Showing posts with label 17th-century. Show all posts
Showing posts with label 17th-century. Show all posts

Monday, November 17, 2014

The Bitter Trade by Piers Alexander

I was drawn to this book by the cover and having read the synopis expected a book about the importation of coffee in the seventeenth century.

Instead the book was about a young man, called Calumny living with his family in rural England during the terbulance of the seventeenth century, the removal of James II and the installation of William of Orange.

Calumny has a hatred for his father, He can not understand why they live in the middle of nowhere, why he can not read and why he not allowed to learn a trade that will enable him to leave his family home and become his own person.

Very little is known of his father's background, but before long a visitor from his father's past arrives and with them a set of decisions to be made and Calumny has to find a way to undestand and deal with the secrets of his father.

Overall, I was a little disappointed there was not more details of coffee trading, but overall this was a good storyline. There was a little disjoinedness between the historical facts, but nonetheless this was an enjoyable read and this is a book I would recommend and I am looking forward to the sequel.

To whet your appetite here is an excerpt from the book

"In 1688, torn by rebellions, England lives under the threat of a Dutch invasion. Redheaded Calumny Spinks is the lowliest man in an Essex backwater: half-French and still unapprenticed at seventeen, yet he dreams of wealth and title.

When his father’s violent past resurfaces, Calumny’s desperation leads him to flee to London and become a coffee racketeer. He has just three months to pay off a blackmailer and save his father’s life – but his ambition and talent for mimicry pull him into a conspiracy against the King himself. Cal’s journey takes him from the tough life of Huguenot silk weavers to the vicious intrigues at Court. As the illicit trader Benjamin de Corvis and his controlling daughter Emilia pull him into their plots, and his lover Violet Fintry is threatened by impending war, Cal is forced to choose between his conscience and his dream of becoming Mister Calumny Spinks."


About the author.
This is a debut novel from Piers Alexander and you can read a little about him as well as following via various social media channels.

Piers Alexander is an author and serial entrepreneur. After a successful career as CEO of media and events companies he became a Co-Founder and Chairman of three start-up businesses. In 2013 he was awarded the PEN Factor Prize for The Bitter Trade. He is currently working on the sequel, Scatterwood, set in Jamaica in 1692.

For more information visit Piers Alexander’s website. You can also find him on FacebookTwitter, and Goodreads.

The Bitter Trade has been on a book tour for the last month and today marks the end of the tour. You can read the reviews from other readers by clicking the relevant links below:

Monday, October 13
Spotlight at Literary Chanteuse

Tuesday, October 14
Spotlight & Giveaway at Passages to the Past

Wednesday, October 15
Interview at Back Porchervations
Guest Post at Historical Tapestry

Thursday, October 16
Spotlight & Giveaway at Peeking Between the Pages

Monday, October 20

Tuesday, October 21

Wednesday, October 22

Thursday, October 23

Tuesday, October 28

Wednesday, October 29
Spotlight at Unshelfish

Thursday, October 30
Review at Broken Teepee

Saturday, November 1

Monday, November 3
Review at Book by Book
Review & Interview at Dab of Darkness

Tuesday, November 4
Spotlight at CelticLady’s Reviews

Wednesday, November 5
Review at Turning the Pages
Guest Post at Just One More Chapter

Thursday, November 6
Spotlight at Let Them Read Books

Monday, November 10
Review at A Book Geek

Tuesday, November 11
Review at Book Nerd

Wednesday, November 12
Spotlight at Layered Pages

Friday, November 14
Review at Anglers Rest
Review & Giveaway at Booklover Book Reviews

The book tour was hosted by Amy at Historical Fiction Book Tours and this review appearred at Anglers Rest last week.

Friday, June 13, 2014

Fact Fiction Friday ~ Mayflower

Continuing our new and regular feature here at Historical Fiction.  

Each Friday we will publish an historical fact based upon the date. Each fact will be accompanied by a book(s) title and perhaps a review or other snippet.

13th June 1957. Today marks the anniversary of Mayflower II reaching Plymouth Mass, USA having sailed from Plymouth England and by coincidence is about forty miles of where I sit writing this post.

Voyage of Mayflower II, The by Warwick…Today I am giving two books. Firstly this one which is an account of the second voyage in 1957. 

The voyage of Mayflower II by Warwick Chartlon.

Of Plymouth Plantation 1620 - 1647 by…The second book is Of Plymouth Plantation 1620 - 1647 by William Bradford. 

Saturday, May 10, 2014

The Shadow Queen by Sandra Gulland


When Claudette des Oeillets first meets the young girl Mademoiselle de Tonnay-Charente, who will in future be known as Athenais de Montespan, it is a chance encounter. After all Claudette is from a poor travelling theatre family, trying their best to get by in 17th century France and Athenais is the girl who in due course will become 'The Shadow Queen', mistress to Louis XIV of France.

Claudette is forced to grow up quickly, taking responsibility for her mother who barely seems to be able to hold it together unless she is on stage performing where she is exceptional, and also for her brother Gaston who is disabled. Whilst her mother is onstage performing plays by the most notable playwrights of the day, Claudette does anything and everything that she can to bring in a few extra sous to help make ends meet from cleaning and sewing to the occasional small onstage part. Claudette's story provides the viewer with ringside seats in the volatile world of French theatre, a world peopled by playwrights like Racine, Corneille and Moliere, the actors and actresses as well as all the fans from all walks of life.

I found much of the theatre aspect of the book very interesting, mainly because I don't remember reading a lot about the complex political and religious implications of theatre at this point of time. I was surprised by how badly any one associated with the theatre were treated by the church of the time - not allowed to enter the church or have communion and therefore if they died without renouncing the theatre unable to be buried in holy ground. And yes, despite these efforts to ostracise the performers and their families, there were still many actors and actresses who attracted many fanatics (from where we get some of our modern concepts of fandom), even from among the aristocracy. It is an interesting dichotomy.

Claudette's life changes immeasurably when she moves from the theatre world to the court of Louis XIV after she is appointed as the personal attendant and confidante to Athenais de Montespan, wife to a nobleman, mother of his children who live with him in another country but more importantly mistress to the king, and mother of his children. Athenais is desperate to protect her place as the king's main squeeze, resorting to charms and potions to keep his attention from wandering too far away and Claudette is a key player in helping her with this objective. This  ends up with Claudette being caught up in the Affair of the Poisons which rocked the royal court of the day.

I think that the publishers and marketers missed the mark with this book in a way. Firstly, in relation to the title, I must confess I am not 100% sure of the logic behind giving a book a title that actually doesn't relate to the main character. Sure, Athenais is the shadow queen but the reality is that the book is not about Athenais. It is about Claudette. Yes, for a large portion of the book Athenais is pretty much Claudette's main focus but as a title it didn't work that well for me.

The same could be said of the synopsis. Yes, all the things that are mentioned in the synopsis did happen but I was a little disappointed by how little depth there was when it came to some of those events. For example, in the synopsis it talks about the "increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France". Whilst there was a confrontation I don't think I got the increasingly uneasy vibe let alone anything more. And if you google Claudette's name you will find that she was (in)famous for one thing and yet that was mainly inferred rather than explored and how that all came about felt a bit odd to be honest!

It is a bit disappointing to feel this way about this book, especially seeing as I did find many things in it interesting. I was a big fan of the Josephine B trilogy, and I liked Mistress of the Sun (just not quite as much) and as such I got excited when I learned that the author had a new book out. I think that will probably be still true for her next book but I do wonder how high I should set my expectations. Of course, maybe my reaction is tempered by the fact that in addition to not doing any blogging I haven't been reading much at all. Maybe this is just as much about me as it was about the book.

Rating 3.5/5

About the Book


From the author of the beloved Josephine B. Trilogy, comes a spellbinding novel inspired by the true story of a young woman who rises from poverty to become confidante to the most powerful, provocative and dangerous woman in the 17th century French court: the mistress of the charismatic Sun King.

