Tuesday, October 29, 2013

Guest Post: The Lacemaker's Art by Deborah Swift

Today I am pleased to welcome back author Deborah Swift as part of her blog tour for her latest book, A Divided Inheritance.





"Of many Arts, one surpasses all. For the maiden seated at her work flashes the smooth balls and thousand threads into the circle ... and from this, her amusement, makes as much profit as a man earns by the sweat of his brow, and no maiden ever complains, at even, of the length of the day. The issue is a fine web, which feeds the pride of the whole globe; which surrounds with its fine border cloaks and tuckers, and shows grandly round the throats and hands of Kings." Jacob Van Eyck, 1651.

I became fascinated by lace-making when I found out that in the late Elizabethan and early Stuart periods the craft employed thousands of women, working long hours by candlelight, yet the business side of it – the trade and sales – was almost always run by men. Van Eyck’s view of it is rather rosy, that no woman complains no matter how long a day they work! I thought it would be interesting to have a woman learn the business aspect from her father, and this is how the inspiration for A Divided Inheritance began.

There are many types of lace - bobbin lace, needle-lace, braid lace, tape lace, net, embroidered lace. Flanders claims to be the birthplace of lace, but can only produce documents referring to lace from 1495, though the Italians claim they have earlier records. Some people suspect that lace originated in China, as early designs have a distinctly oriental feel. But the flowering of lace in England was in the second half of the sixteenth century, when lace became an openwork fabric, created with a needle and one single thread (needle lace) or with multiple threads (bobbin lace).



Pillow lace, using a straw pillow and pins to painstakingly manipulate the individual threads only became very popular in Elizabethan times as prior to that the supply of pins was limited. In the reign of Henry VIII, the price of ordinary pins was about one penny each and so fishbones and even thorns were sometimes used as pins to hold the threads in place. Apparently Queen Catherine of Aragon taught lacemaking to some of the inhabitants of Ampthill when she was resident in the castle in 1531, while awaiting her divorce from Henry VIII, and a pattern named after her is still in use. (Sadly, the castle no longer stands.)



Starch was developed too during the reign of Elizabeth I and Shakespeare mentions 'free maids that weave their threads with bones...' in Twelfth Night. So the lace ruffs of Elizabethan times were probably stiffened with starch and bones. James I of England had a ruff made of a length of lace 38 yards long which took many women months to complete.




Lace production has always been driven by fashion, and these ruffs, which demanded bold geometric needlelace, were gradually replaced in the early 1600’s. Now the trend was for softer collars which needed relatively narrow bobbin lace. At the same time the fashion for gold and silver lace increased – it was used to edge gloves, shoe roses, jackets and sashes, and also to provide surface decoration for doublets or bodices.

Poor children were encouraged to be lacemakers to make them more self-supporting. An experienced lacemaker would teach children from her home or cottage. In 1699 a child might earn 1 shilling and 8 pence a week and a proficient adult 6 shillings and 6 pence.

During my exploration of lace I became familiar with cutwork and picot, Reticella and Punto in Aria (stitches in the Air). A whole world of lace – most of which could not squeeze itself into my novel, no matter how much I would have liked to include it all! And as books do, my initial idea was taken over by subsequent ideas, and now the lace theme is confined mostly to the beginning of the book. But I hope you have enjoyed my brief taster and will want to examine this beautiful craft more through these links:

Sources: The Lace Guild
http://www.laceguild.demon.co.uk/craft/history.html
http://www.mkheritage.co.uk/hdhs/framesetlace.html
http://nttreasurehunt.wordpress.com/2012/01/10/tudor-and-stuart-fashion-moments/
http://tywkiwdbi.blogspot.co.uk/2011/01/elizabethan-ruff.html
http://www.ladentelledupuy.com/
http://bjws.blogspot.co.uk/2013/02/1600-1900s-staying-indoors-to-make-lace.html


About the Tour

Link to Tour Schedule: http://hfvirtualbooktours.com/adividedinheritancetour
Twitter Hashtag: #DividedInheritanceTour
Deborah Swift's website
Deborah Swift on Facebook
Deborah Swift on Twitter

About the book

A family divided by fortune. A country divided by faith.

London 1609...

Elspet Leviston’s greatest ambition is to continue the success of her father Nathaniel’s lace business. But her dreams are thrown into turmoil with the arrival of her mysterious cousin Zachary Deane – who has his own designs on Leviston’s Lace.

Zachary is a dedicated swordsman with a secret past that seems to invite trouble. So Nathaniel sends him on a Grand Tour, away from the distractions of Jacobean London. Elspet believes herself to be free of her hot-headed relative but when Nathaniel dies her fortunes change dramatically. She is forced to leave her beloved home and go in search of Zachary - determined to claim back from him the inheritance that is rightfully hers.

