ever-growing concern, the state had made a tidy profit leasing this area for private homes. “They’re houses.”

“They’re higher than the wall, and offer a perfect view down. A great place to leap over the wall and take us unawares.”

Sabinus had an ugly moment of shock. “This isn’t very defensible, is it?”

“Not with less than two hundred men,” agreed Mamercus. “Our best hope is what your father said – Vitellius orders them off. That, or their awe of Jupiter will keep them away.”

“It’s pretty to think so,” said Sabinus. “But no one respects the gods anymore.”

About the Tour

Link to Tour Schedule: http://hfvirtualbooktours.com/thefouremperorstour
Twitter Hashtag: #FourEmperorsTour
David Blixt's website
David Blixt on Facebook
David Blixt on Twitter

About COLOSSUS: THE FOUR EMPERORS

Publication Date: April 7, 2013
Sordelet Ink
Paperback; 406p
ISBN-10: 061578318X

Rome under Nero is a dangerous place. His cruel artistic whims border on madness, and any man who dares rise too high has his wings clipped, with fatal results.

For one family, Nero means either promotion or destruction. While his uncle Vespasian goes off to put down a rebellion in Judea, Titus Flavius Sabinus struggles to walk the perilous line between success and notoriety as he climbs Rome's ladder. When Nero is impaled on his own artistry, the whole world is thrown into chaos and Sabinus must navigate shifting allegiances and murderous alliances as his family tries to survive the year of the Four Emperors.

The second novel in the Colossus series.

About the Author

Author and playwright David Blixt's work is consistently described as "intricate," "taut," and "breathtaking." A writer of Historical Fiction, his novels span the early Roman Empire (the COLOSSUS series, his play EVE OF IDES) to early Renaissance Italy (the STAR-CROSS'D series, including THE MASTER OF VERONA, VOICE OF THE FALCONER, and FORTUNE'S FOOL) up through the Elizabethan era (his delightful espionage comedy HER MAJESTY'S WILL, starring Will Shakespeare and Kit Marlowe as inept spies). His novels combine a love of the theatre with a deep respect for the quirks and passions of history. As the Historical Novel Society said, "Be prepared to burn the midnight oil. It's well worth it." Living in Chicago with his wife and two children, David describes himself as "actor, author, father, husband. In reverse order."

For more about David and his novels, visit www.davidblixt.com.

Monday, September 30, 2013

Songs of Willow Frost by Jamie Ford

It seems hard to believe but it is more than 3 years since I read Jamie Ford's excellent debut novel Hotel on the Corner of Bitter and Sweet. Ever since that time I have been waiting with a high degree of expectation for his follow up effort.

Once again, Ford has chosen to set his story in Seattle and to feature Asian characters in difficult situations. Whereas in Hotel it was World War II Seattle, this time he has cast his eye further back to the 1920s and 30s. This was a time of tremendous change and upheaval: the fledgling movie industry is changing entertainment in a way that continues to develop even now, the stock market crash is on the horizon, there is prohibition and the Charleston is the dance of choice.

For anyone who is of a minority race though and particularly for a woman without societal support, this is a hard time to get by and it is this element that provides a lot of the background for the story. The story starts in 1934 when we are introduced to a young boy named William Eng. He lives in a Catholic orphanage, and he is destined to live there until he comes of age. He believe that his mother is dead, has never known his father so he cannot be released from the orphanage into their care and he knows that no one is going to want to adopt a Chinese boy. He has only a couple of friends in the home - Charlotte, a blind girl with a traumatic past, and Sunny, a native American boy.

As a birthday treat, he goes to the movies with some of his classmates and whilst there he sees a woman on the big screen who he believes could be his mother. When he finds out that she is travelling to Seattle, he is determined that he is going to get to meet her and so he sneaks out to the theatre.

When he does meet Liu Song Eng, who is now known as Willow Frost, we hear her story of how she came to be a single woman with a child, considered to be a fallen woman by everyone in her community, and how it was that she gave William up. If there was one word that I would use to describe Willow's life it would be depressing. When Willow's mother dies, her lecherous husband Uncle Leo not only brings in his first wife who treats Willow appallingly but he also makes advances on her. It is a time where a woman has no rights, so Uncle Leo can take all of the money that she earns and she has no recourse at all, and if she loses her job singing for tourists it is highly unlikely that she will be able to easily gain another.

Once Willow gives birth to William, she is determined to keep her baby, and she has high hopes of being able to achieve her dreams of a life with a debonair man who pays court to her named Colin. With the effects of the Great Depression being felt at every level of society, and when dream after dream is destroyed Willow gets to the point where she feels like there is no other way out but to give up her child.

One of the details that I found fascinating in the narrative was the idea that a young Chinese woman could lose her American citizenship if she married a Chinese national. This was something I hadn't heard of before.

I know when I read a book set in Melbourne I love the idea of seeing the familiar places and names. There is no doubt that Ford has done an incredible amount of research into historical Seattle so if you are familiar with that city I imagine that there would be an additional degree of impact for you. Similarly, there is a lot of fascinating details about the young film making industry and the films that were being filmed in Seattle during the 1920s. Something I did know but had reiterated through the story was the way it was difficult for any minority actor to get a break in the movies when so many of their roles were played by caucasian actors.

There were elements though that didn't work as well as I would have liked. I felt that there wasn't a lot of nuance in relation to some of the secondary characters. Uncle Leo was an out and out villain without a single redeeming feature. His wife felt like a caricature rather than a real character as did some of the nuns and the social worker sent to judge Willow on how well she can provide for her son both financially and morally.

I didn't feel as though I engaged as much with the characters as I could have which is a bit of shame because there was a lot to like in the book. I just wish that I had of been able to get lost in the world that Ford has created.

Rating 3.5/5


Tour Details

Link to Tour Schedule:http://tlcbooktours.com/2013/06/jamie-ford-author-of-songs-of-willow-frost-on-tour-october-2013/
Jamie Ford's website.
Jamie Ford on Facebook
Jamie Ford on Twitter.

About the book

From Jamie Ford, the New York Times bestselling author of the beloved Hotel on the Corner of Bitter and Sweet, comes a much-anticipated second novel. Set against the backdrop of Depression-era Seattle, Songs of Willow Frost is a powerful tale of two souls—a boy with dreams for his future and a woman escaping her haunted past—both seeking love, hope, and forgiveness.

Twelve-year-old William Eng, a Chinese American boy, has lived at Seattle’s Sacred Heart Orphanage ever since his mother’s listless body was carried away from their small apartment five years ago. On his birthday—or rather, the day the nuns designate as his birthday—William and the other orphans are taken to the historical Moore Theatre, where William glimpses an actress on the silver screen who goes by the name of Willow Frost. Struck by her features, William is convinced that the movie star is his mother, Liu Song.

Determined to find Willow and prove that his mother is still alive, William escapes from Sacred Heart with his friend Charlotte. The pair navigate the streets of Seattle, where they must not only survive but confront the mysteries of William’s past and his connection to the exotic film star. The story of Willow Frost, however, is far more complicated than the Hollywood fantasy William sees onscreen.

Shifting between the Great Depression and the 1920s, Songs of Willow Frost takes readers on an emotional journey of discovery. Jamie Ford’s sweeping novel will resonate with anyone who has ever longed for the comforts of family and a place to call home.