1660, Paris

Claudette’s life is like an ever-revolving stage set. From an impoverished childhood wandering the French countryside with her family’s acting troupe, Claudette finally witnesses her mother's astonishing rise to stardom in Parisian theaters. Working with playwrights Corneille, Molière and Racine, Claudette’s life is culturally rich, but like all in the theatrical world at the time, she's socially scorned.

A series of chance encounters gradually pull Claudette into the alluring orbit of Athénaïs de Montespan, mistress to Louis XIV and reigning "Shadow Queen." Needing someone to safeguard her secrets, Athénaïs offers to hire Claudette as her personal attendant.

Enticed by the promise of riches and respectability, Claudette leaves the world of the theater only to find that court is very much like a stage, with outward shows of loyalty masking more devious intentions. This parallel is not lost on Athénaïs, who fears political enemies are plotting her ruin as young courtesans angle to take the coveted spot in the king's bed.

Indeed, Claudette's "reputable" new position is marked by spying, illicit trysts and titanic power struggles. As Athénaïs, becomes ever more desperate to hold onto the King's favor, innocent love charms move into the realm of deadly Black Magic, and Claudette is forced to consider a move that will put her own life—and the family she loves so dearly—at risk.

Set against the gilded opulence of a newly-constructed Versailles and the War of Theaters, THE SHADOW QUEEN is a seductive, gripping novel about the lure of wealth, the illusion of power, and the increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France.

Friday, January 31, 2014

Fact Fiction Friday ~ Gunpowder, Treason and Plot!


Continuing our new and regular feature here at Historical Fiction.  

Each Friday we will publish an historical fact based upon the date. Each fact will be accompanied by a book(s) title and perhaps a review or other snippet.







Faith and Treason: The Story of the…31st January 1606 ~ Guy Fawkes, the Orchestrator for plotting against Parliament and King James was executed today. The book to accompany today's fact is Faith and Treason: The Story of the Gunpowder Plot by Antonia Fraser



Friday, November 29, 2013

The Prodigal Son (Graham Saga Book 3) by Anna Belfrage

This third instalment in the trilogy finds Matthew returned from the plantations. Back in Scotland the relationship with his brother continues to rage in an unhealthy manner, alas that is not the only consideration.

This book is set in the period where we see Charles II restored to the throne and the Country embarking of a period of social, economical and political unrest.

Meanwhile, Alex is frightened as to what the future holds for them and finally issues Matthew with an ultimatum. What will he do?

Reflecting over the trilogy, this book, as with second in the series can be read as standalone books, although the background is entwined within the story line of this book.

Anna has a delightful website where you can read about the series and download the few chapter in a PDF file.


About the Author

I was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result I’m multilingual and most of my reading is historical – both non-fiction and fiction.

I was always going to be a writer – or a historian, preferably both. Instead I ended up with a degree in Business and Finance, with very little time to spare for my most favourite pursuit. Still, one does as one must, and in between juggling a challenging career I raised my four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive … Nowadays I spend most of my spare time at my writing desk. The children are half grown, the house is at times eerily silent and I slip away into my imaginary world, with my imaginary characters. Every now and then the one and only man in my life pops his head in to ensure I’m still there. I like that – just as I like how he makes me laugh so often I’ll probably live to well over a hundred.

I was always going to be a writer. Now I am – I have achieved my dream.

For more information, please visit Anna Belfrage’s WEBSITE.

Click the links to read my reviews for other books in the series

Book 1 - A Rip in the Veil 
Book 2 - Like Chaff in the Wind
Book 3 - The Prodigal Son
Book 4 - New Found Land - Coming soon!

Friday, October 4, 2013

Like Chaff in the Wind (Graham Saga Book 2) by Anna Belfrage

Having read and reviewed book one in the series; you can read that review HERE.

The second book in the series set out with Matthew in Edinburgh. There has been bad feeling between him and his brother and much damage has been done to their relationship, to the point of no return.

In Edinburgh, things take a turn for the worse, as Matthew is captured and sold off as an indentured servant to spend his days on the plantations of the Colonies.

Alex is desperate to be reunited with her husband, but does she manage it? As I turned each page I was really caught up with the story line. Does Alex become reunited with her beloved Matthew? - you will have to read the book to find out!

Again, a well laid out plot which has received much research. I just wondered as I read the sentence that explains the indentured ship crossing the Atlantic, when did the ocean receive it's name? There were a few scenes that made me question the plot, but I decided that it was important to not look at the events of the 1600's with a 21st Century mind. I really enjoyed this book and am very glad that I did decide to read them in the published order and am looking forward to reading and reviewing the finale in the series.

Anna has a delightful website where you can read about the series and download the few chapter in a PDF file.

About the Author


I was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result I’m multilingual and most of my reading is historical – both non-fiction and fiction.I was always going to be a writer – or a historian, preferably both. Instead I ended up with a degree in Business and Finance, with very little time to spare for my most favourite pursuit. Still, one does as one must, and in between juggling a challenging career I raised my four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive … Nowadays I spend most of my spare time at my writing desk. The children are half grown, the house is at times eerily silent and I slip away into my imaginary world, with my imaginary characters. Every now and then the one and only man in my life pops his head in to ensure I’m still there. I like that – just as I like how he makes me laugh so often I’ll probably live to well over a hundred.
I was always going to be a writer. Now I am – I have achieved my dream.

For more information, please visit Anna Belfrage’s WEBSITE.

I shall be back next week with the review of the final book in the series as part of the book tour for book three.



See others participating in the Book Tour HERE

Disclaimer- I was provided with a copy of the book in exchange for an honest review.


Tuesday, October 1, 2013

A Rip in the Veil (Graham Saga Book 1) by Anna Belfrage

A little while ago I was given the opportunity to review the 3rd book in the Graham Sage by Anna Belfrage. As I read the synopsis I discovered a problem; I had not read the first books in the series. So my response was I would love to read the third book, but I would also read and review the first two in the series.

After a few days the books arrived and I started to read. Lately I have been in a reading slump. Over the years I have periodically stopped reading, recharged my batteries and started again. This time my recommencement in reading coincided with the arrival of these three books and I was hooked from the start.

 There was something very readable about this book. From the first sentence I was hooked, and that enthusiasm for a book, or in this case three books has not happened for a while, a very long while and even my favourite authors had not reinvigorated my reading.

We start the scene with Alex, driving along when she is caught up in a severe thunder storm. As the storm rages Alex is thrown together with the second central character of the book, Matthew. The problem is that Alex and Matthew both exist, but 300 years apart.

Set in both Scotland and America, Alex is a modern woman living in a past time where outspoken women were not encouraged, and women were meek, mild and knew their place. Matthew on the other hand knows that Alex is trouble, she is outspoken and he believes a woman before her time, if only he knew!

There is a similarities between this series and the popular series by Diana Gabaldon; that is not a negative. Anna has researched thoroughly and delivered a wonderful themed story that simply drives you to keep reading and move across to the following books in the series.

Anna has a delightful website where you can read about the series and download the first chapter in a PDF file.

About the Author
I was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result I’m multilingual and most of my reading is historical – both non-fiction and fiction. I was always going to be a writer – or a historian, preferably both. Instead I ended up with a degree in Business and Finance, with very little time to spare for my most favourite pursuit. Still, one does as one must, and in between juggling a challenging career I raised my four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive … Nowadays I spend most of my spare time at my writing desk. The children are half grown, the house is at times eerily silent and I slip away into my imaginary world, with my imaginary characters. Every now and then the one and only man in my life pops his head in to ensure I’m still there. I like that – just as I like how he makes me laugh so often I’ll probably live to well over a hundred.

I was always going to be a writer. Now I am – I have achieved my dream. For more information, please visit Anna Belfrage’s WEBSITE.