Under the searing Spanish sun, Elspet and Zachary become locked in a battle of wills. But these are dangerous times and they are soon embroiled in the roar and sweep of something far more threatening, sending them both on an unexpected journey of discovery which finally unlocks the true meaning of family . . .

A Divided Inheritance is a breathtaking adventure set in London just after the Gunpowder Plot and in the bustling courtyards of Golden Age Seville.






Tuesday, October 22, 2013

Banquet of Lies by Michelle Diener

Giselle "Gigi" Barrington is quite an unusual young lady for her time. She travels around Europe as her father's companion, taking her to many places and meeting many people that she normally wouldn't meet. Whilst he collects fairy tales and folk stories, and acts as a British spy, she collects the recipes from the places they visit with the hope of eventually being able collate them into a book. Not only does she like to collect the recipes, she also likes to cook them herself - very unusual behaviour for a young lady of her class.

Whilst in Stockholm, Giselle's father is handed a very important document to take back to England that will change the course of history dramatically. When he is murdered for that document, Giselle knows that the killer will soon be after her too. She doesn't know who the murderer is, but she could identify him from a distance, but she knows that she needs to get away as it is very likely that he knows who she is. Where does a young woman who is alone go to hide in a foreign country though? Then again, the same problem faces her in England as well. She can't go to her family home, as that would be the most obvious place for the killer to look for her.

There is only one person that she can go to, which is her family friend Georges Bisset, a chef in the Duke of Whittaker's house. He is able to recommend her for a position as cook in the house of Lord Aldridge. No one would think of looking for a young lady in the kitchens of a nobleman's kitchen and this position has the added bonus of being quite close to her own home so Giselle can see if anything is happening there. Whilst whipping up fantastic dinners, Gigi gets a glimpse into the lives the servants live as well, battles against the butler who clearly dislikes her, find herself on the wrong side of the law and so much more. She knows that she is still a target for the assassin so she needs to work out who the person is who should have received the dangerous missive, get it to them and stay alive!

Lord Aldridge is a former soldier who gained a taste for continental food during his years serving his country. A younger son who inherited a title, Aldridge fills his day managing his estates, attending parliament and involving himself every now and again in some intrigue for his country. He can't quite understand why his cook has him all twisted up. His reaction to her is incredibly strong which is difficult for him as he is a fundamentally good man who has never engaged in trysts with his staff and he doesn't intend to start now. If only he could stay away from her.

Over the last 12 months or so I have been fortunate to read three of Michelle Diener's books and each one of them has been a delight! This book, which was recently released was the third, and once again I was treated to a fun story with good characters that is an easy book to read and get lost in. The reader is treated to a mix of romance, history, mystery and adventure that the author balances really well.

It is worth mentioning that the characters from The Emperor's Conspiracy do make an appearance in this book. I am a stickler for reading in order and as such get really upset if I don't know this kind of thing in advance. Having said that, you could easily read this book first without missing out on too much. Hopefully you would be intrigued enough to go back and read their story if you hadn't previously read it. I am already hoping that Michelle's next book will feature these same sets of characters. The Duke of Whittaker in particular seems to be an ideal candidate to have his story told, particularly if it means that he gets to meet an unusual woman to shake up his life.

I should mention the food too. Oh my goodness, the food in this book sounds so good! I was left salivating as Gigi served up course after course of delicious sounding food. On her website, Diener has shared a number of recipes that were mentioned in this book, and I have to say...I would be happy for her to come and cook for me anytime!

Rating 4/5




About the tour

Link to Tour Schedule: http://hfvirtualbooktours.com/banquetofliestour
Twitter Hashtag: #BanquetOfLiesTour
Michelle Diener's website
Michelle Diener on Twitter
Michelle Diener on Facebook

About the book


A Secret Treaty and a Secret Life

LONDON, 1812: Giselle Barrington is living a double life, juggling the duties of chef with those of spy catcher. She must identify her father’s savage killer before the shadowy man finds her and uncovers the explosive political document her father entrusted to her safekeeping.

Posing as a French cook in the home of Lord Aldridge, Giselle is surrounded by unlikely allies and vicious enemies. In the streets where she once walked freely among polite society, she now hides in plain sight, learning the hard lessons of class distinction and negotiating the delicate balance between servant and master.

Lord Aldridge’s insatiable curiosity about his mysterious new chef blurs the line between civic duty and outright desire. Carefully watching Giselle’s every move, he undertakes a mission to figure out who she really is—and, in the process, plunges her straight into the heart of danger when her only hope for survival is to remain invisible.





Wednesday, October 9, 2013

David Blixt on Tom Clancy's Form of War

Today we are pleased to welcome David Blixt here to Historical Tapestry as part of the blog tour for his book Colossus: The Four Emperors. Welcome David!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I had planned something else for my chance to post here at Historical Tapestry. But the death of Tom Clancy last week altered my intentions. Because my writing owes him a massive debt.

I get a lot of compliments for my battle scenes. Many reviewers speak of their habit of skipping war writing in novels, as a preface to saying mine kept them engrossed. Part of that I’ll chalk up to my insistence that a fight is about characters, about desire and denial. That’s my theatrical background coming to the fore – everything is about character.

But there’s another reason that I think people enjoy my battles. And that’s entirely due to Tom Clancy. You see, while I often cite influences such as Dunnett, Cornwell, Penman, McCullough, and O’Brian, I owe a huge debt to Mr. Clancy. He taught me how to write a war.

In Historical Fiction, the undisputed master is Bernard Cornwell. He gets into a soldier’s head better than anyone writing today, perhaps since Homer. But that’s just it – his wars are always told from a single viewpoint. We live and die inside his protagonist, seeing the battle from his point of view. For a battle from a single POV, there is no one better.

But when I write battles, I use a larger tapestry – multiple characters coming together on the field to tell a larger story. While I pick one or two to follow regularly, I try to live behind the eyes of many. I have many pieces on my chessboard, and while no one character has all the information needed to see the whole battle, by skipping from viewpoint to viewpoint, the reader does.

This is a technique I owe to Tom Clancy.

Starting with The Hunt For Red October, and running through Patriot Games, Red Storm Rising, Clear And Present Danger, The Sum Of All Fears, and Without Remorse, Clancy holds a master-class in establishing far-flung characters with seemingly disparate lives and bringing them all together for the tension-fraught climax of his novels. (He does this in his later books as well, of course. But these are the ones that had the most impact on me – and also are the novels where he was not entirely ignoring his editors).

Now, lots of authors I love use a similar technique. Sharon Kay Penman and Colleen McCullough both paint on enormous tapestries, and cut from person to person. In the structuring of my novels, they led the way.

But in war, Clancy is a master. He uses a great technique of cross-cutting, just as if he were writing a shooting script for a film. He offers a snippet of fighting or drama, then jumps to another place to show us another piece of the action. An added benefit to this is a building of tension – as the action ramps up, the scenes get shorter and shorter, giving the impression of speed. This style also provide a series of cliffhangers, keeping the reader turning pages to find out what happens to their favorite characters. One of the reasons my books are often complimented as being ‘cinematic’ is due to me aping Clancy in this regard. (Shakespeare does something similar, building to shorter and shorter scenes to build tension. It’s also a technique employed by Dan Brown, though I often find myself chortling at his hyper-dramatic cliffhangers).

Now that I think about it, I have to laugh – in The Four Emperors, I not only use this technique for three major sequences of warfare, but also for a Roman orgy, cross-cutting between the participants and their very different experiences. So I can affirm that it works both for warfare and group sex. I’ll leave the parallels up to others.

I’m risking making my readers too aware of my stylistic choices – it’s like knowing how they did the zero-gravity shots in Gravity, or how a magician pulls off a trick. It can pull you out of the moment, hurt your enjoyment of the piece. But form defines function. For most of my novels, the form has been as important as the plot – even if I know the story, I can’t write until I figure out the structure.

So, while I owe huge debts for plot, scope, character, and more to my fellow historical authors, I owe a massive debt of structure to Tom Clancy.

I’ve included an example from The Four Emperors – not from a battle, exactly (or a sex scene – sorry!), but rather from a street brawl that sets up a coming battle. I chose it because of the technique, and also as an introduction to some of the novel’s main characters (there are a few spoilers, though as we’re dealing with history here, nothing too shocking).

This is from Chapter Twenty-Three, where the army of Emperor Vitellius has lost to the army of General Vespasian. In despair, Vitellius has just tried to renounce the imperial power in the middle of the Roman Forum. The action begins with Vespasian’s brother and nephew hearing this news, and you’ll see the Clancy structure on full display. Enjoy! And thank you, Tom, for helping me find my way to excitement, in your writing, and my own.




“He did what?” demanded Old Sabinus, hurriedly donning his senatorial shoes.

“Tried to abdicate,” reported the senior consul Atticus, having rushed to inform Vespasian’s brother of the news.

“And what happened?”

“The crowd wouldn’t allow it. There was nothing any of us could do,” Atticus added impotently.