I shall be back a little later in the week with the review of the second book in the series before joining the book tour for book three.
The Prodigal Son_Tour #2 Banner_FINAL.png

Friday, September 6, 2013

Andrea Zuvich on Why I Love the Stuarts of the Seventeenth Century

Today we are pleased to welcome author Andrea Zuvich to Historical Tapestry to tell us when she loves the Stuarts!

~~~~~~~~~~~~~~

When I was growing up, I loved Early Modern history so much, that I knew I wanted to be a historian very early on. As a romantic, shy girl, I loved the tragic story of Henrietta Maria and Charles I, and I swooned when I read about the dashing Cavaliers during the English Civil War. I daydreamed about Stuart men such as Rupert of the Rhine, the Duke of Monmouth, James II, and William III. I would blush at the bawdy poetry of John Wilmot, 2nd Earl of Rochester, and laugh with Molière's comedies. I adored The Three Musketeers, novels written by 19th-Century writer Alexandre Dumas. I was thirteen when the Leonardo DiCaprio version of The Man in the Iron Mask came out in theatres, and I was mesmerised by the dichotomy between Louis XIV’s opulent French Baroque court and the hard toil of the peasants.

As Louis XIV was enjoying his autocratic powers in France, across the Channel there was an equally fascinating royal line in England - the Stuarts. This tragic dynasty has fascinated me for years, but I never thought that my passion for their history would lead to my writing historical fiction. At first, writing evolved out sheer frustration. I had been working at a palace in London, and visitors would come up to me and ask questions about the history of the palace and the people who had once inhabited it. They were constantly getting Mary, Queen of Scots completely confused with Mary II, or trying to relate a room’s history to a Tudor, so that is what spurred me to write. I figured that more people want to read a fictionalised depiction rather than an academic study. That being said, I try to keep my work as historically accurate as possible, without bashing people on the head with historic details. But then I ran into the hurdle of the market…

I still find it really sad to get rejections from publishers with the line, “though your story seems very interesting, we cannot be sure we can successfully market a book set in the 17th-century or about the Stuarts” (!) What is it about the 17th-century that makes both readers and publishers go cold? I have asked, and it’s usually the following:


        “The 17th-century is boring. Nothing cool ever happened in it.”


        “I’m happy with the Tudors, nothing else can come close to them.”



Elizabeth I died in 1603, ending the Tudor dynasty and causing the Stuart dynasty in England to begin. No fewer than seventeen of Shakespeare’s plays debuted during the Seventeenth Century, and throughout the period there were massively important political changes. Some of the biggest consequences of the English Civil War were the beheading of King Charles I, the abolition of the monarchy and the Interregnum and Commonwealth under Oliver Cromwell. Indeed, it is lamentable that the joy in life seems to have been sucked out of England during Cromwell’s time, and this decade of Puritanism has tainted the public’s perception of the whole century. For after Cromwell’s death, everything changed again during the Restoration of the monarchy: this period is full of colour, seduction, the arts flourished once again, and it’s just amazing to learn and write about. Boring? Nothing could be further from the truth!

The Tudors were indeed a fascinating lot, but their stories have been told – repeatedly. There are so many other interesting royal dynasties to read about, and the Stuarts are definitely one of them. The Stuarts – or Stewarts – were a Scottish dynasty, but my favourite part of their line is from James I-Anne I, and these people ruled during the Seventeenth Century. In these Stuarts, we see a great deal of family in-fighting: daughter against father, uncle against nephew, and they circled each other warily, and cruelly, at times. The ebullient Charles II is probably the most well-known of the Stuarts, and with good reason. His lust for life was rather endearing, and he is most famous for the many mistresses he had and the debauched court he presided over.

James Scott, Duke of Monmouth
Image credit: Philip Mould and Company
In my debut novella, His Last Mistress, I chose to tell the lesser-known tale of Charles II’s eldest son, James Scott, Duke of Monmouth and Buccleuch, and the relationship which was to be his greatest, and last. The focus of his affections, Lady Henrietta Wentworth, has been almost completely forgotten by us all, and I wanted their tragic love story to be remembered. Monmouth, or Jemmy as he is affectionately referred to, was a larger-than-life character, brimming with boundless energy like his father, devastatingly handsome, lascivious, reckless, passionate, and doomed. Compelled into rebellion against his uncle, James II, by his own ambition and manipulation by dangerous exiles, he led Monmouth’s Rebellion, which ended not only his life, but also the lives of the men who followed him. Those who were not executed, faced deplorable lives in the West Indies, enslaved.

I recently gave a speech about the Duke of Monmouth at the site of his execution on Tower Hill, London. It was the 328th anniversary of his horrifically botched execution, and those who joined me were fascinated by this man’s colourful yet woeful story. I lay flowers upon the site of his execution and also upon his tomb inside the Chapel of St. Peter ad Vincula in the Tower of London, where he rests beside the remains of Catherine Howard and Anne Boleyn. As I waited to go inside the chapel, some tourists asked why I had flowers. “For the Duke of Monmouth,” said I. “Who’s that?” they replied. Again it hit me how few people have even heard of Monmouth, of the Stuarts, of the people who helped shape the world we live in today.

Lady Henrietta Wentworth
Image Credit: National Portrait Gallery London
The Stuart period is simply too full of action, adventure, passion, chaos, violence, beauty, tragedy, superstition, reason, and monumental changes to the socio-political pattern of the United Kingdom, to be ignored. If through my books, and those of my colleagues, more people will become interested in the 17th-Century, that would be wonderful!

I will be releasing a historical horror novel for this Halloween, entitled, The Stuart Vampire, and hopefully in December or in 2014, my novel, William & Mary. Once those are completed, I will write about Rupert of the Rhine, and get back to dear Monmouth in a full-length novel prequel of His Last Mistress, which I hope to name, Jemmy.

If you’d like to learn more about this time and discover its rich music, history, literature, art, and more, please visit my website, The Seventeenth Century Lady.




Tour details

Link to Tour Schedule: http://hfvirtualbooktours.com/hislastmistresstour/
Twitter Hashtag: #HisLastMistressTour
Andrea Zuvich's website - 17th Century Lady
Andrea Zuvich on Twitter
Andrea Zuvich on Facebook

About the book
Set in the tumultuous late 17th Century, His Last Mistress tells the true story of the final years of James Scott, the handsome Duke of Monmouth, and his lover Lady Henrietta Wentworth.

As the illegitimate eldest son of King Charles II, the Duke is a spoiled, lecherous man with both a wife and a mistress. However, this rakish libertine is soon captivated by the innocence of young Lady Henrietta Wentworth, who has been raised to covet her virtue. She is determined to spurn his advances, yet she cannot deny the chemistry between them. Will she succumb? At the same time, the Duke begins to harbour risky political ambitions that may threaten not only his life but also that of those around him.

His Last Mistress is a passionate, sometimes explicit, carefully researched and ultimately moving story of love and loss, set against a backdrop of dangerous political unrest, brutal religious tensions, and the looming question of who will be the next King.

Thursday, September 5, 2013

His Last Mistress by Andrea Zuvich

It is no great secret that I love to read about the court of the Merry Monarch, Charles II. I wouldn't have wanted to be married to him, or to even have been one of his inner circle, but I love reading about his court, about him bringing back colour and joy and merriness to the court after the much more restrained rule of Cromwell. I find the idea that as a man he was full of passion and energy and life completely fascinating, especially when you contrast it with the trials he faced as a young man, and even during his reign, particularly in relation to the religious turmoil that played a large part in the issues around who his heir would be.

When I was offered this book to read as part of a blog tour, I must confess that the main reason why I said yes was because it was about Charles' oldest, albeit illegitimate, son James Scott, Duke of Monmouth. Monmouth has often been mentioned in the books I have read as a secondary character, so the chance to get to know him a little better was welcome.

The Monmouth that we initially meet is a spoiled young man, favoured by his father, rich, handsome, celebrated soldier but he is also very much his father's son. He was married at a young age to a suitable woman, but he has no issue with whoring or taking mistresses. He drinks too much, has been known to get into violent arguments, at least one of which lead to a fatality and generally is a pretty unsavoury character.

In short, the duke is the kind of man that virtuous young women should avoid, as Lady Henrietta Wentworth is warned when they first cross paths. She is quick to show her disdain to the Duke with the terrible reputation. Fast forward five years and Henrietta is engaged to be married, but the Duke is still intrigued by her beauty (in his eyes at least), her virtue and her character. Henrietta knows that she shouldn't be attracted to him at all, but there is a definite chemistry between them. She also knows that she needs to create an additional level of distance between them so she begs her fiance to bring forward the wedding, but the man instead steps aside, leave the way clear for the duke. Henrietta flees to her home, but when he follows her she knows that she is lost and the two soon become lovers.