“The fool! That unmitigated idiot!” The old man rounded on his younger grandson. “See what comes of too much theatre?”

Sabinus said, “Is the crowd still there?”

“Yes, Titus Flavius.”

“Are they angry? Up in arms?”

“Actually, they seemed more – pitying.”

Old Sabinus rolled his eyes. “Romans! Fickle idiots! If they’re not swayed by their bellies, they’re listening to their emotions! Very well, come along. Gaius Quinctius, you and I will address the crowd, make them see this is what’s good for everyone.” Spotting Clemens and Domitian joining his train of senators, he pointed at Vespasian’s son. “Stay here! The last thing we need is for them to get a look at you chomping at the bit to be a Caesar! Coming, son?”

“Right behind you,” said Sabinus, though he lagged back of the other senators and when they started for the Forum, and darted off down a different cobblestone path.

“Evil old relic,” said Domitian as the gaggle of senators and knights left for the Forum.

“That evil old relic is off to secure your father’s supremacy,” Clemens pointed out fairly. “And he’s right. If he can convince the crowd to accept Vitellius’ abdication, then you’ll have a fourth name by nightfall – Caesar.”

Domitian’s ready grin was evidence that he had considered this, and was not at all opposed to the idea.

  

Amid the crush of revelers, Abigail walked along wearing one of her mistress’ finest gowns, feeling uncomfortable in the soft, expensive fabric. She was much more used to the rough simple clothes she made with her own hands, after the fashion of her people. But it was the Saturnalia. Despite the fact that she and her daughter did not worship Saturn, they were forced to take part in his celebrations.

A few steps behind, Domitia Longina strolled arm-in-arm with her boon companion, Verulana Gratilla, hugely entertained in their roles as slaves-for-a-day. Of course, the bundles they carried were not nearly as heavy as those she and Perel toted all the other days of the year. No, they were full of the little knitted figures that everyone shared at this time of year. The four women were out delivering them as gifts, mostly to men they were interested in making blush.

Last night, Abigail knew, Domitia had run in Vitellius’ naked hunt, and proclaimed her favourite ‘hunter’ was an ex-gladiator who had used her roughly. “My only regret is that my husband was not there to watch.”

Now, walking behind Abigail and Perel, chatting loudly in a way no servant ever would, Domitia spied a large party of senators and knights. “Is that Sabinus? Ecastor, there’s a catch! How did my ninny of a sister manage to let him wriggle out of her net?”

Abigail noted her daughter’s reaction to the name Sabinus. This was the noble Roman who had been the Lord’s instrument, saving her daughter from shame in that floating nightmare Nero had created. Looking at him now, Abigail liked what she saw. He had a good face, reflecting the good man she already knew lived within him.

“No sign of that son of his,” ventured Verulana, giggling like a much younger girl.

“Nor of his cousin, Domitianus,” said Domitia Longina wistfully.

“Are you still mooning over him? Stop wasting your time! He never answered your letters or invitations to dine. He clearly wants nothing to do with you.”

“Which only makes him more attractive,” said Domitia with determination.

“Or homosexual,” said Verulana scandalously. “My, Titus Flavius looks positively grim. Oh look, he’s meeting his father and the consul Atticus. They’re headed for the Forum!”

“To address the crowds!” exclaimed Domitia in delight. “Do you think…?”

“Yes, absolutely! This is the moment! Vitellius will abdicate!”

Domitia’s smile grew wicked. “Wouldn’t it be delicious to join them?” Respectable women were not allowed in the Forum Romanum.

Verulana glowed. “Scandalous. Our husbands would be furious.”

Domitia turned to look at her slaves. “Abigail, Perel, push ahead and join that group of men.”

“Domina,” protested Abigail, “we are only slaves…”

“You can say you were on the way to the markets and got lost. Now obey me!”

“Yes, domina,” bowed Abigail, trusting to the Lord that she and her daughter would not end the day crucified.

  

Sabinus caught up to his father as the party of senators was passing between the Carinae and the Capitoline Hill, just coming to the Basin of Fundanus. “Where have you been?” demanded Old Sabinus.

“Collecting some friends.” Sabinus stepped aside to reveal Mamercus Cornelius Martialus with three more urban centurions – Titus Didius Scaeva, Marcus Aemilius Pacensis, and Sextus Casperius Niger. They all saluted Old Sabinus, their commander. “We gathered the off-duty lads as best we could. Perhaps a hundred, maybe more.”

Old Sabinus huffed. “Does my son think I need a bodyguard?”

“Turnabout, pater. Besides,” added Sabinus, jerking his chin at the Basin of Fundunus where a collection of mean-looking men were lingering, “Vitellius’ friends have thronged the Forum. We need friends of our own.”