If you had of read this part of the story in a romance then you might have thought that they were a cliche bought to life. A good woman who captures the heart of a reprobate libertine and makes him into a faithful and loving man. The added interest to this story is that it is a true story and was considered to be one of the great love stories of the 17th century. This is however not a happily ever after style romance. History tells us a different story.

If it wasn't for the political machinations around them, James and Henrietta could have lived together in seeming happiness for many years but alas it was not to be. Monmouth is exiled to Holland after being involved in a plot to assassinate his uncle, the man that King Charles prefers as his heir. When Charles dies, James comes to the throne and the duke is once again drawn into a conspiracy to make himself the king. After all, there have been rumours that his father had married James' mother (unsubstantiated of course) and even if he was illegitimate, it would be much better to have a young, handsome, successful and most importantly Protestant king of the throne rather than the Catholic King James. Of course, the incumbent disagrees and so the battle lines are drawn.

I am kind of torn about how I felt about this book, or rather, novella. I loved that it was about lesser known figures from history and that the story was based on actual history. I loved that there were bits of poetry that came from the Duke's own diary. At the begining I found the writing a little bit clunky but by the end I was invested in the story. And oh, what an ending. The description of the duke's fate is compelling and gruesome, not one to be reading while you are eating your breakfast! I found myself saying "can't someone get the man a sharper axe" to the book! There were times where I felt that the fact that there was a restricted page count very much counted against the story. I would have liked more exposition about Monmouth's past, rather than just telling us what a terrible man he was. Many of the secondary characters weren't given enough time to develop and as a result were a little one dimensional. There were a couple of other things that through me out of the text. At one point, James starts calling Henrietta Harriet and I found myself wondering who the heck Harriet was. I had to go back a couple of sentences and reread it before the penny dropped.

In closing, I would say that I was very excited to read in an interview at one of the other tour stops that Andrea Zuvich is planning to write a novel about Prince Rupert of the Rhine. This is another of the Stuart princes that I find totally fascinating and I will very much be looking forward  to reading that when it comes out. Her next book is going to be about Mary and William of Orange, another royal couple who haven't had much attention in historical fiction circles. I love that Zuvich is taking this period of history which is kind of known and fleshing it out a bit more for her readers.

Rating 3.5/5



Tour details

Link to Tour Schedule: http://hfvirtualbooktours.com/hislastmistresstour/
Twitter Hashtag: #HisLastMistressTour
Andrea Zuvich's website - 17th Century Lady
Andrea Zuvich on Twitter
Andrea Zuvich on Facebook

About the book
Set in the tumultuous late 17th Century, His Last Mistress tells the true story of the final years of James Scott, the handsome Duke of Monmouth, and his lover Lady Henrietta Wentworth.

As the illegitimate eldest son of King Charles II, the Duke is a spoiled, lecherous man with both a wife and a mistress. However, this rakish libertine is soon captivated by the innocence of young Lady Henrietta Wentworth, who has been raised to covet her virtue. She is determined to spurn his advances, yet she cannot deny the chemistry between them. Will she succumb? At the same time, the Duke begins to harbour risky political ambitions that may threaten not only his life but also that of those around him.

His Last Mistress is a passionate, sometimes explicit, carefully researched and ultimately moving story of love and loss, set against a backdrop of dangerous political unrest, brutal religious tensions, and the looming question of who will be the next King.

Tuesday, May 28, 2013

New England Captives Carried to Canada 1677 - 1760

A few weeks ago I received a lovely message to say that my name had been selected by Fieldstone Common and I had won a copy of New England Captives carried to Canada between 1677 - 1760 by Emma Louise Coleman and published by the New England Historic Genealogical Society.

Because of the time difference I, more often than not listen to the Fieldstone Common radio shows from the recording, and sometimes I not often a week or two late in listening.

This is the link to this episode, broadcast on 11th April which tells you a little about the book -

 http://www.blogtalkradio.com/fieldstonecommon/2013/04/11/new-england-captives-carried-to-canada-with-donald-friary

I am actually no stranger to the book. Back when I undertook my history degree this book, well the original two volumes that were published in 1925 were in fact on the reading list from the lecturer. Ironically no copy of these volumes existed in the university library, nor in any library within easy access of the south west of England.

This particular book is the republished complete volumes of those 1925 books. So how lucky am I?

The book arrived today, just before lunchtime to a pretty miserable south west England, so I whilst I my lunch I started to dip into this very interesting book.  Clearly I was so distracted as I had nearly finished my  ham roll, before I realised that I had forgotten to put the ham in!

At immediate first glance, it does look a really interesting book, which contains as much biographical data as was available about these individuals. In addition there is information on the social and economic aspects of the geography and the impact of the relationships between the natives and the new immigrants to the region.

Friday, May 10, 2013

The Seventh Etching by Judith K. White

A historic family drama based in and near 1640 Amsterdam, the wealthiest city on earth at the time, The Seventh Etching tells the story of two families over a one-year period. Both Griet and Johannes Verhoeven, farmers, in their early 20’s and Jos and Myriam Broekhof, wealthy merchants in their 30’s, face devastating losses that threaten their livelihoods and their marriages. After a major flood, Griet and Johannes attempt to rebuild two combined family farms – a unique, promising inheritance that initially brought them together, but now overwhelms them. Myriam secretly sells her husband’s valuable art collection to build a hidden monument to her deceased daughter. Jos suffers despair and defeat as he combs every corner of the city in his obsessive attempt to complete a set of playfully erotic etchings. It is a six-year old Gypsy orphan, Nelleke, who connects the two couples. Sprightly and spirited, Nelleke both delights and exasperates. Might this mysterious child have the power to heal struggling adults and find the permanent home she seeks? Does she, innocently and unknowingly, hold the clue to the missing etching, as Jos suspects?"

A few months ago author Judith K. White offered me a copy of her book - The Seventh Etching - but,  due to some personal problems, I only managed to pick it up very recently.

I had no real expectation about what I was going to find when I opened this story and I am glad to report that I did enjoy it. Although at first it seemed that the action was going to be about the seventh etching of the title and Jos Broekhof search for it.  I think that, in the end, it is much more a portrait of the dutch society at the time. Both in the city and in the country with its different occupations and worries.

The little orphan Nelleke is the one who connects both worlds. We get to know about her when she is living with the aunt and uncle in their farm. When they start feeling she is too much for them to handle, her uncle takes her to Amsterdam's orphanage. The adaptation is not smooth but Nelleke soon continues to be the curious, lively child she has always been. I have to say that she was so lively, so full of questions, so full of life that at times I found her a bit annoying, she seemed a bit too perfect. But I really enjoyed reading about Amsterdam in the 17th century.

In the orphanage she meets Isabella, a young Spanish maiden who serves as a Big Sister to the children in her care. Isabella ended up in the orphanage after the ship where she sailed with her father went down at sea. Although she maintains a discreet presence due to the dutch /spanish wars she has no wish to go back to Spain and the arranged marriage that awaits her there.

She also meets the Broekhofs. Jos Broekhof is on a quest to find the missing etching of a prized collection that he bought from Nelleke's father. His obsession with the artistic designs will lead him to Rembrandt himself. But the little girl will also be his way back to the heart of his wife.

I really loved reading about these characters and the people they meet.  White gives a lot of attention to detail and it's like we are seeing the action unfold in front of us. In the end I think my main complaint about this story is that I felt I only glimpsed a bit of their lives and I wanted to know what hapened next in their lives. And if the small baby we meet at the beginning of the story will ever find out about his true parents.

A very pleasant read!

Grade: 4/5

Saturday, September 29, 2012

The Lady's Slipper by Deborah Swift


Synopsis

1660. King Charles II has returned from exile, but memories of the English Civil War still rankle. There are old scores to settle, and religious differences threaten to overturn a fragile peace.