Old Sabinus saw the wisdom of this, even if he did not say so. “Just get me to the rostra so I can address the crowd. They’ll see sense.”

But their path into the Forum was blocked almost at once. A burly fellow stood in their path, the scars across his arms branding him a former gladiator. “This is a gathering of patriots, old man.”

“No greater patriot than I, Quirite,” replied Old Sabinus with uncommon respect, calling the man by the common title of citizen. “If you let me pass, I shall prove it.”

“Will you speak for Vitellius?” asked the gladiator suspiciously.

“I certainly will! I’ll say no more than he said this morning.”

That produced a growl from the crowd. “He was duped into that statement – duped by you!”

Old Sabinus shrugged. “If Vitellius is a fool, I did not make him one.”

Leaning in, Sabinus hissed, “Pater, don’t—”

But it was too late, the insult had given the gladiator cause. Poking a beefy finger into the elderly man’s chest, he declared loudly, “You are kin to a traitor, old man!”

Old Sabinus slapped the hand away and spoke in even more ringing tones. “I am a senator of Rome, you clod! I piss on you – you and all your friends! Now let me pass!” With his open hand, he pushed at the man’s shoulder.

The gladiator responded by slapping Old Sabinus across the face.

It was years since anyone had dared to strike the ancient senator. Shameful tears of rage and shock filled his eyes. His toothless mouth flapping incomprehensible curses, Old Sabinus bravely started again to walk into the Forum, shoving the man back.

This time the obstructionist raised a closed fist, only to find his hand engulfed by the larger, hairier hand of Mamercus. The swarthy centurion applied pressure, and the surprised ex-gladiator gasped and sagged to one knee.

That was when the gladiator’s friends came to his aid.

  

Domitia was pushing past Abigail for a better view. “Can you make out what they’re saying?”

Hands on Perel’s shoulders, Verulana stood upon her toes. “They’re accusing Old Sabinus of treason! Oh! Someone has struck him!”

The crowd began to surge in several directions at once. “A fight! A fight!” cried Domitia, hopping in delighted excitement.

“Oh wonderful!” Buffeted this way and that, Verulana used Perel as a shield as she tried to push forward to strike a blow herself.

Domitia shoved Abigail from behind. “Make yourselves useful! Hit someone!”

  

At the first sign of disrespect to Old Sabinus, the men from the urban cohorts joined Mamercus in pushing the Vitellian supporters back. Shoves led to fists, and soon an all-out brawl was taking place on the edge of the Forum.

A knot of Praetorians arrived. Some had fought for Otho, some were new conscripts added by Vitellius. Regardless, they all viewed the city guards with contempt. Their swords scraped free of their scabbards, and suddenly what had been a shoving match became a scene from a gladiatorial game, with blood flying into the air. But unlike in the arena, here only one side was armed.

Yet Praetorians were not hardened soldiers. Mamercus wrested a sword from a white-clad figure and expertly used it to clear a path. “This way!”

Sabinus grabbed the collar of his father’s tunic. “Pater! We must go!”

Unable to retreat due to the crowd, they escaped by the only path left to them – up the clivus Capitolinus, the winding stairs up to the Capitol.

  

“Oh look!” cried Verulana, pointing to a man with a crushed nose, his blood bubbling as he fought for breath.

Abigail and Perel saw their mistress’ expression transform from delight to terror. The sight of blood had killed all excitement in Domitia. The noble lady turned to flee, but they were penned in, with more bodies pushing them towards the fighting ahead.

The direction of the shoving shifted, and the four women found themselves carried up the Capitoline steps. “Run! Run!” shouted Verulana gleefully. Raising her skirts, she turned to offer the Vitellians an obscene pelvic thrust. “Pipinna!” She then fled up the remaining stairs towards an ancient gateway.

  

The marble steps were narrow, curving like a crooked finger near the top. Along one side were porticos of gods and famous Romans topped with cupids. Racing past an image of his own ancestor, the consul Atticus called back curses at the Vitellians: “Your master is an oath-breaker! A pleasure-seeking catamite, and a pawn of lesser men!”

Higher up the stairs, the knot of senators containing Sabinus and his father reached the Capitoline gate. Their slippered feet pounded up the stone ramp that led to the top. Irony of ironies, high above them Nero drove his four-horsed quadriga into the sky, while images of battles and great victories and foreign submissions played out all across the marble monument. This was the Arch of Corbulo.

Passing under the arch, they emerged into the open air of the Mons Capitolinus. Several temples flanked the central altar, and at the north end, towering above the rest, stood the great Temple of Jupiter Optimus Maximus.

Dodging around massive obelisk and passing the rough stone altar, Sabinus shouted, “Into the Temple!”

Startled Capitoline slaves jumped back and fled from the sudden influx of men as Mamercus waved the senators and city guardsmen up the wide staircase, into the great god’s home.

Two hundred feet deep and slightly less wide, set behind eighteen columns all several times thicker than a man, Jupiter’s temple easily contained the refugees. The thirty foot high ceiling reverberated the frantic gabbling into a deafening cacophony. Of the nearly two hundred men, half were senators and knights, the rest were city guards.

And four were women. Verulana entered the great god’s temple with a flushed and smiling face. “What fun!”

Hair falling from her pins, Domitia ran inside, panting. Perel entered, looking wide-eyed at their surroundings.

Behind her, Abigail came to a sudden stop, her flesh crawling. This was the home of the Roman’s greatest god. The pillars from floor to ceiling were hung round with shields and weapons of varying types – spears, axes, swords, and things she didn’t even have a name for. Gilt letters spelling IOM were everywhere. The god himself was seated in Greek style, fashioned of ivory and gold. He held a thunderbolt high, as if ready to strike her dead.

Abigail had traveled the world with her Symeon, hidden in caves and dined with princes. She had seen the prisons he had inhabited, and lived in the wilds when they were being hunted by their own people. But this was the most frightening place she had ever seen. Would the Lord forgive her presence here? Would the Roman god strike her dead for trespassing? And what about Perel? Quickly Abigail dragged her staring daughter behind a pillar, out of view of the idol, and together they knelt to pray.

“Shut those doors!” commanded Sabinus to the slaves at the two side entrances as he and Mamercus closed the huge main doors with a resounding ‘clang.’

  

The Vitellian mob checked at the temple steps. Unlike Greeks and Jews, Romans did not believe in religious sanctuary. But it was sacrilege to shed human blood within the shrine to Jupiter Best and Greatest. Unsure what to do, the Vitellians opted to pull back and throw up a loose cordon around the bottom of the hill, penning the Flavians at its peak until their unwilling leader could decide what to do with them.

  

With Mamercus at his elbow, Sabinus quickly took charge. He stationed the soldiers of the city cohort at the doors. Gesturing to the shields on the columns, Sabinus ordered the more panicky senators to take them down, just to give them something to do.

Walking through the temple, looking at entrances and trying to formulate a plan, Sabinus paused in surprise when he spied the young Jewess, Domitia’s girl. “Jupiter! Perel, isn’t it?”

Domitia looked up in surprise as the slave girl blushed, clearly surprised and embarrassed to be recognized. “It is, Titus Flavius.”

Domitia said, “You know my girl?”

“We met a couple years ago,” said Sabinus briefly. “What on earth are you doing here?”

“We were enjoying the Saturnalia and got caught in the crowd.”

Sabinus nodded. “I’m sorry you were caught up in our folly.” Then he smiled at Perel. “No quick escape this time, I’m afraid.”

Perel smiled back at him, the asymmetry of her expression at once comic and tragic. “You will think of something, domine.”

“I wish I had your faith.” Sabinus noted Abigail. “Is this..?”

“My mother, Titus Flavius.”

“Well met. Again, I apologize for the circumstances. Forgive me, there are things I must see to.” Sabinus spent the next few minutes rounding up the temple slaves and freedmen, those charged with care of the temples. Temples were not just religious houses. Rome’s religion was inextricably mixed with the government. Thus temples did the state’s business, and civil servants plied their days under the gaze of the divinities that had jurisdiction over their work.

Collecting the servants between two massive pillars, Sabinus issued brisk instructions. “Go into the basement and bring up any usable weapons.” The temple was the repository of hundreds of years of gifts from foreign kings and despots, hoping to make nice with Rome. For once their gifts would prove useful. “Then make sure there is water for everyone, and start storing it in basins, in case they try to cut off the spring. Move!”

As they scampered away, Sabinus leaned close to Mamercus. “How am I doing?”

“Better than this summer,” said the veteran frankly. “There, you were playing the part of commander. Now you’re issuing commands, which is what a commander does.”

Sabinus smiled wanly. “Here, I know what we’re fighting for.”

“Our lives, you mean?” Mamercus laughed. “It does clear the mind, doesn’t it?”

“Senator!” called one of the urban guardsmen. “I think they’ve gone!”

Plucking a spear down from a wall, Sabinus had them open a door. Taking a deep breath, he ventured cautiously out and saw that the mob of Vitellians had retreated from the hilltop. There were at least a thousand Praetorians milling around below.