When Alice Ibbetson discovers a rare orchid, the Lady’s Slipper, growing in a wood belonging to Richard Wheeler, she is captivated by its beauty— though Wheeler, a Quaker, is determined to keep the flower where God intended it to grow. Knowing that the orchid is the last of its kind, she steals the flower, little dreaming that her seemingly simple act will set off a chain of events that will lead to murder and exile, and change her life forever…



There's nothing like an aversion to reading connected books out of order and an impending blog tour date for the second book to get you reading a book that you have had sitting on your shelf for a couple of years! Sometimes that may be a bit detrimental if you have the pressure of getting something read, and you aren't really enjoying the book, but in this case, I was pretty happy to get lost in this unusual book from Deborah Swift.

There are several reasons why this book is unusual. The first is the setting in Restoration England. This is one of the few books I can remember reading that is set in that time frame where the antics of King Charles II and his Merry old court are not front and centre in the narrative. Instead we have a young woman with an affinity for plants, a Quaker and small town prejudices and intrigues - the first two of which are quite different as well.

The story opens with Alice Ibbetson creeping out of her home in her silk slippers, past the sleeping form of her husband, and into the fields belonging to her neighbour Richard Wheeler. This is no secret assignation, but rather Alice has a single minded purpose to her night time wanderings. Recently, the extremely rare Lady Slipper Orchid has been found flowering in the field and she is determined to steal the flower to try and breed it, and also to paint it. Alice finds solace in her garden and in the act of painting flowers and plants - something she is very talented at. This solace is something that Alice is desperately in need of as she is in mourning following the death of her younger sister whilst she was in Alice's care as a result of the early demise of both of their parents.

When Richard Wheeler finds that the rare bloom has been stolen, he does have a fair idea of where the blame lies, but it isn't gentlemanly to outright accuse a lady of lying when Alice denies it. He is, however, determined to find the culprit and bring them to justice. Richard was a gentleman of some means and influence before he sold everything and became a Quaker in direct reaction to the things that he saw, and did, during the Civil War.

Ladyslipper image from Wikipedia
Another party who is interested in the flower is Sir Geoffrey Fisk who is Alice's patron and the local gentry. He is also sworn enemy to Richard Wheeler, despite his new found Quaker faith and the fact that they used to be friends as children. Sir Geoffrey covets the orchid because he believes that it has medicinal properties that can help with the painful skin condition that has plagued him from childhood.

The final key players in the plot are Ella Appleby, somewhat slatternly maid to Alice, a young girl who has ambitions for a life of luxury, no matter who gets in her way, or what the consequences of her actions are and Margaret Poulter, local wise woman.

When Alice steals the flower, there is no way known that she could have predicted the impact that decision has on her life. She is bought into the centre of a web of deceit that culminates in murder, and leads to her own life being ruined but also preserved and blossoming into a very different life than she expected.

There were lots of things to enjoy about this book. The author was adept in showing how the old divisions in society between those who fought on the Parliamentarian side and those who fought on the Royalists side still impacted on everyday life in the years immediately after Charles II returned to the throne. The details about the flower were interesting, especially when you consider how the author was inspired to write the novel after coming across one of the orchids while on a walk near her home.

Really though, the most interesting aspect of the book for me related to the Quaker aspects including why a man like Richard Wheeler would choose such a path, the persecution that people who chose that faith experienced, the incarcerations, and yet their faith stayed strong. The author chose to base many aspects of the story on the real central hub of Quaker England and it is fascinating stuff.

If there were any criticisms, it really would be on the development of the relationship between Richard and Alice which took an unexpected turn later in the book, and that some of the 'bad' characters were a bit two dimensional, especially Ella. I am, however, not sure that I have not been a bit influenced by the fact that I jumped straight from this book into Swift's next book, which features both Ella and her younger sister Sadie.

Overall this was a really good debut. Having now read her follow up book, Deborah Swift is an author that I will be looking out for in future!

Rating 4/5

Tuesday, September 18, 2012

The Gilded Lily by Deborah Swift

Winter 1661

In her short life, Sadie Appleby has never left rural Westmorland. But one night she is rudely awoken by her older and bolder sister, Ella. She has robbed her recently deceased employer and is on the run. Together the girls flee their home and head for London, hoping to lose themselves in the teeming city. But the dead man's relatives are in pursuit, and soon a game of cat and mouse ensues amongst the freezing warren that is London in winter.

Ella is soon seduced by the glitter and glamour of city life and sets her sights on the flamboyant man-about-town, Jay Whitgift. But nothing in the capital is what it seems, least of all Jay Whitgift. Soon a rift has formed between Ella and Sadie and the sisters are threatened by a menace more sinister than even the law.

Set in brilliantly realized Restoration London, The Gilded Lily is a novel about beauty and desire, about the stories we tell ourselves, and about how sisterhood can be both a burden and a saving grace.
As readers we first met Ella Appleby in the pages of The Lady's Slipper. In that story Ella was portrayed as a somewhat conniving young lady who would let nothing and no-one step in the way of what she wants. And what Ella wants more than anything is to be a fine lady, sleeping in expensive linen, dressed in gorgeous clothes.

Initially, Ella is convinced that the best way to achieve that goal is to become mistress to Thomas Ibbetson, but that plan goes awry when Thomas falls seriously ill and dies. Ella knows that she has to leave the small village that she has always lived in and quickly but she can't possibly leave her sister, Sadie, behind. The two girls take everything of value in the house and flee to the relative anonymity of London but the dead man's twin brother is hot on their trail and it isn't long before there are wanted posters scattered throughout London.

When they get to London the two girls quickly find work in a perruquier (which is our obscure word of the week at work thanks to reading it in this book), also known as a wig maker. Sadie fits into the group of girls, being quiet, patient and talented with her hands when it comes to needlework. Ella is not such a good fit. She tends to be a bit mouthy, too impatient to perform the precise work required to make a good quality wig for the gentry and too desperate to get out to be something better.

After a couple of close brushes with their pursuers, Ella's luck changes when she literally catches the eye of Jay Whitgift, man about town. After failing at her task to make him a wig that fits, Jay offers Ella a chance at the kind of life she always wanted. She is to become the face of The Gilded Lily, a female alternative to the coffee houses that the men of Restoration flock to. Her job will be to convince the quality ladies of the ton to purchase creams and potions to enhance their beauty. Before long, The Gilded Lily is the place to be seen and Ella is the talk of the town.

What Ella doesn't initially know is that the Lily is a front for a much more lucrative, and dangerous, business. Jay's father was originally a pawnshop owner and he has trained his son with the intention that he will take over the thriving business. Whilst that business is now technically illegal, the demand for such services is high. Where Mr Whitgift senior is honest to a fault, Jay is, well, Jay is not. For just like Ella, Jay wants something more from life, and he is prepared to do anything to get it. He is a magpie, collecting all manner of expensive trinkets from the people he does business with usually acquiring them through backhanded means. As Ella gets more involved with Jay's world, she sets her sights high, but this world is not only one of glamour, it is also dangerous, especially for two young girls. This is even more true given that they are wanted by the law and that there are several parties who are trying to track them down, all vying for the generous reward that will be paid on their capture.

The biggest issue for the two girls is that Sadie has a port-wine birthmark on one side of her face which makes her pretty much instantly recognisable and so Ella decides that she must remain hidden at all costs, especially seeing as Sadie refuses to wear the paint that Ella brings home from The Gilded Lily. As a modern reader, it is a bit sickening to know what the effect of using such lead based cosmetics would have had, but at the time it was the height of fashion to use such cosmetics, and Ella wants nothing more than to be fashionable.

Fortunately Sadie has been able to make several friends who are concerned enough about her for if she had to rely only on the increasingly selfish Ella she would have been left to languish in a lonely room without enough food and heating in one of the coldest winter's in history. The author uses the Thames river freezing over to great effect during the novel, particularly in setting at least some of the action during the frost fares that took place.