Mamercus quietly fed suggestions to Sabinus, who issued them as orders. “Marcus Aemilius, take twenty men and guard the gate we came through. Titus Didius, do the same for the gate at the southwest corner. Atticus, please begin searching the other temples for more weapons.”

The ancient wall encircling the hill had seven watchtowers – though by the modern standards they could barely be called towers, hardly higher than the wall itself. Sabinus divided the remaining men from the urban cohort to stand along the wall as look-outs.

In titular command of these cohorts, Old Sabinus stood nodding as though the orders were his own. He was still shocked from his treatment, and dazed from the run up the narrow stone stairs. But as he recovered himself, he began to protest. “Surely when Vitellius hears, he’ll call them off. We had a bargain!”

Sabinus squeezed his father’s shoulder. “Until he comes to his senses, best we defend ourselves and not rely on him.” As Old Sabinus stalked off, muttering, Sabinus wondered how his father had become so small. To Mamercus he said, “My father’s used to getting his way.”

“Don’t I know it,” replied Mamercus wryly. “I sure as certain didn’t want to go north with Otho and some young noble wet behind the ears. But he was right to keep you alive. Rome needs you.”

Sabinus was utterly humbled. But before he could stammer out some reply, Mamercus said, “Now, let’s secure the other gate.”

“What other gate?”

“The one to the Asylum.”

“Cacat!” Sabinus had forgotten the hill’s third entrance. “Let’s take a look.”

The Capitoline Hill was actually two mounds, with a low saddle connecting them. Jupiter’s Temple was on the large southern peak, while the smaller northern peak held temples to lesser gods – including, amusingly, the temple to Venus Erucina, the protectress of whores. The northern mound was called the Arx of the Capitoline, and the dip between the two was known as the Asylum.

Traditionally, the Asylum was a place of inviolable safety, where a man could dwell without fear of assault or detention.

A marble walkway linked the two rises. At the center of the walkway, stairs led down both sides. Sabinus had used them hundreds of times to get from the Forum to the Tiber’s banks. “If I’d been thinking, we could have escaped this way.”

“And been hunted down later, individually,” said Mamercus. “No use second guessing. Besides, no escape now.” At the bottom of the stairs on both sides, Praetorians had taken up watch.

“Find twenty men and seal this gate, too.” Sabinus noticed Mamercus frowning at the ancient wall above them. “What’s the matter?”

“Romulus built this wall. It’s been centuries since there’s been a real threat.”

“Is the wall weak?”

Mamercus slapped a huge block of tufa stone. “Hardly. They knew their business. No, the problem is that.” Mamercus pointed at the private homes that butted up against the wall’s far side.

Still Sabinus didn’t understand the problem. In a city where housing was an ever-growing concern, the state had made a tidy profit leasing this area for private homes. “They’re houses.”

“They’re higher than the wall, and offer a perfect view down. A great place to leap over the wall and take us unawares.”

Sabinus had an ugly moment of shock. “This isn’t very defensible, is it?”

“Not with less than two hundred men,” agreed Mamercus. “Our best hope is what your father said – Vitellius orders them off. That, or their awe of Jupiter will keep them away.”

“It’s pretty to think so,” said Sabinus. “But no one respects the gods anymore.”

About the Tour

Link to Tour Schedule: http://hfvirtualbooktours.com/thefouremperorstour
Twitter Hashtag: #FourEmperorsTour
David Blixt's website
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David Blixt on Twitter

About COLOSSUS: THE FOUR EMPERORS

Publication Date: April 7, 2013
Sordelet Ink
Paperback; 406p
ISBN-10: 061578318X

Rome under Nero is a dangerous place. His cruel artistic whims border on madness, and any man who dares rise too high has his wings clipped, with fatal results.

For one family, Nero means either promotion or destruction. While his uncle Vespasian goes off to put down a rebellion in Judea, Titus Flavius Sabinus struggles to walk the perilous line between success and notoriety as he climbs Rome's ladder. When Nero is impaled on his own artistry, the whole world is thrown into chaos and Sabinus must navigate shifting allegiances and murderous alliances as his family tries to survive the year of the Four Emperors.

The second novel in the Colossus series.

About the Author

Author and playwright David Blixt's work is consistently described as "intricate," "taut," and "breathtaking." A writer of Historical Fiction, his novels span the early Roman Empire (the COLOSSUS series, his play EVE OF IDES) to early Renaissance Italy (the STAR-CROSS'D series, including THE MASTER OF VERONA, VOICE OF THE FALCONER, and FORTUNE'S FOOL) up through the Elizabethan era (his delightful espionage comedy HER MAJESTY'S WILL, starring Will Shakespeare and Kit Marlowe as inept spies). His novels combine a love of the theatre with a deep respect for the quirks and passions of history. As the Historical Novel Society said, "Be prepared to burn the midnight oil. It's well worth it." Living in Chicago with his wife and two children, David describes himself as "actor, author, father, husband. In reverse order."