Where the author excels is in making the reader care for the two girls. I was drawn, as I suspect the reader is meant to be, to the fate of the unfortunate Sadie who has escaped from one hell-hole to what turns out to be anything but a better life. It is difficult to say that I liked Ella, but she was certainly an engaging character to read about, especially as the plot speeds up towards the resolution.

As I got closer to the end of the book, I did find myself thinking that there were 50 pages left and I still had no idea how the author was going to get the two girls safely to the end. I am not entirely convinced about the method of that resolution, but I am not sure where else the story could have gone.

It should be noted that The Gilded Lily picks up towards the end of the story that is told in The Lady's Slipper (Deborah Swift's debut novel). It is being marketed as a companion novel. Whilst the novel does standalone fairly well, it is undoubtedly enhanced by knowing exactly what it is that the two girls are running from, and why, as well as some of the implications of their actions.

I have enjoyed both books over the last couple of days. I do think that you can see a degree of confidence that the author has gained in her writing from one book to the next. Once again, it was a pleasure to read a book that concentrated more on the life away from the court of Charles II, although there were a couple of mentions of high ranking members of society in the pages, although not in the most flattering ways.

I thoroughly enjoyed this tale that explored the darker side of Restoration London. I am really looking forward to seeing whose story Deborah Swift tells next.

Rating 4.5/5

Thanks to the publisher and Historical Ficton Virtual Book Tours for sending me a copy of this book to review.

Tour Details

Tour Schedule: Tour Schedule
Twitter Hashtag: #GildedLilyVirtualTour
Twitter: @swiftstory


Be sure to stop by on Thursday when Deborah Swift will be sharing a fascinating guest post with us.

Tuesday, June 19, 2012

Frenchman's Creek by Daphne du Maurier

Lady Dona St Columb is beautiful, headstrong - and bored. Desperate to escape the pomp and ritual of the Restoration Court, she escapes to the hidden creeks and secret woods of the family estate at Navron, in Cornwall. Though renowned for her passionate engagement with life, privately she years for freedom, integrity and love - whatever the cost.

The peace Lady Dona craves, however, eludes her from the moment she stumbles across the mooring place of a white-sailed ship that plunders the Cornish coast. And as she becomes embroiled in a plot to steal another ship from under the nose of the English authorities, she realises that her heart is under siege from the French philosopher-pirate Jean Aubrey....

Lady Dona St Columb is somewhat notorious in London, which is not a bad achievement considering that she was part of the court of Charles II where there were plenty of notorious people, both men and women! She is known for accompanying her husband, Harry, and his friends to card games and bawdy houses. After one particularly ribald prank where she dressed as a boy and scaring the living daylights out of an elderly society matron, Dona realises that this life is empty and that she wants... more.

She leaves her husband and his friends and the court of Charles II, takes the kids and heads to the family's country estate - Navron House in Cornwall. Once she arrives she is a little surprised to find that there is only one servant in the house, William, and even more strange, there is a jar of tobacco and a book of poetry in her room. Dona was looking forward to some peace and quiet, but it isn't long before the true adventure finds her, in the form of a ship full of pirates led by the handsome and charismatic Jean Aubrey.

The local landowners are determined that they are going to catch the marauding French pirates who are stealing their goods and allegedly bothering their women folk but, so far, have been far to clever to be caught in their traps. Dona finds herself caught up in both sides with her husband and his friends working to catch him and Dona compromised by her growing relationship with Jean, but this might just work to his benefit.

Du Maurier is such a clever author. I had no doubt that Dona was shallow and unlikable as we first met her, in the same way that her husband was quite spineless and his friend Rockingham was much cleverer and quite sly and determined to capture Dona for himself. By the time we get to the end of the book, Dona is still impetuous and adventurous but this reader was also sure that she was a better person.

When I mentioned that I was reading this book on Goodreads, someone commented that this is one of Du Maurier's most romantic novels, and at its heart, Frenchman's Creek is a romantic book without necessarily meeting all the structural requirements of a romance. It is also quite bawdy in parts, something that quite surprised me. After reading a few nudge, nudge, wink, wink sections of narrative I realised that it wasn't just the way I was reading the book but that those nuances were deliberately placed.

For me, the strongest aspects of the book were the action sequences. There were beautiful passages of description and reflection, but it was when the pirates were in action and Dona caught up in danger and intrigue that my heart was racing and the pages kept on turning. Towards the end of the book the pacing was a little up and down, but it certainly kept my attention right to the very end!

One of the things that I found interesting was that the opening chapter was told from a modern perspective as someone takes the opportunity to take a picnic in the ruins of Navron House. With the use of modern narrative to introduce a story such a common motif in current historical fiction, it was interesting to note that it was being used by authors like Daphne du Maurier (and presumably others as well) were using it so long ago as well.

I have owned this book for many years but had never read it before. It's been a couple of years since I read my last Daphne du Maurier book, but I am determined to read more from her now!

Rating 4.5/5

Sunday, June 26, 2011

The Empress of Ice Cream by Anthony Capella

FRANCE 1670. Carlo Demirco's mastery of the extraordinary new art of creating ice creams has brought him wealth, women, and a position at the court of Louis XIV.

Then Carlo is sent to London, along with Louise de Keroualle, an impoverished lady-in-waiting. The most powerful ministers of two countries have decided that Louise is to be Charles II's new mistress, and will stop at nothing to make sure she submits.

But Carlo too is fascinated by the enigmatic Frenchwoman.With the king's every pleasure the subject of plots and betrayals, and Carlo's only weapons his exquisite ice creams, soon he must decide ...Where do his loyalties lie?

If you were to ask me who my favourite English king to read about is, I would probably choose Henry II, but not far behind you would find Charles II, and yet on the surface of things there is not that much to admire. He was a king who lived for pleasure, had multiple mistresses and numerous illegitimate children, but after the years of austerity that was enforced during the years of the Commonwealth, his court must have been something to behold.I guess though, when it comes down to it, I have been charmed by the way I have read Charles II through the fiction I have read over the years. (I have previously posted about this fascination here)

The title and cover of this book alone would have caught my attention, but to read further in the blurb and find out that it is set in the Restoration court of Charles II made it a must read for me! Stir ice cream into the mix and it is even better!

The events that are portrayed in the book come to us from two different perspectives. The first is of a young man who we meet in Italy where he is the young apprentice of an ice maker. He is being taught the art of the ice by his owner - the four flavours, the skills, the tips to creating the perfect textures for ices, cordials, for ice carving and more. But Carlo has lofty ambitions. He wants to do more than just stick to the rules that he is being taught. He wants to experiment with new flavours, new techniques, and most of all, he wants to be his own man, to call no man master.

Offered a chance to escape from his life in Italy, Carlo finds himself in the court of Louis XIV, and it is there that he meets Louise de Keroualle, a lady in waiting to Minette, the sister of Charles II, and sister in law to Louis XIV. Carlo is very quickly besotted, but Louise is out of his reach. She may be impoverished but she is the daughter of one of the most noble families of Brittany, and whilst Carlo has made his own way to Court, he is still of ignoble birth.

It is Louise who provides the other perspective in the narrative. Following the death of Minette, Louise is sent to the court of Charles II. It seems everyone but here is aware of what her objective is to be - to become mistress to Charles II and to influence his decisions and policy to the advantage of her native France. Carlo is also sent to France as part of the 'gift' from Louis with a brief to create an ice the likes of which has never before been seen or tasted in England.

One of the hallmarks of the decadence of the Court is that there was a total fascination with all things French - fashion, art, food... ices. Carlo spends all his time trying to create the dessert that we now know as ice cream, using some of the most famous intellectuals of the time to help develop the methodology. Far from being an accessible treat as it is for us today, the desserts created by Carlo were only for the rich and powerful, and sometimes they were created for the king alone.

Many of the desserts that are described in the book sound incredible - for example, at one of the feasts Carlo creates a pineapple ice that not only is made from the then exotic and difficult to obtain fruit, but is also carved to look exactly like a pineapple - although in the quest for more and more unique tastes and combinations there were also some that were not quite so enticing to my more modern palate!

Providing contrast to the glittering courts, we also get introduced to Hannah and Elias who live in the same establishment as Carlo. These are the working class, the people who suffer under the heavy burden of poverty and who see the merriment of the court and find it hard to believe that there can be such wastage, particularly as the king and parliament are increasingly at odds about issues like funding the wars against the Dutch. Stir in anti-French sentiments and anti Catholic sentiments that were rife at the time and they provide a necessary contrast to the constant over the top details of life at Court.

When you read an Anthony Capella book it becomes obvious pretty quickly that this is an author who loves food, and I would go so far as to say that if you want descriptions of sensory experiences - be they taste, sight or the other senses - then Capella should be a go to author. This is particularly true of The Wedding Officer and the Food of Love with their focus on Italian food, and of this book. It is only when the narrative moves away from the focus on the sensuous that it loses its way. Unlike some of the other portrayals I have seen of the relationship between Louise and Charles this one is definitely more clinical, colder and more  about business, and this is also a bit of a difference between this book and others by this author that do tend to have romantic themes.

That is not to say that there is no mention of love - for all that this isn't completely a romantic story, there is lots of discussion of love and sex:

I have heard love compared with a fire. But that is all wrong. If you touch a flame you draw back. The pain is quick and sudden and then it is gone.

Love is like ice. It creeps up on your, entering your body by stealth, crumbling your defences, finding the innermost recesses of your flesh. It is not like heat or pain or burning so much as an inner numbness, as if your heart itself were hardening, turning you to stone. Love grips you, squeezing you with a force that can crack rocks or split the hulls of boats. Love can life paving slabs, crumble marble, wither foliage from trees.

Rating: 4/5

Originally posted at The Adventures of an Intrepid Reader

Sunday, January 30, 2011

January 1661 by Gillian Bagwell

Samuel Pepys began the New Year of 1661 by writing in the diary that he had started on the first day of the momentous year of 1660, summing up the state of his personal life and the affairs of the country. On January 1 he wrote, “I do live in one of the houses belonging to the Navy Office, as one of the principal officers, and have done now about half a year. After much trouble with workmen I am now almost settled…. myself in constant good health, and in a most handsome and thriving condition. Blessed be Almighty God for it. As to things of State.—The King settled, and loved of all. The Duke of York matched to my Lord Chancellor’s daughter, which do not please many. The Queen upon her return to France with the Princess Henrietta. The Princess of Orange lately dead, and we into new mourning for her….. The Parliament, which had done all this great good to the King, beginning to grow factious, the King did dissolve it December 29th last, and another likely to be chosen speedily.”

The king’s mother, Queen Henrietta Maria, realizing that she had lost the battle against the marriage of her son James the Duke of York to Anne Hyde and the acceptance of their barely-legitimate son, finally gave up. While at Whitehall on January 1, Pepys saw “the Duke of York bring his Lady this day to wait upon the Queen, the first time that ever she did since that great business; and the Queen is said to receive her now with much respect and love.” The Queen also made peace with Anne’s father, Edward Hyde, the king’s chancellor. But she stuck to her plans to return to France with her youngest daughter, Minette, and on January 2, Pepys wrote “The Queen’s things were all in White Hall Court ready to be sent away, and her Majesty ready to be gone an hour after to Hampton Court to-night, and so to be at Ports mouth on Saturday next.”

The baby who had been at the center of such a storm was christened on January 1, and later made Duke of Cambridge. Sadly, he died only a few months later, as would several other little boys born to his parents and given that title. Of the seven children of James and Anne, only Mary and Anne would live to adulthood, and both would eventually sit on the throne, Mary and her husband William of Orange ousting her father in the “Glorious Revolution” or “Bloodless Revolution” of 1688. James eventually had a son who lived, by his second wife, and that James, eventually known as the “Old Pretender,” became the focus of the Jacobites, who believed that he and not his German cousin George I should have succeeded to the throne. In turn his son Charles – the famous Bonnie Prince Charlie or “the Young Pretender” was at the center of the disastrous Jacobite rebellions of the mid-eighteenth century.

But back to January 1661. The journey of the queen and Minette to France was almost immediately beset by disaster. On January 11 Pepys wrote “This day comes news, by letters from Portsmouth, that the Princess Henrietta is fallen sick of the meazles on board the London, after the Queen and she was under sail. And so was forced to come back again into Portsmouth harbour; and in their way, by negligence of the pilot, run upon the Horse sand. The Queen and she continue aboard, and do not intend to come on shore till she sees what will become of the young Princess. This news do make people think something indeed, that three of the Royal Family should fall sick of the same disease, one after another.”

The poor queen must have been terrified, having lost her youngest son the Duke of Gloucester to smallpox in September and her daughter Mary of Orange from the same disease less than three weeks earlier. But on January 15 Pepys wrote “This day I hear the Princess is recovered again,” and on January 27, he recorded that “Before I rose, letters come to me from Portsmouth, telling me that the Princess is now well, and my Lord Sandwich set sail with the Queen and her yesterday from thence for France.”

Twelfth Night supper

On January 6 came Twelfth Night, with its traditional celebrations to end the Christmas season. Pepys went to the theatre after dinner “leaving 12d. with the servants to buy a cake with at night,” and later, “after a good supper, we had an excellent cake, where the mark for the Queen was cut, and so there was two queens, my wife and Mrs. Ward; and the King being lost, they chose the Doctor to be King.” It was a merry evening. According to Pepys, “the talk of the town now is, who the King is like to have for his Queen.” The candidates included the Princess of Denmark, the sister of the Prince of Parma, and Catherine of Braganza, the Infanta of Portugal, who Charles would marry in 1662.

Catherine of Braganza, the Infanta of Portugal

On January 2, Pepys “bought the King and Chancellor’s speeches at the dissolving the Parliament last Saturday.” There would not be a new Parliament until May, and the coronation, which had been planned for January, had been put off until April because of the death of the king’s sister. Nevertheless, there was business to attend to.

The government was still dealing with the enormous problem of disbanding the army and navy. In December, Pepys and his colleague Sir George Carteret had come up with the plan of paying the sailors half what they were owed and giving them tickets vouching that they would be paid the other half in three or four months. On January 21 he wrote “This morning Sir W. Batten, the Comptroller and I to Westminster, to the Commissioners for paying off the Army and Navy …and we sat with our hats on, and did discourse about paying off the ships and do find that they do intend to undertake it without our help; and we are glad of it, for it is a work that will much displease the poor seamen, and so we are glad to have no hand in it.”

The Restoration of the monarchy was an opportunity to start off on a new foot with both the navy and commercial shipping. On Jan. 22 Pepys went to the Comptroller’s house, and “read over his proposals to the Lord Admiral for the regulating of the officers of the Navy, in which he hath taken much pains, only he do seem to have too good opinion of them himself.” Then Pepys “met with the King’s Councell for Trade, upon some proposals of theirs for settling convoys for the whole English trade, and that by having 33 ships (four fourth-rates, nineteen fifths, ten sixths) settled by the King for that purpose.”
There were pleasant maritime matters afoot, too. On January 15 Pepys wrote “the King hath been this afternoon at Deptford, to see the yacht that Commissioner Pett is building, which will be very pretty; as also that that his brother at Woolwich is in making.” Pepys heard that news after he “took barge and went to Blackwall and viewed the dock and the new Wet dock, which is newly made there, and a brave new merchantman which is to be launched shortly, and they say to be called the Royal Oak.” The Royal Oak was the name that had been given to the tree at Boscobel where Charles had hidden for a day during his desperate odyssey to escape after the Battle of Worcester. The naming of this ship was quite likely the first use of the name to commemorate that event, but over the centuries there have been countless pubs, inns, and other enterprises named The Royal Oak.


Charles in the Royal Oak by Isaac Turner

In October, after several of the men responsible for killing his father had been put to death, Charles suspended the sentences of the rest of the regicides. When a bill for their execution was introduced in the new Parliament in 1661, Hyde suggested to the king that the bill be allowed to “sleep in the houses” and not officially brought to him. Charles replied “I must confess I am weary of hanging except upon new offenses,” so the men already in prison remained alive.