For more about David and his novels, visit www.davidblixt.com.

Friday, October 4, 2013

Like Chaff in the Wind (Graham Saga Book 2) by Anna Belfrage

Having read and reviewed book one in the series; you can read that review HERE.

The second book in the series set out with Matthew in Edinburgh. There has been bad feeling between him and his brother and much damage has been done to their relationship, to the point of no return.

In Edinburgh, things take a turn for the worse, as Matthew is captured and sold off as an indentured servant to spend his days on the plantations of the Colonies.

Alex is desperate to be reunited with her husband, but does she manage it? As I turned each page I was really caught up with the story line. Does Alex become reunited with her beloved Matthew? - you will have to read the book to find out!

Again, a well laid out plot which has received much research. I just wondered as I read the sentence that explains the indentured ship crossing the Atlantic, when did the ocean receive it's name? There were a few scenes that made me question the plot, but I decided that it was important to not look at the events of the 1600's with a 21st Century mind. I really enjoyed this book and am very glad that I did decide to read them in the published order and am looking forward to reading and reviewing the finale in the series.

Anna has a delightful website where you can read about the series and download the few chapter in a PDF file.

About the Author


I was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result I’m multilingual and most of my reading is historical – both non-fiction and fiction.I was always going to be a writer – or a historian, preferably both. Instead I ended up with a degree in Business and Finance, with very little time to spare for my most favourite pursuit. Still, one does as one must, and in between juggling a challenging career I raised my four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive … Nowadays I spend most of my spare time at my writing desk. The children are half grown, the house is at times eerily silent and I slip away into my imaginary world, with my imaginary characters. Every now and then the one and only man in my life pops his head in to ensure I’m still there. I like that – just as I like how he makes me laugh so often I’ll probably live to well over a hundred.
I was always going to be a writer. Now I am – I have achieved my dream.

For more information, please visit Anna Belfrage’s WEBSITE.

I shall be back next week with the review of the final book in the series as part of the book tour for book three.



See others participating in the Book Tour HERE

Disclaimer- I was provided with a copy of the book in exchange for an honest review.


Tuesday, October 1, 2013

A Rip in the Veil (Graham Saga Book 1) by Anna Belfrage

A little while ago I was given the opportunity to review the 3rd book in the Graham Sage by Anna Belfrage. As I read the synopsis I discovered a problem; I had not read the first books in the series. So my response was I would love to read the third book, but I would also read and review the first two in the series.

After a few days the books arrived and I started to read. Lately I have been in a reading slump. Over the years I have periodically stopped reading, recharged my batteries and started again. This time my recommencement in reading coincided with the arrival of these three books and I was hooked from the start.

 There was something very readable about this book. From the first sentence I was hooked, and that enthusiasm for a book, or in this case three books has not happened for a while, a very long while and even my favourite authors had not reinvigorated my reading.

We start the scene with Alex, driving along when she is caught up in a severe thunder storm. As the storm rages Alex is thrown together with the second central character of the book, Matthew. The problem is that Alex and Matthew both exist, but 300 years apart.

Set in both Scotland and America, Alex is a modern woman living in a past time where outspoken women were not encouraged, and women were meek, mild and knew their place. Matthew on the other hand knows that Alex is trouble, she is outspoken and he believes a woman before her time, if only he knew!

There is a similarities between this series and the popular series by Diana Gabaldon; that is not a negative. Anna has researched thoroughly and delivered a wonderful themed story that simply drives you to keep reading and move across to the following books in the series.

Anna has a delightful website where you can read about the series and download the first chapter in a PDF file.

About the Author
I was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result I’m multilingual and most of my reading is historical – both non-fiction and fiction. I was always going to be a writer – or a historian, preferably both. Instead I ended up with a degree in Business and Finance, with very little time to spare for my most favourite pursuit. Still, one does as one must, and in between juggling a challenging career I raised my four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive … Nowadays I spend most of my spare time at my writing desk. The children are half grown, the house is at times eerily silent and I slip away into my imaginary world, with my imaginary characters. Every now and then the one and only man in my life pops his head in to ensure I’m still there. I like that – just as I like how he makes me laugh so often I’ll probably live to well over a hundred.

I was always going to be a writer. Now I am – I have achieved my dream. For more information, please visit Anna Belfrage’s WEBSITE.

I shall be back a little later in the week with the review of the second book in the series before joining the book tour for book three.
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