In December there had been what amounted to a false alarm about a plot against the king. But in early January there was a real rising, led by the fanatical preacher Thomas Venner. On January 7 Rugge’s Diurnal recorded “a great rising in the city of the Fifth-monarchy men, which did very much disturb the peace and liberty of the people, so that all the train-bands arose in arms, both in London and Westminster, as likewise all the king’s guards; and most of the noblemen mounted, and put all their servants on coach horses, for the defence of his Majesty, and the peace of his kingdom.” The same day Pepys wrote “This morning, news was brought to me to my bedside, that there had been a great stir in the City this night by the Fanatiques, who had been up and killed six or seven men, but all are fled. My Lord Mayor and the whole City had been in arms, above 40,000.”

On January 9, Pepys was “waked in the morning about six o’clock, by people running up and down … talking that the Fanatiques were up in arms in the City. And so I rose and went forth; where in the street I found every body in arms at the doors. So I returned (though with no good courage at all, but that I might not seem to be afeared), and got my sword and pistol, which, however, I had no powder to charge; and went to the door, where I found Sir R. Ford, and with him I walked up and down as far as the Exchange, and there I left him. In our way, the streets full of Train-band, and great stories, what mischief these rogues have done; and I think near a dozen have been killed this morning on both sides. Seeing the city in this condition, the shops shut, and all things in trouble, I went home and sat, it being office day, till noon.”

On January 10 Pepys learned that “all these Fanatiques that have done all this, viz., routed all the Trainbands that they met with, put the King’s life-guards to the run, killed about twenty men, broke through the City gates twice; and all this in the day-time, when all the City was in arms; are not in all about 31. Whereas we did believe them (because they were seen up and down in every place almost in the City, and had been about Highgate two or three days, and in several other places) to be at least 500. A thing that never was heard of, that so few men should dare and do so much mischief. Their word was, ‘The King Jesus, and the heads upon the gates.’” Retribution was swift. On January 19, Pepys went “by coach to White Hall; in our way meeting Venner and Pritchard upon a sledge, who with two more Fifth Monarchy men were hanged to-day, and the two first drawn and quartered,” and on January 21, “This day many more of the Fifth Monarchy men were hanged.”

Despite the turmoil, King Charles was as usual finding time for his personal interests and pastimes. On January 6, John Evelyn wrote “I was now chosen (and nominated by his Majestie for one of that Council) … a Fellow of the Philosophic Society, now meeting at Gresham Coll: where was an assembly of divers learned Gent: It being the first meeting since the return of his Majestie in Lond:.” On January 10 Evelyn recorded “I went to the Philosophic Club; where was examin’d the Torricellian experiment: I presented my Circle of Mechanical Trades.” On January 25, “To Lond, at our Society, where was divers Exp. on the Torrella sent us by his Majestie.” The group continued to meet, and on July 15, 1662, King Charles chartered “The Royal Society of London.” The Royal Society still exists, supporting science with research fellowships, awards, prize lectures, and medals.

And of course Charles found time for two of his other passions, theatre and music. Plays were often acted at court, and on one occasion Pepys, at Whitehall on business, “staid to hear the trumpets and kettle-drums, and then the other drums, which are much cried up, though I think it dull, vulgar musique.”

The public theatres were going great guns as well, and thanks to Samuel Pepys, we know of several shows that were presented in January 1661, and have a front row seat for the first few weeks in which women were acting in England. On January 3, Pepys went “to the Theatre, where was acted ‘Beggars’ Bush,’ it being very well done; and here the first time that ever I saw women come upon the stage.” On January 4, he wrote “After dinner Mr. Moore and I to the Theatre, where was ‘The Scornful Lady,’ acted very well, it being the first play that ever he saw.”

Pepys was observing a very interesting period of transition. Along with the brand-new actresses, the men who had been playing the women’s roles were still appearing. On January 7, Pepys attended “‘The Silent Woman,’ the first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy; had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house.” This was a gender-bending role, involving a young man pretending to be a woman. But on January 29, Pepys went to the Duke’s playhouse, where “after great patience and little expectation, from so poor beginning, I saw three acts of ‘The Mayd in ye Mill’ acted to my great content” – and it was a man, James Nokes, who was playing the title female role of the Mayd.

On January 8, Pepys “took my Lord Hinchinbroke and Mr. Sidney to the Theatre, and shewed them ‘The Widdow,’ an indifferent good play, but wronged by the women being to seek in their parts. “To seek” meant the actresses were lost, or didn’t know what they were doing. Perhaps inevitable, as they were young and inexperienced, and no doubt knew they were a curiosity, and the subject of prurient interest.

On January 19 Pepys saw The Lost Lady, “which do not please me much,” but he gave it another try on January 28, “which do now please me better than before; and here I sitting behind in a dark place, a lady spit backward upon me by a mistake, not seeing me, but after seeing her to be a very pretty lady, I was not troubled at it at all.”

Even staid John Evelyn, “after divers yeares that I had not seene any Play” saw The Scornful Lady on January 25.

On January 31, Pepys went to the theatre again, “and there sat in the pit among the company of fine ladys, &c.; and the house was exceeding full, to see ‘Argalus and Parthenia,’ the first time that it hath been acted: and indeed it is good, though wronged by my over great expectations, as all things else are.” He saw it again a few days later but lamented “though pleasant for the dancing and singing, I do not find good for any wit or design therein.”

It’s interesting to find Pepys, such an enthusiast for the theatre, commenting in February, “I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich.”

On February 12 he went back to see The Scornful Lady, “now done by a woman, which makes the play appear much better than ever it did to me.” The king apparently thought so too, as in 1662 he decreed that from then on all women’s parts would be played by women. The days of the boy actor were done.

The weather that month was unusually nice. On January 21 Pepys wrote, “It is strange what weather we have had all this winter; no cold at all; but the ways are dusty, and the flyes fly up and down, and the rose-bushes are full of leaves, such a time of the year as was never known in this world before here.” On January 29 he went with two companions “over the water to Southwark, and so over the fields to Lambeth, and there drank, it being a most glorious and warm day, even to amazement, for this time of the year.”

January 1661 ended on a somber and rather ugly note. Charles I had been executed on January 30, 1649, and on January 27 Pepys recorded “This day the parson read a proclamation at church, for the keeping of Wednesday next, the 30th of January, a fast for the murther of the late King.” But that was not enough. On January 28, according to Rugge’s Diurnal, “The bodies of Oliver Cromwell, Henry Ireton, John Bradshaw, and Thomas Pride, were dug up out of their graves to be hanged at Tyburn, and buried under the gallows. Cromwell’s vault having been opened, the people crowded very much to see him.” And on January 30, “the carcases of Cromwell, Ireton, and Bradshaw (which the day before had been brought from the Red Lion Inn, Holborn), were drawn upon a sledge to Tyburn, and then taken out of their coffins, and in their shrouds hanged by the neck, until the going down of the sun. They were then cut down, their heads taken off, and their bodies buried in a grave made under the gallows.”

Tyburn tree


The experiment of the Commonwealth was over, dead and buried twice over, and the Restoration of the monarchy was complete.

Sources and further reading:

Online:

The Diary of Samuel Pepys - http://www.pepysdiary.com/

Publications:

1660: The Year of Restoration, Patrick Morrah (Beacon Press, 1960)

The Diary of John Evelyn, ed. Guy de la Bédoyère (Boydell Press, 1995; First Person Singular, 2004)

The London Stage, 1660-1800, A Calendar of Plays, Entertainments, and Afterpieces Together with Casts, Box-Receipts, and Contemporary Comment, Part I, 1660-1700, ed. William Van Lennep et al. (Southern Illinois University Press, 1963)

Pepys’s Diary, Volume I, selected and edited by Robert Latham (Folio Society, 1996)

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Gillian Bagwell is the author of the recently published novel The Darling Strumpet, based on the life of Nell Gwynn, who rose from the streets to become one of London’s most beloved actresses and the life-long mistress of King Charles II.

This is the ninth and final article in a series chronicling the events from May 1660 through January 1661, in commemoration of the 350th anniversary of the Restoration of the English monarchy, the reopening of the playhouses, which had been closed for eighteen years under Cromwell, and the first appearance of an actress on the English stage, in contrast to the old practice of boys playing women’s roles.

For links to the other articles and information about Gillian’s books, please visit her website, gillianbagwell.com